Part 38 (1/2)

”The Daltons.” (Charles Lever.) 1850-52.

Francis Edward Smedley's ”Lewis Arundel.” 1852.

Charles d.i.c.kens's ”Bleak House,” thirty-nine plates. 1852-53.

Horace Mayhew's ”Letters Left at the Pastrycook's: being the Correspondence of Kitty Clover,” cuts. 1853.

W. Harrison Ainsworth's ”Crichton.”

”Christmas Day, and How it was Spent by four Persons in the House of Fogra.s.s, Fogra.s.s, Mowton, and Snorton, Bankers,” by C. Le Ros. Woodcuts.

1854.

Charles Lever's ”Dodd Family Abroad.” 1854.

Francis E. Smedley's ”Harry Coverdale's Courts.h.i.+p.” 1854.

Charles Lever's ”Martins of Cro' Martin.” 1856.

”Home Pictures,” seven excellent plates. Darton & Co. 1856.

Charles d.i.c.kens's ”Little Dorrit.” 1855-57.

W. Harrison Ainsworth's ”Spendthrift,” 1857; ”Mervyn c.l.i.theroe,” 1857-58.

Charles Lever's ”Davenport Dunn.” 1859.

Mrs. Stowe's ”The Minister's Wooing.” 1859.

Charles d.i.c.kens's ”Tale of Two Cities,” sixteen etchings; the last work he executed for that author.

W. Harrison Ainsworth's ”Ovingdean Grange; a Tale of the South Downs.”

1860.

”Twigs for Nests; or, Notes on Nursery Nurture,” ill.u.s.trations in graphotype by H. K. Browne and others, 1860.

Charles Lever's ”One of Them,” 1861; ”Barrington,” 1862-63.

”Tom Moody's Tales.” (Mark Lemon.) 1864.

”Mr. Facey Romford's Hounds” (Surtees), [_with John Leech_]. 1864.