Part 6 (1/2)
”Go head outside then,” I say, trying not to sound too excited. ”Take some exercise. Get some fresh air.” Get out a here. Get out a here.
”No,” Miss Celia sighs. ”I shouldn't be running around out there. I need to be still.”
It's really starting to irritate me how she never leaves the house, how she smiles like the maid walking in every morning is the best part of her day. It's like an itch. Every day I reach for it and can't quite scratch it. Every day, it itches a little worse. Every day she's there there.
”Maybe you ought to go make some friends,” I say. ”Lot a ladies your age in town.”
She frowns up at me. ”I've been trying. I can't tell you the umpteen times I've called those ladies to see if I can help with the Children's Benefit or do something from home. But they won't call me back. None of them.”
I don't say anything to this because ain't that a surprise. With her bosoms hanging out and her hair colored Gold Nugget.
”Go shopping then. Go get you some new clothes. Go do whatever white women do when the maid's home.”
”No, I think I'll go rest awhile,” she says and two minutes later I hear her creeping around upstairs in the empty bedrooms.
The mimosa branch knocks against the window and I jump, burn my thumb. I squeeze my eyes shut to slow my heart. Ninety-four more days of this mess and I don't know how I can take a minute more.
”Mama, fix me something to eat. I'm hungry.” That's what my youngest girl, Kindra, who's five, said to me last night. With a hand on her hip and her foot stuck out.
I have five kids and I take pride that I taught them yes ma'am yes ma'am and and please please before they could even say before they could even say cookie cookie.
All except one.
”You ain't having nothing till supper,” I told her.
”Why you so mean to me? I hate hate you,” she yelled and ran out the door. you,” she yelled and ran out the door.
I set my eyes on the ceiling because that's a shock I will never get used to, even with four before her. The day your child says she hates you, and every child will go through the phase, it kicks like a foot in the stomach.
But Kindra, Lord. It's not just a phase I'm seeing. That girl is turning out just like me.
I'm standing in Miss Celia's kitchen thinking about last night, what with Kindra and her mouth, Benny and his asthma, my husband Leroy coming home drunk two times last week. He knows that's the one thing I can't stand after nursing my drunk daddy for ten years, me and Mama working ourselves to death so he had a full bottle. I guess I ought to be more upset about all this, but last night, as an I'm sorry I'm sorry, Leroy came home with a sack of early okra. He knows it's my favorite thing to eat. Tonight I'm going to fry up that okra in some cornmeal and eat like my mama never let me.
That's not the only treat to my day either. It's October first and here I am peeling peaches. Mister Johnny's mama brought back two crates from Mexico, heavy as baseb.a.l.l.s. They are ripe and sweet and like cutting through b.u.t.ter. I don't take charity from white ladies because I know know they just want me to owe them. But when Miss Celia told me to take a dozen peaches home I pulled out a sack and plopped twelve right in. When I get home tonight, I'm eating fried okra for supper and peach cobbler for dessert. they just want me to owe them. But when Miss Celia told me to take a dozen peaches home I pulled out a sack and plopped twelve right in. When I get home tonight, I'm eating fried okra for supper and peach cobbler for dessert.
I'm watching the long, fuzzy peel fold down into Miss Celia's basin, paying no mind at all to the driveway. Usually when I'm standing at her kitchen sink, I map out my getaway from Mister Johnny. The kitchen's the best room for it because the front window looks out to the street. Tall azalea bushes hide my face, but I can see through enough to spot an approacher. If he came in the front door, the back door would escape me into the garage. If he came in the back, I could slip out the front. Another door in the kitchen leads out to the backyard, just in case. But what with the juice running down my hand and me nearabout drunk on the b.u.t.ter smell, I am lost in a peach-peeling reverie. I don't even notice the blue truck pull in.
The man's made it halfway up the walk by the time I look up. I catch a sliver of a white s.h.i.+rt, the variety of which I'm used to ironing every day, and the leg of a pair of khaki pants like I hang up in Mister Johnny's closet. I choke on a yelp. My knife clatters in the sink.
”Miss Celia!” I dash into her bedroom. ”Mister Johnny home home!”
