Part 12 (1/2)
... To speak of the danger and harm of materialism, and even more to fight against it, is, to say the least, premature. We have not enough data to draw up an indictment. There are many theories and suppositions, but no facts.... The priests complain of unbelief, immorality, and so on. There is no unbelief. People believe in something, whatever it may be....
As to immorality, it is not people like Mendeleyev but poets, abbots, and personages regularly attending Emba.s.sy churches, who have the reputation of being perverted debauchees, libertines, and drunkards.
In short, I cannot understand Bourget's crusade. If, in starting upon it, he had at the same time taken the trouble to point out to the materialists an incorporeal G.o.d in the sky, and to point to Him in such a way that they should see Him, that would be another matter, and I should understand what he is driving at.
May 14, 1889.
... You want to know if the lady doctor hates you as before. Alas! she has grown stouter and much more resigned, which I do not like at all. There are not many women doctors left on earth. They are disappearing and dying out like the branches in the Byelovyezhsky forest. Some die of consumption, others become mystics, some marry widowed squadron-commanders, some still try to stand firm, but are obviously losing heart. Probably the first tailors and the first astrologers also died out rapidly. Life is hard on those who have the temerity first to enter upon an unknown path. The vanguard always has a bad time of it.
May 15, 1889.
If you have not gone abroad yet, I will answer your letter about Bourget.... You are speaking of the ”right to live” of this or that branch of knowledge; I am speaking of peace, not of rights. I want people not to see war where there is none. Different branches of knowledge have always lived together in peace. Anatomy and belles-lettres are of equally n.o.ble descent; they have the same purpose and the same enemy--the devil--and there is absolutely nothing for them to fight about. There is no struggle for existence between them. If a man knows about the circulation of the blood, he is rich; if he also learns the history of religion and the song ”I remember a marvellous moment,” he becomes richer, not poorer--that is to say, we are concerned with pluses alone. This is why geniuses have never fought, and in Goethe the poet lived amicably side by side with the scientist.
It is not branches of knowledge such as poetry and anatomy, but errors--that is to say, men--that fight with one another. When a man fails to understand something he is conscious of a discord, and seeks for the cause of it not in himself, as he should, but outside himself--hence the war with what he does not understand. In the middle ages alchemy was gradually in a natural, peaceful way changing into chemistry, and astrology into astronomy; the monks did not understand, saw a conflict and fought against it. Just such a belligerent Spanish monk was our Pisarev in the sixties.
Bourget, too, is fighting. You say he is not, and I say he is. Imagine his novel falling into the hands of a man whose children are studying in the faculty of science, or of a bishop who is looking for a subject for his Sunday sermon. Will the effect be anything like peace? It will not. Or imagine the novel catching the eye of an anatomist or a physiologist, or any such. It will not breathe peace into anyone's soul; it will irritate those who know and give false ideas to those who don't.
TO A. N. PLESHTCHEYEV.
MOSCOW, September 30, 1889.
... I do not think I ought to change the t.i.tle of the story. [Footnote: ”A Dreary Story.”] The wags who will, as you foretell, make jokes about ”A Dreary Story,” are so dull that one need not fear them; and if someone makes a good joke I shall be glad to have given him the occasion for it.
The professor could not write about Katya's husband because he did not know him, and Katya does not say anything about him; besides, one of my hero's chief characteristics is that he cares far too little about the inner life of those who surround him, and while people around him are weeping, making mistakes, telling lies, he calmly talks about the theatre or literature.
Were he a different sort of man, Liza and Katya might not have come to grief.
October, 1889.
I am afraid of those who look for a tendency between the lines, and who are determined to regard me either as a liberal or as a conservative. I am not a liberal, not a conservative, not a believer in gradual progress, not a monk, not an indifferentist. I should like to be a free artist and nothing more, and I regret that G.o.d has not given me the power to be one. I hate lying and violence in all their forms, and am equally repelled by the secretaries of consistories and by Notovitch and Gradovsky. Pharisaism, stupidity and despotism reign not in merchants' houses and prisons alone. I see them in science, in literature, in the younger generation.... That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superst.i.tion. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom--freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.
MOSCOW, February 15, 1890.
I answer you, dear Alexey Nikolaevitch, at once on receiving your letter.