Part 14 (1/2)

A sad plight was that of Partenopex, for he heard that Hermon and other knights had departed to the tournament of Melior at Constantinople, while he had perforce to remain in durance vile and renounce all hope of regaining his place in the affections of his lady by force of arms.

But Partenopex succeeded in interesting the Queen in his affairs, and she a.s.sisted in his escape from his Syrian prison. He arrived at Constantinople just in time to partic.i.p.ate in the tournament. Many and powerful were his opponents, the most formidable being the Soldan of Persia, but at length he overcame them all, and when he asked to be permitted to claim his reward he was received by Melior with every mark of forgiveness and rejoicing.

The Type of 'Partenopex'

The romance of Partenopex is undoubtedly of the same cla.s.s as those of Cupid and Psyche and Melusine, in which one spouse must not behold another on pain of loss. The loss invariably occurs, but poetical justice usually demands that recovery should take place after many trials. Frequently the husband or wife takes beast or reptile shape, as in the grand old romance of Melusine, to which Partenopex bears a strong resemblance, and by which I think it has certainly been sophisticated. But in the story with which we have been dealing the reputed semi-reptilian form which the heroine is said to possess is proved to be the figment of the brain of a jealous rival, and in this we have a valuable variant of the main form of the legend, ill.u.s.trating the rise within it of more modern ideas and the skilful utilization of an antique form to the uses of the writer of fiction. The tale of Partenopex de Blois certainly deserves fuller study at the hands of folklorists than it has yet received, and I hope they will peruse its Catalonian as well as its French form, thus rendering their purview of the tale more embracive.

Tirante the White

The grand old tale of Tirante the White was the work of two Catalonian authors, Juan Martorell and Juan de Gilha, the latter completing the work of the former. Martorell states that he translated the romance from the English, and it certainly seems as if portions of the work had been sophisticated or influenced by the old English romance of Sir Guy of Warwick. I cannot, however, discern any signs of direct translation, and think it very probable that the author's statement in this regard is one of those polite fictions employed by the romance-writers of Old Spain to render their efforts more mysterious or to guard themselves against the merciless critics with whom the Peninsula seems to have swarmed in a period when well-nigh everybody was bitten with the craze for belles-lettres. The romance was first printed at Valencia in 1490. It contains reference to the Canary Islands, which were first discovered in 1326, and were not well known even in Spain until the beginning of the fifteenth century, so that we may perhaps be justified in fixing the date of its composition about that period, especially as it alludes to a work on chivalry ent.i.tled L'Arbre des Batailles, which was not published until 1390. The book was translated into Castilian and produced at Valladolid in 1511, and was followed by Italian and French translations by Manfredi and the Comte de Caylus respectively, but the latter has dreadfully mutilated the original, and has even altered its main plot as well as many of its lesser incidents, and has imported into it an unhealthy atmosphere which we do not find in the work as given us by Martorell.

On the occasion of the marriage of a certain King of England with a beautiful and accomplished princess of France the most extraordinary efforts were made to signalize the entente thus ratified by a tournament of the most splendid description. Learning of these martial preparations, Tirante, a young knight of Brittany, resolved to partic.i.p.ate in them, and with a number of youthful companions who had a like object in view he took s.h.i.+p for England, where in due time he landed, and proceeded to Windsor. But the fatigues of the voyage overtook him and he fell asleep, lulled into slumber by the jog-trot of his weary charger.

It is not to be wondered at that in this manner he became separated from his brisker companions, and that on awaking he found himself alone on the broad highway. Setting spurs to his destrier, he pushed on for a few miles, but feeling the necessity for rest and refreshment he cast about for a halting-place, and was cheered by the sight of a humble lodging, which he believed to be a hermitage, nestling among the trees at some distance from the roadside and almost concealed in the leafy shadows. Dismounting, he entered the place, and was confronted by a person whose hermit's garb ill suited him, and whose disguise was soon penetrated by the practised eye of knighthood, so that Tirante was scarcely surprised to observe that the recluse was engaged in reading the book known as L'Arbre des Batailles, a work which descants with learning and insight upon the precepts and practice of chivalry.

