Part 59 (1/2)

Leon Battista Alberti (15th century) wrote extensively on painting and sculpture: De pictura and De Statua were translated by Cecil Grayson (London: Phaidon, 1972) Alberti's writings on the art of building, De re aedificatoria, was translated by Joseph Rykwert, Neil Leach, and Robert Tavernor (10 volue MA: MIT Press, 1988)

Marcel Duchaainst those ere ”intoxicated by turpentine,” he pursued a ”dry art” From the Nu descendant un escalier, considered ”an explosion in a fireworks factory” to his celebrated ready-mades, Duchamp pursued the call to ”de-artify” art Selection beca objects taken out of context and appropriating theions where neither ti: An artisticdifferent fore in 1958) and the group associated with the Reuben gallery in New York (Kaprow, Jiht the movement to the borderline where distinctions between the artist and the public are erased Later, the movement expanded to Europe

Andy Warhol The Philosophy of Andy Warhol: froain New York: Harcourt Brace Jovanovich, 1975

- Strong Opinions New York: McGraw Hill, 1973

Andy Warhol is re that in the future, everyone will be a celebrity for 15 minutes

Vladimir (Vladimirovich) Nabokov Lectures on Literature Edited by Fredson Bowers, introduction by John Updike New York: Harcourt Brace Jovanovich, 1980-1981

”A rose is a rose is a rose,” now quite an illustrious (if not trite) line, originated in Gertrude Stein's poem Sacred Emily

But ”A rose by any other name/would smell as sweet” from Shakespeares Romeo and Juliet can be seen as a precursor

Symbolism is a neo-romantic art movement of the end of the 19th century, in reaction to the Industrial Revolution and positivist attitudes per art and existence Writers such as Beaudelaire, Riner, in the first place), painters such as Gauguin, Ensor, Puvis de Chavannes, Moreau, and Odilon Redon created in the spirit of sy of the 20th century, sy went so far as to identify its psychological basis

Jah very controviersial) edition, prepared by Hans Walter Gabler with Wolfgang Steppe and Claus Melchior New York: Garland Publishers, 1984

Antoine Furetire Essais d'un Dictionnaire Universel Geneva: Slatkine Reprints, 1968 (reprint of the original published in 1687 in Amsterdam under the saine de Gramsci A cura di Giansiro Ferrata e Niccolo Gallo Milano: Il Saggiatore, 1971

- Graacs and Geoffrey Newell-Se MA: Harvard University Press, 1985

- Le Ceneri di Gramsci Milano: Garzanti, 1976

Pier Paolo Pasolini (1922-1975) Turc al Friul Traduzione e introduzione di Giancarlo Bocotti Munich: Instituto Italian di Cultura, 1980 Ken Kesey The Further Inquiry Photographs by Ron Bevirt New York: Viking Penguin, 1990

Gustave Flaubert (1821-1880) Madame Bovary Paris: Gallimard, 1986

- Madame Bovary Patterns of provincial life (Translated, with a new introduction by Francis Steegmuller) New York: Modern Library, 1982

Donald Barthelme Amateurs New York: Farrar, Strauss, Giroux, 1976

- The King New York: Harper & Row, 1990

- The Slightly Irregular Fire Engine or The Hithering Thithering Djinn New York: Farrar, Strauss, Giroux, 1971

Kurt Vonnegut Breakfast of Champions or, Goodbye Blue Monday!

New York: Delacorte Press, 1973

- Galapagos A Novel New York: Delacorte Press, 1985

- Fates Worse than Death An Autobiographical Collage of the 1980's New York: GP Putnam's, 1991

John Barth Chimera New York: Random House, 1972