Part 11 (1/2)
Besides these specimens of poetry about b.u.t.terflies, I have one queer example to offer of j.a.panese prose literature on the same topic. The original, of which I have attempted only a free translation, can be found in the curious old book Mus.h.i.+-Isame (”Insect-Admonitions”); and it a.s.sumes the form of a discourse to a b.u.t.terfly. But it is really a didactic allegory,--suggesting the moral significance of a social rise and fall:--
”Now, under the sun of spring, the winds are gentle, and flowers pinkly bloom, and gra.s.ses are soft, and the hearts of people are glad.
b.u.t.terflies everywhere flutter joyously: so many persons now compose Chinese verses and j.a.panese verses about b.u.t.terflies.
”And this season, O b.u.t.terfly, is indeed the season of your bright prosperity: so comely you now are that in the whole world there is nothing more comely. For that reason all other insects admire and envy you;--there is not among them even one that does not envy you. Nor do insects alone regard you with envy: men also both envy and admire you.
Soshu of China, in a dream, a.s.sumed your shape;--Sakoku of j.a.pan, after dying, took your form, and therein made ghostly apparition. Nor is the envy that you inspire shared only by insects and mankind: even things without soul change their form into yours;--witness the barley-gra.s.s, which turns into a b.u.t.terfly. [13]
”And therefore you are lifted up with pride, and think to yourself: 'In all this world there is nothing superior to me!' Ah! I can very well guess what is in your heart: you are too much satisfied with your own person. That is why you let yourself be blown thus lightly about by every wind;--that is why you never remain still,--always, always thinking, 'In the whole world there is no one so fortunate as I.'
”But now try to think a little about your own personal history. It is worth recalling; for there is a vulgar side to it. How a vulgar side?
Well, for a considerable time after you were born, you had no such reason for rejoicing in your form. You were then a mere cabbage-insect, a hairy worm; and you were so poor that you could not afford even one robe to cover your nakedness; and your appearance was altogether disgusting. Everybody in those days hated the sight of you. Indeed you had good reason to be ashamed of yourself; and so ashamed you were that you collected old twigs and rubbish to hide in, and you made a hiding-nest, and hung it to a branch,--and then everybody cried out to you, 'Raincoat Insect!' (Mino-mus.h.i.+.) [14] And during that period of your life, your sins were grievous. Among the tender green leaves of beautiful cherry-trees you and your fellows a.s.sembled, and there made ugliness extraordinary; and the expectant eyes of the people, who came from far away to admire the beauty of those cherry-trees, were hurt by the sight of you. And of things even more hateful than this you were guilty. You knew that poor, poor men and women had been cultivating daikon (2) in their fields,--toiling under the hot sun till their hearts were filled with bitterness by reason of having to care for that daikon; and you persuaded your companions to go with you, and to gather upon the leaves of that daikon, and on the leaves of other vegetables planted by those poor people. Out of your greediness you ravaged those leaves, and gnawed them into all shapes of ugliness,--caring nothing for the trouble of those poor folk... Yes, such a creature you were, and such were your doings.
”And now that you have a comely form, you despise your old comrades, the insects; and, whenever you happen to meet any of them, you pretend not to know them [literally, 'You make an I-don't-know face']. Now you want to have none but wealthy and exalted people for friends... Ah! You have forgotten the old times, have you?
”It is true that many people have forgotten your past, and are charmed by the sight of your present graceful shape and white wings, and write Chinese verses and j.a.panese verses about you. The high-born damsel, who could not bear even to look at you in your former shape, now gazes at you with delight, and wants you to perch upon her hairpin, and holds out her dainty fan in the hope that you will light upon it. But this reminds me that there is an ancient Chinese story about you, which is not pretty.
”In the time of the Emperor Genso, the Imperial Palace contained hundreds and thousands of beautiful ladies,--so many, indeed, that it would have been difficult for any man to decide which among them was the loveliest. So all of those beautiful persons were a.s.sembled together in one place; and you were set free to fly among them; and it was decreed that the damsel upon whose hairpin you perched should be augustly summoned to the Imperial Chamber. In that time there could not be more than one Empress--which was a good law; but, because of you, the Emperor Genso did great mischief in the land. For your mind is light and frivolous; and although among so many beautiful women there must have been some persons of pure heart, you would look for nothing but beauty, and so betook yourself to the person most beautiful in outward appearance. Therefore many of the female attendants ceased altogether to think about the right way of women, and began to study how to make themselves appear splendid in the eyes of men. And the end of it was that the Emperor Genso died a pitiful and painful death--all because of your light and trifling mind. Indeed, your real character can easily be seen from your conduct in other matters. There are trees, for example,--such as the evergreen-oak and the pine,--whose leaves do not fade and fall, but remain always green;--these are trees of firm heart, trees of solid character. But you say that they are stiff and formal; and you hate the sight of them, and never pay them a visit.
