Part 20 (1/2)

South Wall, by Faville Spanish Renaissance Do Avenue of Palms, from west to east: Education, Palace Liberal Arts, Manufactures, and Varied Industries

Vases beside doorways of Palace of Education, finely designed; pedestal of one, a Corinthian capital; of the other, an Ionic capital

Main portals, Faville Suggest Roe; accentuates sculpture Duplicated on Palaces of Manufactures and Liberal Arts

Panel over doorway, by Mahonri Young, Ogden, Utah; figures of dolass, ures at side, to left, woe-hammer

Flat columns at side of portals, pilasters Corinthian

Lion, over centerpiece of arch

”Victory,” on gables by Louis Ulrich, like the winged figure used by the Greeks, ” Blessings on this house”

Niches in wall, colored pink and blue Heads of lions and elephants used as fountains, alternately by Faville

Panel over niches, figures with garland, by Faville

Festival Hall

Festival Hall, Robert Farquhar, of Los Angeles, architect Modern French architecture, of the Beaux Arts style, Paris Used in rowth in this country, but growing in favor; building arrangement fine Details froreen, not so effective as on Horticultural Palace, popular with French architects

Figure on corner doures on sides of shi+eld over big central arch, by Fry Decorative

West entrance

Reclining figures, above, on sides of entrance, by Fry To right, Bacchus with grapes and wine-skin To left, a wo

Groups in front of ball, on sides of stairway, by Fry ”Flora,” flower girl on pedestal, repeated On left below pedestal, ”Young Pan,” seated on Ionic capital covered with fawn skin, his irl seated

Greek drinking horns, rhytons, repeated around entrance, on cornice, suggest festivity

Symbol of Music, the lyre, above entrance

Recital Hall, on the second floor of Festival Hall, eastern end, contains fine stained glass s Designer and executor, Charles J

Connick, of Boston Three s, a ser ones on the all of the hall itself