The Hermit Earl

The hermit was, indeed, none other than William, Earl of Warwick, a renowned champion, who, tired of the frivolities of the Court, had gone on a pilgrimage to Jerusalem. Arrived at the Holy Sepulchre, he had spread a report of his death, had returned to England in the disguise of a pilgrim or palmer, and had taken up his abode in the hermitage where Tirante discovered him, and which was not far from the castle where his countess resided. But his retirement was not destined to last long, for when the great King of the Canary Islands landed in England with a formidable army, the Earl, beholding the widespread consternation occasioned by his invasion, took up arms once more. The advance of the raiders was, however, so swift that the King of England was speedily driven from Canterbury and London, and was compelled to seek refuge in the town of Warwick, where he was hotly besieged by the Canarese forces. At this crisis the Earl came to his a.s.sistance, slew the King of the Canaries in single combat, and dispersed his army in a pitched battle. This accomplished, he revealed himself to his countess, and once more retired to his hermitage. All of these details agree in a measure with those of the old English romance of Sir Guy of Warwick.

Tirante made himself known to the hermit Earl, told him that he was so called because his father was lord of the marches of Tirraine, situated in that part of France which was opposite the coast of England, and that his mother was daughter to the Duke of Brittany. He further told his host that he was resolved to take part in the great tournament held to celebrate the royal wedding, whereupon the Earl read him a chapter from the book he had been perusing regarding the whole duty of a knight. This he followed by a lecture upon the use of arms and the exploits of ancient paladins. When he had finished he observed that the hour was late and that as Tirante was ignorant of the roads he had better hasten upon his way, and, pressing the youthful champion to accept the book from which he had been reading, he bade him farewell.

A twelvemonth pa.s.sed. Tirante, having shown his superiority at the tournament, was returning with some forty of his companions from the Court, when they once more pa.s.sed the Earl's retreat, and halted to pay their duty to him. Interested to learn of the warlike pageant, he inquired who had most distinguished himself, and was told that Tirante had borne off the prize. A French lord called Villermes, having objected to his wearing a favour given him by the fair Agnes, daughter of the Duke of Berri, had defied him to mortal combat, and had required that they should fight armed with bucklers of paper and helmets of flowers. Villermes was slain in the encounter, but Tirante, having recovered from eleven wounds, shortly afterward slew four knights, brothers-in-arms, who proved to be the Kings of Poland and Friesland and the Dukes of Burgundy and Bavaria. A certain subject of the King of Friesland, rejoicing in the name of Kyrie Eleison, or 'Lord have mercy upon us,' and descended from the ancient giants, now arrived in England to avenge his master's death. On beholding his sovereign's tomb, however, he expired from grief on seeing the arms of Tirante suspended over the Frisian standard. His place was supplied by his brother, Thomas of Montauban, a champion of stature still more gigantic, who was, however, defeated by the young Breton knight and forced to sue for his life.

Having paid his respects to the Earl, Tirante returned to his native Brittany, but he had been only a few days in the castle of his fathers when a messenger arrived with the news that the Knights of Rhodes were closely besieged by the Genoese and the Soldan of Cairo. Accompanied by Philip, youngest son of the King of France, Tirante set out to the relief of the island, and in the course of the voyage anch.o.r.ed in the roads of Palermo, where he sojourned for a s.p.a.ce. When at length he arrived at Rhodes the besiegers beat a hasty retreat, and having freed the island from their presence Tirante and his men returned to Sicily, where Prince Philip espoused the princess of that country.

