Part 16 (2/2)

VERRIER, P. Metrique anglaise, 1909.

DILTHEY, W. Das Erlebnis und Die Dichtung, 1907.

STETSON, R. H. Rhythm and Rhyme, in _Harvard Psychological Studies_, Vol. 1.

_Chapter Ten.--Prose Literature._

SCHOPENHAUER, A. The Art of Literature.

GOETHE AND SCHILLER. Correspondence, pa.s.sim.

GREEN, T. H. The Value and Influence of Works of Fiction, 1862.

LEWES, G. H. Principles of Success in Literature, 1892.

ARNOLD, M. Essays in Criticism, 1869.

ZOLA, E. The Experimental Novel and Other Essays, translated by B. M. Sherman, 1893.

BESANT, W., and JAMES, H. The Art of Fiction, 1885.

PATER, W. Appreciations, with an Essay on Style, 1889.

STEVENSON, R. L. On Style in Literature, in _Contemporary Review_, 47:548.

BOURGET, P. Etudes et Portraits, 1911.

FLAUBERT, G. Correspondance, published 1887.

ELSTER, E. Prinzipien der Literaturwissenschaft, 1897, 1911.

FREITAG, G. Technique of the Drama, English translation, 1895.

MATTHEWS, J. B. A Study of the Drama, 1910.

JONES, H. A. The Foundations of a National Drama, 1913.

WOODBRIDGE, E. The Drama: Its Laws and Its Technique, 1898.

DE MAUPa.s.sANT, GUY. Le Roman, in Pierre et Jean.

For additional references on Poetry and Prose, consult _An Introduction to the Methods and Materials of Literary Criticism_, by C. M. Gayley and F. N. Scott, 1899.

_Chapter Eleven.--Painting._

MEIER-GRAEFE, J. Modern Art, English translation, 1908.

ROSS, DENMON. A Theory of Pure Design, 1907; On Drawing and Painting, 1912.

BERENSON, B. Central Italian Painters of the Renaissance.

POORE, H. R. Pictorial Composition, 1903.

VAN d.y.k.e, J. C. Art for Art's Sake, 1895.

Ut.i.tZ, E. Grundzuege der Aesthetischen Farbenlehre, 1908.

WAETZOLDT, WM. Die Kunst des Portraets, 1908.

WEIGHT, WM. H. Modern Painting, 1915.

LIPPS, T. Aesthetik, Bd. 1, 5ter Abschnitt, Bd. 2, 7tes Kapitel.

GOETHE. Farbenlehre.

SOURIATJ, P. L'Estetique du mouvement, 1889.

STRATTON, G. M. Eye Movement, and the Aesthetics of Visual Form, in Philosophische Studien, XX.

COHN, J. Experimented Untersuchungen ueber die Gefuehls-betonung der Farben, in Philosophische Studien, 10: 522.

BAKER and CHOWN. Experiments on Color, in the University of Toronto Studies.

LEE and THOMPSON. Beauty and Ugliness, in Contemporary Review, 1897.

CHEVREUL, M. E. The Principles of Harmony and Contrast of Colors, 1855.

_Chapter Twelve.--Sculpture._

HILDEBRAND, A. The Problem of Form in Painting and Sculpture, English translation, 1907.

RODIN, A. Art, English translation, 1912.

HERDER, J. G. Plastik, 1778.

LIPPS, T. Aesthetik, Bd. 2, 5tes u. etes Kapitel.

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