Part 21 (1/2)

Palaces facing Avenue of Palms, from east to west: Varied Industries, Manufactures, Liberal Arts, Education

South facade of Palace of Varied Industries, by Faville High walls, seventy feet in height, suggest eighteenth century California missions

Green domes on corners, Byzantine, inspired by s, cerulean blue, pastel red, and burnt orange

Windows in corners, onal kiosks at corners below domes, Moorish

Central portal, after portal of Santa Cruz Hospital, in Toledo, Spain

Sixteenth century Spanish Renaissance, plateresque Lattice-work effect in doorway in harmony with lace-like silver-platter style Niche walls pink, with ultraoldsmith, Diaz, to do work for hi the influence of the Italian Renaissance He as To the son he ie and the son applied it to architecture, creating the plateresque style Till then all Spanish cathedrals had shown the Gothic influence froe door by Stackpole Upper figures, ”Age Transferring His Burden to Youth,” Aure in center piece of arch, ”Power of Industry,” the Aures in half circle above door, ”Varied Industries,” froriculture, Manual Labor, and Coure repeated four times in lower niches, ”Man with the Pick”

”California Bear” and ”California shi+eld” on buttresses, or square colus

Avenue of Progress

Planting, soainst buildings, Monterey cypress; banked by Lawson cypress in front and between these, spruces and Spanish fir

Machinery Palace, Ward & Blohme, of San Francisco, architects Italian Renaissance, inspired by Ro of its kind in world; three blocks long, seven acres in area

Banners, by Ryan, heraldic designs of early Spanish explorers and soldiers

Lophantha lawn, designed by John McLaren, trees trirow flat alongside Palace of Varied Industries

East facade of Varied Industries, made Italian to harmonize with Italian Machinery Palace

Main portal, like gateways of old Roateway, by Albert Weinert of New York

Se, blue, light green'

Sculpture on Machinery Palace, by Haig Patigian, of San Francisco

Large columns in front and in vestibule of half doe colue above do tone,

Corinthian colules at corners of capitals, at top, symbolize inspiration

Frieze around druian; eyes closed, signifying Power of the spirit, or blind fate