Part 37 (2/2)

”The Illuminated Magazine” [_with Meadows, Sargent, Gilbert, Harvey, etc._]. 1845.

Charles Lever's ”St. Patrick's Eve,” woodcuts and fine steel etchings.

1845.

”Tales of the Trains; some Chapters of Railroad Romance,” by Tilbury Tramp (_i.e._ Charles Lever). Orr, 1845.

”Nuts and Nutcrackers.” 1845.

Charles Lever's ”The O'Donoghue.” Dublin, 1845.

”Fiddle-Faddle's Sentimental Tour in Search of the Amusing, Picturesque, and Agreeable.” 1845.

”The Union Magazine,” vol. i. Three plates. 1846.

”f.a.n.n.y the Little Milliner; or, the Rich and the Poor” [_with Onwhyn_].

1846.

”The Commissioner; or, De Lunatico Inquirendo,” twenty-eight steel plates. Dublin, 1846.

”A Medical, Moral, and Christian Dissertion of Teetotalism,” by Democritus. 1846.

Charles Lever's ”Knight of Gwynne.” 1847.

”The Fortunes of Colonel Torlogh O'Brien: a Tale of the Wars of King James.” Dublin, 1847.

”John Smith's Irish Diamonds; or, a Theory of Irish Wit and Blunders.”

1847.

W. Harrison Ainsworth's ”Old St. Paul's,” two plates. 1847.

Charles d.i.c.kens's ”Dombey and Son.” 1846-48.

Twelve full-length portraits ill.u.s.trating ”Dombey and Son,” designed and etched by ”Phiz.” (Sometimes bound up with the book.) 1848.

Albert Smith's ”The Pottleton Legacy.” 1849. (Another edition in 1854.)

Charles d.i.c.kens's ”David Copperfield,” forty plates. 1849-50.

Charles Lever's ”Roland Cashel.” 1849-50.

John Smith's ”Sketches of Cantabs,” two plates. 1850.

Defoe's ”Robinson Crusoe,” full-page cuts. 1850.

”The Ill.u.s.trated Byron,” two hundred woodcuts after Kenny Meadows, Birket Foster, Phiz, and Janet. _Circa_ 1850.

”Ghost Stories and Tales of Mystery,” etchings. Dublin, 1851.

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