Part 13 (2/2)

In Pastures New George Ade 79060K 2022-07-22

The entire population lives on the river, literally and figuratively.

Dark-robed women come down to the stream in endless processions to fill their water jars, and it seems that about every forty feet or so all the way up from Cairo the industrious fellah is lifting water up the bank and irrigating his little field with the same old-fas.h.i.+oned sweep and bucket arrangement that was in use when Joseph came over to Egypt and attracted the attention of Potiphar's wife. The Egyptian farmer is called a fellah. The clothing that he wears would wad a gun--that is, a rifle, not a shotgun. He puts in at least fourteen hours a day and his pay is from ten to fifteen cents. Mr. Peasley told a tourist the other day that the song ”He's a jolly good fellah” originated in Egypt during the time of the Ptolemies. This is a sample of the kind of idiotic observation that is supposed to enliven a so-called pleasure trip.

But let us get back to the river, for in Egypt one must get back to the river at least once every twenty minutes. The Nile is Egypt and Egypt is the Nile. All this description may sound like a few pages from the trusty red guide book, and yet the word ”Egypt” will have no meaning to the reader who does not get a clear panoramic vision of this wonderfully slim-waisted country. Nearly six hundred miles long and yet containing only twelve thousand five hundred square miles--about the size of Maryland.

The strip of black land which yields the plentiful crops is nowhere more than ten miles wide, a mere fringe of fertility weaving along through dryness and desolation. Anywhere along the river if you will climb to the rocky plateau, you will see the slow moving river, probably a half-mile wide, as a gla.s.sy thread on which are strung fields of living green, bordered by the dreary uplifts of desert. The traveller who goes by boat from Cairo to a.s.souan sees all of Egypt.

The cities and temples and tombs of olden times were perched on the high spots or planted in the bare hills, so as to be safe from the annual rise of waters. Anything worth seeing in the whole country is within an easy donkey ride of the river bank. The river is the only artery of travel. There is a railway, but it follows the river all the way up to a.s.souan.

It would seem that the country was especially laid out and punctuated with ”sights” for the convenience of the modern traveller, for the visitor who goes up the Nile and stops off at the right spots can do a clean job of sight seeing without doubling on his tracks.

Until a few years age the tourist going up the Nile had to take a dahabeah. This sounds like the name of a disease, but it is really a big, roomy, flat-bottomed sailboat. The dahabeah moves only when the wind is in the right direction, and to go from Cairo to a.s.souan requires the greater part of a lifetime. Those travellers who have money to burn and who are content to settle down to many weeks of rest and indolence charter the private dahabeahs. When a traveller goes aboard a dahabeah he tears up the calendar and lets his watch run down.

Those who have more money and are in a hurry use the private steam dahabeahs.

A majority of travellers go by pa.s.senger boats. The tourist steamers devote three weeks to a loafing voyage up to a.s.souan and back, with daily excursions to the graveyards and ruins. The express steamers, carrying freight and native pa.s.sengers, take less time for the round trip, as they skip some of the less interesting antiquities. We took an express steamer, thereby missing many of the tombs and temples, but still getting enough of them to last us for the next hundred years or so.

Our steamer is a frail affair, double decked and of no draught worth mentioning. It resembles the old style of Missouri River boat, built to run on a heavy dew. There are thirty pa.s.sengers, who devote most of their time to lolling on deck waiting for the next meal. Mud banks, natives hoisting water, green fields stretching away to the bald range of hills, 'dobe huts, spindly palms, now and then a solemn row of camels, always several donkeys and goats in evidence, every few miles the tall stack of a sugar mill, perpetual suns.h.i.+ne--it is monotonous travel, and yet there is continually something doing along the banks, and the traveller cannot get away from that feeling of satisfaction which results from lying back to watch other people work.