Miss Celia jumps out of bed faster than I've seen her move before. I turn around in an idiot circle. Where am I going? Which way do I go? What happened to my getaway plan? Where am I going? Which way do I go? What happened to my getaway plan? And then I snap into decision--the guest bathroom! And then I snap into decision--the guest bathroom!
I slip in and keep the door cracked. I crouch up on the toilet seat so he can't see my feet under the door. It's dark in here and hot. I feel like my head's on fire. Sweat drips off my chin and splats on the floor. I feel sick by the thick smell of gardenia soaps by the sink.
I hear footsteps. I hold my breath.
The footsteps stop. My heart is thumping like a cat in a clothes dryer. What if Miss Celia pretends she doesn't know me so she won't get in trouble? Acts like I'm a burglar? Oh, I hate her! I hate that stupid woman! Oh, I hate her! I hate that stupid woman!
I listen, but all I can hear is my own panting. The thud-thud in my chest. My ankles hurt and creak, holding up my body like this.
My eyes grow sharper in the dark. After a minute, I see myself in the mirror over the sink. Crouched like a fool on top of a white lady's toilet.
Look at me. Look what it's come to for Minny Jackson to make a d.a.m.n living.
MISS SKEETER.
chapter 5.
I DRIVE MY mama's Cadillac fast on the gravel road, headed home. Patsy Cline can't even be heard on the radio anymore, for all the rocks banging the side of the car. Mother would be furious, but I just drive faster. I can't stop thinking about what Hilly said to me today at bridge club. DRIVE MY mama's Cadillac fast on the gravel road, headed home. Patsy Cline can't even be heard on the radio anymore, for all the rocks banging the side of the car. Mother would be furious, but I just drive faster. I can't stop thinking about what Hilly said to me today at bridge club.
Hilly and Elizabeth and I have been best friends since Power Elementary. My favorite photograph is of the three of us sitting in the football stands in junior high, all jammed together, shoulder to shoulder. What makes the picture, though, is that the stands are completely empty around us. We sat close because we were close.
At Ole Miss, Hilly and I roomed together for two years before she left to get married and I stayed on to graduate. I rolled thirteen curlers in her hair every night at the Chi Omega house. But today, she threatened to throw me out of the League. Not that I care so much about the League, but I was hurt by how easily my friend would be willing to cast me aside.
I turn up the lane that leads to Longleaf, my family's cotton plantation. The gravel quiets to smooth, yellow dust and I slow down before Mother sees how fast I'm driving. I pull up to the house and get out. Mother is rocking on the front porch.
”Come sit, darling,” she says, waving me toward a rocking chair beside her. ”Pascagoula's just waxed the floors. Let them dry awhile.”
”Alright, Mama.” I kiss her powdery cheek. But I don't sit. I lean on the porch railing, look out on the three mossy oak trees in the front yard. Even though it's only five minutes outside of town, most people consider this the country out here. Surrounding our yard lie ten thousand acres of Daddy's cotton fields, the plants green and strong, tall as my waist. A few colored men sit under a distant shed, staring into the heat. Everyone is waiting for the same thing, for the cotton bolls to open.
I think about how things are different between Hilly and me, since I came home from school. But who is the different person, her or me?
”Did I tell you?” Mother says. ”f.a.n.n.y Peatrow got engaged.”
”Good for f.a.n.n.y.”
”Not even a month after she got that teller job at the Farmer's Bank.”
”That's great, Mother.”
”I know,” she says, and I turn to see one of those lightbulb-popping looks of hers. ”Why don't you go down to the bank and apply for a teller job?” know,” she says, and I turn to see one of those lightbulb-popping looks of hers. ”Why don't you go down to the bank and apply for a teller job?”
”I don't want to be a bank teller, Mama.”
Mother sighs, narrows her eyes at the spaniel, Shelby, licking his nether parts. I eye the front door, tempted to ruin the clean floors anyway. We've had this conversation so many times.
”Four years my daughter goes off to college and what does she come home with?” she asks.
”A diploma?”
”A pretty piece of paper,” Mother says.
”I told you. I didn't meet anybody I wanted to marry,” I say.