Only to the cherry-tree, and the kaido [15], and the peony, and the yellow rose you go: those you like because they have showy flowers, and you try only to please them. Such conduct, let me a.s.sure you, is very unbecoming. Those trees certainly have handsome flowers; but hunger-satisfying fruits they have not; and they are grateful to those only who are fond of luxury and show. And that is just the reason why they are pleased by your fluttering wings and delicate shape;--that is why they are kind to you.
”Now, in this spring season, while you sportively dance through the gardens of the wealthy, or hover among the beautiful alleys of cherry-trees in blossom, you say to yourself: 'n.o.body in the world has such pleasure as I, or such excellent friends. And, in spite of all that people may say, I most love the peony,--and the golden yellow rose is my own darling, and I will obey her every least behest; for that is my pride and my delight.'... So you say. But the opulent and elegant season of flowers is very short: soon they will fade and fall. Then, in the time of summer heat, there will be green leaves only; and presently the winds of autumn will blow, when even the leaves themselves will shower down like rain, parari-parari. And your fate will then be as the fate of the unlucky in the proverb, Tanomi ki no s.h.i.+ta ni ame furu [Even through the tree upon which I relied for shelter the rain leaks down]. For you will seek out your old friend, the root-cutting insect, the grub, and beg him to let you return into your old-time hole;--but now having wings, you will not be able to enter the hole because of them, and you will not be able to shelter your body anywhere between heaven and earth, and all the moor-gra.s.s will then have withered, and you will not have even one drop of dew with which to moisten your tongue,--and there will be nothing left for you to do but to lie down and die. All because of your light and frivolous heart--but, ah! how lamentable an end!”...
III
Most of the j.a.panese stories about b.u.t.terflies appear, as I have said, to be of Chinese origin. But I have one which is probably indigenous; and it seems to me worth telling for the benefit of persons who believe there is no ”romantic love” in the Far East.
Behind the cemetery of the temple of Sozanji, in the suburbs of the capital, there long stood a solitary cottage, occupied by an old man named Takahama. He was liked in the neighborhood, by reason of his amiable ways; but almost everybody supposed him to be a little mad.
Unless a man take the Buddhist vows, he is expected to marry, and to bring up a family. But Takahama did not belong to the religious life; and he could not be persuaded to marry. Neither had he ever been known to enter into a love-relation with any woman. For more than fifty years he had lived entirely alone.
One summer he fell sick, and knew that he had not long to live. He then sent for his sister-in-law, a widow, and for her only son,--a lad of about twenty years old, to whom he was much attached. Both promptly came, and did whatever they could to soothe the old man's last hours.
One sultry afternoon, while the widow and her son were watching at his bedside, Takahama fell asleep. At the same moment a very large white b.u.t.terfly entered the room, and perched upon the sick man's pillow. The nephew drove it away with a fan; but it returned immediately to the pillow, and was again driven away, only to come back a third time.
Then the nephew chased it into the garden, and across the garden, through an open gate, into the cemetery of the neighboring temple. But it continued to flutter before him as if unwilling to be driven further, and acted so queerly that he began to wonder whether it was really a b.u.t.terfly, or a ma [16]. He again chased it, and followed it far into the cemetery, until he saw it fly against a tomb,--a woman's tomb. There it unaccountably disappeared; and he searched for it in vain. He then examined the monument. It bore the personal name ”Akiko,”
(3) together with an unfamiliar family name, and an inscription stating that Akiko had died at the age of eighteen. Apparently the tomb had been erected about fifty years previously: moss had begun to gather upon it. But it had been well cared for: there were fresh flowers before it; and the water-tank had recently been filled.
On returning to the sick room, the young man was shocked by the announcement that his uncle had ceased to breathe. Death had come to the sleeper painlessly; and the dead face smiled.
The young man told his mother of what he had seen in the cemetery.
”Ah!” exclaimed the widow, ”then it must have been Akiko!”...
”But who was Akiko, mother?” the nephew asked.