[Ill.u.s.tration: _Lying back to watch others work_]

And the sunsets! You cannot estimate the real dignity and artistic value of a camel until you see him or her silhouetted against a sky of molten gold just at twilight. I have made two or three attempts to describe the glory of a sunset in the desert, but I find myself as helpless as Mr. Peasley, who, after gazing for five minutes at the flaming horizon can only murmur a low but reverent ”Gos.h.!.+”

It may interest the reader to hear what Baedeker has to say on the subject. Baedeker says (p. 216) ”The sunsets are very fine.” That's what I like about Baedeker. He doesn't fuss over a lot of words and tack on superfluous adjectives. As soon as he has imparted the necessary information in a trim and concise manner he moves on to the next subject.

I am sending herewith two sketches which show the beauty and variety of landscape to which we are treated every day. View No. 1 is most characteristic. We see before us the rippling Nile and beyond it the sheer river bank of black dirt. Then the field of waving grain, in the distance the range of hills, and over all a dazzling suns.h.i.+ne.

[Ill.u.s.tration: _View of the Nile--No. 1_]

No. 2 is more varied. Again we have the river, the mud bank, and the growing crops, together with the distant hills, behind which the sun is silently sinking. In the foreground at the left is a majestic palm.

The structure at the right is a native house and will indicate something of the simple life of the agriculturist. The complicated device on the river bank at stage centre is the shadouf, used for lifting water from the stream. The cavernous opening in the distant hill (marked X in the drawing) is the entrance to a rock tomb. By studying this picture the reader may get a very fair understanding of the architectural splendour of these ancient sepulchres.

[Ill.u.s.tration: _View of the Nile--No. 2_]

Travelling on the Nile has two reliable features to commend it. The weather is always fair and the native population constantly enlivens the picture, for the lower river is crowded with sails and every inch along the banks is under cultivation. Also, the Nile has some surprises in store. Two definite delusions are soon shattered.

Delusion No. 1.--HEAT. It is not always warm in Egypt. In the middle of the day, out of the wind and on the desert, it may work up to a good summery temperature at this season, but in the shade it is cool, and as soon as the sun has set, a bracing autumnal chill comes into the air and the heavy overcoat is needed. The north wind can be very chiselly at times. If coming to Egypt, bring your flannels along.

Delusion No. 2.--CROCODILES. There are no crocodiles in the Nile. We have always supposed that the bank of the river was polka-dotted with these monsters, lying in wait for small, dark children. It is said that two thousand years ago the Nile was bordered with papyrus reeds or bullrushes, within the tangles of which lurked hippopotami, crocodiles, dragomans, and other reptiles, but the animals have disappeared, and so has the river vegetation. The other day we visited the island on which Pharaoh's daughter discovered little Moses. The island is still there, but there isn't a bullrush within a mile of it.

One of the penalties of travel is to have old and settled beliefs uprooted. For instance, there are no Maltese cats in Malta, no Venetian blinds in Venice, no Roman punch in Rome. If you want Neapolitan ice cream in Naples you must send out for it. You may walk about all day in Bologna without seeing a pound of Bologna sausage.

Egyptian cigarettes are known throughout the world, and yet no tobacco is grown in Egypt. Go to Manhattan Beach and everybody is drinking Martinis. Truly, the stereotyped labels are deceptive.

CHAPTER XV

DAY BY DAY ON THE DROWSY NILE. WITH SOMETHING ABOUT THE WONDERFUL Ha.s.sIM

While we were in London we dined one evening at a gorgeous hotel with a Mr. Brewster, of Connecticut. After dinner, Mr. Peasley told the waiter to bring some ”good cigars.” Mr. Peasley resides in Iowa, where it is customary to stroll down to the drug store after supper and buy a couple of Lottie Lees, which are so good that the druggist cannot afford to give six for a quarter. Not being familiar with the favourite brands of London, he called on Mr. Brewster to name the cigar of his choice, and Mr. Brewster said he was very fond of the Corona del Matadora, or something like that, because the entire crop in Cuba was taken over by a London dealer, and they could not be obtained in New York for love or money. The waiter brought what appeared to be a very superior article of stogie, and after they had been pa.s.sed around, Mr.

Peasley put several into his pockets, as we were going to a music hall, and Mr. Peasley had learned that tobacco acted as a sedative and helped one to remain calm while listening to British jokes.

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