Part 16 (2/2)

”Pray don't scold her. I dare say Sir Philip would not have refused me a permission he might not give to every idle sightseer. Fellow-travellers have a freemasonry with each other; and I have been much in the same far countries as himself. I heard of him there, and could tell you more about him, I dare say, than you know yourself.”

”You, sir! pray do then.”

”The next time I come,” said Margrave, gayly; and, with a nod to me, he glided off through the trees of the neighbouring grove, along the winding footpath that led to the lodge.

”A very cool gentleman,” muttered the steward; ”but what pleasant ways he has! You seem to know him, sir. Who is he, may I ask?”

”Mr. Margrave,--a visitor at L----, and he has been a great traveller, as he says; perhaps he met Sir Philip abroad.”

”I must go and hear what he said to Mrs. Gates; excuse me, sir, but I am so anxious about Sir Philip.”

”If it be not too great a favour, may I be allowed the same privilege granted to Mr. Margrave? To judge by the outside of the house, the inside must be worth seeing; still, if it be against Sir Philip's positive orders--”

”His orders were, not to let the Court become a show-house,--to admit none without my consent; but I should be ungrateful indeed, doctor, if I refused that consent to you.”

I tied my horse to the rusty gate of the terrace-walk, and followed the steward up the broad stairs of the terrace. The great doors were unlocked. We entered a lofty hall with a domed ceiling; at the back of the hall the grand staircase ascended by a double flight. The design was undoubtedly Vanbrugh's,--an architect who, beyond all others, sought the effect of grandeur less in s.p.a.ce than in proportion; but Vanbrugh's designs need the relief of costume and movement, and the forms of a more pompous generation, in the bravery of velvets and laces, glancing amid those gilded columns, or descending with stately tread those broad palatial stairs. His halls and chambers are so made for festival and throng, that they become like deserted theatres, inexpressibly desolate, as we miss the glitter of the lamps and the movement of the actors.

The housekeeper had now appeared,--a quiet, timid old woman. She excused herself for admitting Margrave--not very intelligibly. It was plain to see that she had, in truth, been unable to resist what the steward termed his ”pleasant ways.”

As if to escape from a scolding, she talked volubly all the time, bustling nervously through the rooms, along which I followed her guidance with a hushed footstep. The princ.i.p.al apartments were on the ground-floor, or rather, a floor raised some ten or fifteen feet above the ground; they had not been modernized since the date in which they were built. Hangings of faded silk; tables of rare marble, and mouldered gilding; comfortless chairs at drill against the walls; pictures, of which connoisseurs alone could estimate the value, darkened by dust or blistered by sun and damp, made a general character of discomfort. On not one room, on not one nook, still lingered some old smile of home.

Meanwhile, I gathered from the housekeeper's rambling answers to questions put to her by the steward, as I moved on, glancing at the pictures, that Margrave's visit that day was not his first. He had been to the house twice before,--his ostensible excuse that he was an amateur in pictures (though, as I had before observed, for that department of art he had no taste); but each time he had talked much of Sir Philip. He said that though not personally known to him, he had resided in the same towns abroad, and had friends equally intimate with Sir Philip; but when the steward inquired if the visitor had given any information as to the absentee, it became very clear that Margrave had been rather asking questions than volunteering intelligence.

We had now come to the end of the state apartments, the last of which was a library. ”And,” said the old woman, ”I don't wonder the gentleman knew Sir Philip, for he seemed a scholar, and looked very hard over the books, especially those old ones by the fireplace, which Sir Philip, Heaven bless him, was always poring into.”

Mechanically I turned to the shelves by the fireplace, and examined the volumes ranged in that department. I found they contained the works of those writers whom we may cla.s.s together under the t.i.tle of mystics,--Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius, Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less renowned, on astrology, geomancy, chiromancy, etc. I began to understand among what cla.s.s of authors Margrave had picked up the strange notions with which he was apt to interpolate the doctrines of practical philosophy.

”I suppose this library was Sir Philip's usual sitting-room?” said I.

”No, sir; he seldom sat here. This was his study;” and the old woman opened a small door, masked by false book backs. I followed her into a room of moderate size, and evidently of much earlier date than the rest of the house. ”It is the only room left of an older mansion,” said the steward in answer to my remark. ”I have heard it was spared on account of the chimneypiece. But there is a Latin inscription which will tell you all about it. I don't know Latin myself.”

The chimneypiece reached to the ceiling. The frieze of the lower part rested on rude stone caryatides; the upper part was formed of oak panels very curiously carved in the geometrical designs favoured by the taste prevalent in the reigns of Elizabeth and James, but different from any I had ever seen in the drawings of old houses,--and I was not quite unlearned in such matters, for my poor father was a pa.s.sionate antiquary in all that relates to mediaeval art. The design in the oak panels was composed of triangles interlaced with varied ingenuity, and enclosed in circular bands inscribed with the signs of the Zodiac.

On the stone frieze supported by the caryatides, immediately under the woodwork, was inserted a metal plate, on which was written, in Latin, a few lines to the effect that ”in this room, Simon Forman, the seeker of hidden truth, taking refuge from unjust persecution, made those discoveries in nature which he committed, for the benefit of a wiser age, to the charge of his protector and patron, the wors.h.i.+pful Sir Miles Derval, knight.”

Forman! The name was not quite unfamiliar to me; but it was not without an effort that my memory enabled me to a.s.sign it to one of the most notorious of those astrologers or soothsayers whom the superst.i.tion of an earlier age alternately persecuted and honoured.

The general character of the room was more cheerful than the statelier chambers I had hitherto pa.s.sed through, for it had still the look of habitation,--the armchair by the fireplace; the kneehole writing-table beside it; the sofa near the recess of a large bay-window, with book-prop and candlestick screwed to its back; maps, coiled in their cylinders, ranged under the cornice; low strong safes, skirting two sides of the room, and apparently intended to hold papers and t.i.tle-deeds, seals carefully affixed to their jealous locks. Placed on the top of these old-fas.h.i.+oned receptacles were articles familiar to modern use,--a fowling-piece here, fis.h.i.+ng-rods there, two or three simple flower-vases, a pile of music books, a box of crayons. All in this room seemed to speak of residence and owners.h.i.+p,--of the idiosyncrasies of a lone single man, it is true, but of a man of one's own time,--a country gentleman of plain habits but not uncultivated tastes.

I moved to the window; it opened by a sash upon a large balcony, from which a wooden stair wound to a little garden, not visible in front of the house, surrounded by a thick grove of evergreens, through which one broad vista was cut, and that vista was closed by a view of the mausoleum.

I stepped out into the garden,--a patch of sward with a fountain in the centre, and parterres, now more filled with weeds than flowers. At the left corner was a tall wooden summer-house or pavilion,--its door wide open. ”Oh, that's where Sir Philip used to study many a long summer's night,” said the steward.

”What! in that damp pavilion?”

”It was a pretty place enough then, sir; but it is very old,--they say as old as the room you have just left.”

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