But the wedding festivities had scarcely come to an end when a herald from the Emperor of Constantinople arrived at the Sicilian Court with the moving information that his master's territories had been invaded by the Grand Turk and the Soldan of the Moors. Once more chivalric honour demanded that a Christian land should be rescued from the clutches of the paynim, and Tirante, setting sail for Constantinople, was, on his arrival there, entrusted with the supreme command of the h.e.l.lenic forces. A great part of the romance is occupied by the details of the war carried on against the Turks, who were invariably defeated in battle after battle, so that at length they called for a truce. This was granted, and the interval of repose was occupied with splendid festivals and tournaments.

At this juncture of affairs no less a personage than the celebrated Urganda arrived in Constantinople in quest of her brother, the renowned Arthur, King of Britain. The Emperor, searching among those of his prisoners who were kept in the most obscure dungeons, found the hero of heroes pining out his old age in an iron cage, reduced to the lowest level of physical debility. Restored to his ancient weapon, the good sword Excalibur, the hapless monarch was able to answer any questions put to him with address. But when the blade was withdrawn from his grasp he sank ever lower into the second childhood of senility. After giving a splendid supper, Urganda disappeared with her ancient brother, nor was anyone aware whither they had gone.

Up to this time Tirante had contrived to remain fancy-free, but at last he fell a willing victim to the bright eyes of the Emperor's daughter, the Princess Carmesina. His affair went smoothly enough until one of her attendants, Reposada, having fallen pa.s.sionately in love with the young knight, succeeded in arousing his jealousy by a wretched stratagem, and, offended to the soul at what he believed to be the baseness of his mistress, he set out once more for the army without taking his leave of her. But the vessel in which he set sail was caught in a violent tempest and driven upon the coasts of Africa. Wandering disconsolate on the sh.o.r.e, Tirante encountered an amba.s.sador of the King of Tormecen, who conducted him to Court and presented him to his master, whom he a.s.sisted in the wars in which that monarch was naturally engaged. On one occasion he besieged the city of Montagata, when a lady issued from its gates to sue for peace on behalf of its inhabitants. To his surprise he found her to be one of the Princess Carmesina's attendants, who told him the truth regarding the trick played upon him by the false Reposada. He at once raised the siege, and returned to Constantinople at the head of an enormous army to succour the Greek Emperor. Burning the Turkish fleet, he rendered the retreat of the Soldan's forces impracticable, and secured an advantageous peace.

Splendid preparations were now made for the wedding of Tirante and Carmesina. But while on his return to Constantinople after the conclusion of the treaty he received orders, at the distance of a day's journey from the city, to wait until the completion of those preparations before entering Constantinople. While walking on the banks of a river in conversation with the Kings of Ethiopia, Fez, and Sicily, he was seized with a deadly pleurisy, and, despite all the efforts of his attendants, expired shortly afterward. The Emperor and Princess, on learning of his demise, were unable to restrain their grief, and died on the day they heard of his death.

We have at last encountered a romance which does not end happily. In what manner such a denouement was received by the Spanish public we know not, but at least they cannot but have been struck by its originality. That Tirante the White was a popular favourite, however, is clear from the praise lavished upon it by Cervantes. ”By her taking so many romances together,” he says, ”there fell one at the barber's feet, who had a mind to see what it was, and found it to be Tirante the White. 'G.o.d save me,' quoth the priest in a loud voice, 'is Tirante the White there? Give me him here, neighbour, for I shall find him a treasure of delight, and a mine of entertainment.'” He then advised the housewife to take it home and read it, ”for though the author deserves to be sent to the gallows for writing so many foolish things seriously, yet in its way it is the best book in the world. Here the knights eat and sleep and die in their beds, and make their wills before their death, with several things which are wanting in all other books of this kind.”

Is not this the essence of the revolt against the unnatural absurdities which so often characterized romance, expressed succinctly by the man who headed the mutiny?

CHAPTER VII: RODERIC, LAST OF THE GOTHS

Last night I was a King of Spain--to-day no King am I.