Part 18 (1/2)
I am free to say that Van B. and L.'s selections would have led me neither to Laforgue nor to Rimbaud. They were, however, my approach to many of the other poets, and their two volume anthology is invaluable.
[3] Statement dated Feb., 1918.
[4] _”Max Elskamp”; essai par Jean De Bosschere. Bibliotheque de l'Occident, 17 rue Eble, Paris, fr_. 3.50.
[5] _Little Review_, Oct., 1918.
[6] _Laforgue!_
II
HENRY JAMES
This essay on James is a dull grind of an affair, a Baedecker to a continent.
I set out to explain, not why Henry James is less read than formerly--I do not know that he is. I tried to set down a few reasons why he ought to be, or at least might be, more read.
Some may say that his work was over, well over, finely completed; there is ma.s.s of that work, heavy for one man's shoulders to have borne up, labor enough for two life-times; still we would have had a few more years of his writing. Perhaps the grasp was relaxing, perhaps we should have had no strongly-planned book; but we should have had paragraphs here and there, and we should have had, at least, conversation, wonderful conversation; even if we did not hear it ourselves, we should have known that it was going on somewhere. The ma.s.sive head, the slow uplift of the hand, _gli occhi onesti e tardi_, the long sentences piling themselves up in elaborate phrase after phrase, the lightning incision, the pauses, the slightly shaking admonitory gesture with its ”wu-a-wait a little, wait a little, something will come;” blague and benignity and the weight of so many years' careful, incessant labor of minute observation always there to enrich the talk. I had heard it but seldom, yet it was all unforgettable.
The man had this curious power of founding-affection in those who had scarcely seen him and even in many who had not, who but knew him at second hand.
No man who has not lived on both sides of the Atlantic can well appraise Henry James; his death marks the end of a period. The _Times_ says: ”The Americans will understand his changing his nationality,” or something of that sort. The ”Americans” will understand nothing whatsoever about it.
They have understood nothing about it. They do not even know what they lost. They have not stopped for eight minutes to consider the meaning of his last public act. After a year of ceaseless labor, of letter writing, of argument, of striving in every way to bring in America on the side of civilization, he died of apoplexy. On the side of civilization--civilization against barbarism, civilization, not Utopia, not a country or countries where the right always prevails in six weeks!
After a life-time spent in trying to make two continents understand each other, in trying, and only his thoughtful readers can have any conception of how he had tried, to make three nations intelligible one to another. I am tired of hearing pettiness talked about Henry James's style. The subject has been discussed enough in all conscience, along with the minor James. Yet I have heard no word of the major James, of the hater of tyranny; book after early book against oppression, against all the sordid petty personal crus.h.i.+ng oppression, the domination of modern life; not worked out in the diagrams of Greek tragedy, not labeled ”epos” or ”Aeschylus.” The outbursts in _The Tragic Muse_, the whole of _The Turn of the Screw,_ human liberty, personal liberty, the rights of the individual against all sorts of intangible bondage![1] The pa.s.sion of it, the continual pa.s.sion of it in this man who, fools said, didn't ”feel.” I have never yet found a man of emotion against whom idiots didn't raise this cry.
And the great labor, this labor of translation, of making America intelligible, of making it possible for individuals to meet across national borders. I think half the American idiom is recorded in Henry James's writing, and whole decades of American life that otherwise would have been utterly lost, wasted, rotting in the unhermetic jars of bad writing, of inaccurate writing. No English reader will ever know how good are his New York and his New England; no one who does not see his grandmother's friends in the pages of the American books. The whole great a.s.saying and weighing, the research for the significance of nationality, French, English, American.
”An extraordinary old woman, one of the few people who is really doing anything good.” There were the cobwebs about connoisseurs.h.i.+p, etc., but what do they matter? Some yokel writes in the village paper, as Henley had written before, ”James's stuff was not worth doing.” Henley has gone pretty completely. America has not yet realized that never in history had one of her great men abandoned his citizens.h.i.+p out of shame. It was the last act--the last thing left. He had worked all his life for the nation and for a year he had labored for the national honor. No other American was of sufficient importance for his change of allegiance to have const.i.tuted an international act; no other American would have been welcome in the same public manner. America pa.s.ses over these things, but the thoughtful cannot pa.s.s over them.
Armageddon, the conflict? I turn to James's _A Bundle of Letters_; a letter from ”Dr. Rudolph Staub” in Paris, ending:
”You will, I think, hold me warranted in believing that between precipitate decay and internecine enmities, the English-speaking family is destined to consume itself and that with its decline the prospect of general pervasiveness to which I alluded above, will brighten for the deep-lunged children of the fatherland!”
We have heard a great deal of this sort of thing since; it sounds very natural. My edition of the volume containing these letters was printed in '83, and the imaginary letters were written somewhat before that. I do not know that this calls for comment. Henry James's perception came thirty years before Armageddon. That is all I wish to point out.
Flaubert said of the War of 1870: ”If they had read my _Education Sentimentale,_ this sort of thing wouldn't have happened.” Artists are the antennae of the race, but the bullet-headed many will never learn to trust their great artists. If it is the business of the artist to make humanity aware of itself; here the thing was done, the pages of diagnosis. The mult.i.tude of wearisome fools will not learn their right hand from their left or seek out a meaning.
It is always easy for people to object to what they have not tried to understand.
I am not here to write a full volume of detailed criticism, but two things I do claim which I have not seen in reviewers' essays. First, that there was emotional greatness in Henry James's hatred of tyranny; secondly, that there was t.i.tanic volume, weight, in the ma.s.ses he sets in opposition within his work. He uses forces no whit less specifically powerful than the proverbial ”doom of the house,”--Destiny, _Deus ex machina_,--of great traditional art. His art was great art as opposed to over-elaborate or over-refined art by virtue of the major conflicts which he portrays. In his books he showed race against race, immutable; the essential Americanness, or Englishness or Frenchness--in _The American_, the difference between one nation and another; not flag-waving and treaties, not the machinery of government, but ”why”
there is always misunderstanding, why men of different race are not the same.
We have ceased to believe that we conquer anything by having Alexander the Great make a gigantic ”joy-ride” through India. We know that conquests are made in the laboratory, that Curie with his minute fragments of things seen clearly in test tubes in curious apparatus, makes conquests. So, too, in these novels, the essential qualities which make up the national qualities, are found and set working, the fundamental oppositions made clear. This is no contemptible labor. No other writer had so essayed three great nations or even thought of attempting it.
Peace comes of communication. No man of our time has so labored to create means of communication as did the late Henry James. The whole of great art is a struggle for communication. All things that oppose this are evil, whether they be silly scoffing or obstructive tariffs.