Part 21 (2/2)

Figures in triangular spaces on either side above doorways, ”Application of Power to Machinery,” by Haig Patigian

Figures on tall Sienna ian

”Stea wings, suggesting quickness of le bird of inspiration, about to fly ”Electricity,” foot on earth, carrying syles repeated on bar, the entablature, across front of do in vestibule of Machinery Palace: Finely hare and blue ceilings; green lattice work

”Genius of Creation,” group before court leading to Court of Ages, Daniel Chester French Spirit above, a wo life froeous and enterprising; wo Serpent, symbol of wisdo to Court of Ages

Coloring, pink walls, pink streamers, by Guerin Green shell lamp posts, by McKim, Mead & White, architects Called ”Pink Alley” by work construction

Palaces on sides of court: to the north, Mines; to the south, Varied Industries

Lalobes, by Faville

Flat Ionic coluure in niches, ”The Miner,” by Albert Weinert

Court of the Ages

Court of Ages, Louis Christian Mullgardt, of San Francisco, architect

Most original of the courts Faint influence of Spanish Gothic, Roests evolution of man

Palaces around court: northeast, Mines; northwest, Transportation; southwest, Manufactures; southeast, Varied Industries,

Decorations on columns of archways around court, kelp, crabs, lobsters, and other sea ani water

Fairy laned

”Primitive Man and Woman,” by Albert Weinert, repeated alternately above corridors around court Man, a hunter, feeding pelican Woestive of French cathedral architecture, reat successes of the Exposition

”The Rise of Civilization,” groups of sculpture on tower, by Chester Beach Central idea, evolution, Stone Age, Mediaeval Age, and Present Age ”Priround Man is holding child and protecting e”

directly above, Crusader in center, Priest and Warrior on sides The candlesticks on sides of crusader, used inOn sides of altar, ”Modern Man and Wo for freedoence”

enthroned above; on one side, child with book; on the other side, child heel of industry