Part 9 (2/2)
”
Bars 5 to 7.
Hand-striking, repeated. Beginning
”
of bar 5, leader calls ”All in.”
Bar 8.
Beat 1, all j. (giving Col.
Column.
formation). Half-bar, all throw
up hands.
ALL IN.
MUSIC.
MOVEMENTS.
FORMATION.
CONSTANT BILLY (STICK DANCE).
Once to yourself
Partners tap across, last half-bar.
Column.
A1.
Down-and-back, Ju.
”
Up-and-back, j. (forming Front).
Col. to
Front.
Partners tap at half-bar in bars 4
and 8.
B1.
Bars 1 to 4
Tapping (_see_ diagram, p. 54).
”
Bars 5 to 8
Half-Chain. Tap on half-bar in
Column.
bar 8.
Bars 9 to 12
Tapping, as in first 4 bars.
Front.
Bars 13 to 16
Complete Chain. Tap on last
Column.
half-bar.
A2.
Chain. Tap at half-bar in bars 4
”
and 8.
B2.
Bars 1 to 4
Tapping as before.
Front.
Bars 5 to 8
Tapping as before.
”
Bars 9 to 16
Cross-over. Tap at half-bar in
”
bars 12 and 16.
A3.
Bars 1 to 4
Tapping as before.
”
Bars 5 to 8
Tapping as before.
”
B3.
Bars 1 to 8
Back-to-back. Tap as in Chain, &c.
”
Bars 9 to 12
Tapping as before.
Front.
Bars 13 to 16
Tapping as before; but in bar 14
”
leader calls ”All in,” and in bar
16 all j. (to Col.), and tap across
Column.
on last half-bar, holding sticks
as at the beginning.
ALL IN.
MUSIC.
MOVEMENTS.
FORMATION.
TRUNKLES (CORNER DANCE).
Once to yourself
Ju, last half-bar.
Column.
A1.
Down-and-back, Ju., Up-and-back,
Column
j. (forming Fr).
to Fr.
B1. (Corners).
(1st time).
Nos. 1 and 6 advance at 4/3 step,
Front.
Bars 1 to 8
beginning with the left foot, so
that they are face to face at the
end of bar 3.
Bar 4
At beginning, Nos. 1 and 6 stamp
their right feet.
Nos. 1 and 6 raise and swing their
right feet and on half-bar,
strike them together, sidelong;
then step briskly backward to
their places, making room for
Nos. 2 and 5.
B1. (Corners).
(2nd time).
Nos. 2 and 5 do precisely as Nos. 1
and 6 in B1, 1st time.
B1. (Centres).
(3rd time).
Nos. 3 and 4 do precisely as Nos. 1
Front.
and 6 in B1, 1st time.
C1. (Capers).
(1st time).
Nos. 1 and 6 advance at 4/3 step;
”
Bars 1 and 2
pa.s.s in centre, right shoulders
touching, and get to each other's
places.
Bar 3
Nos. 1 and 6 turn about, inward
”
and to the right, at 4/3 step.
Bar 4
Nos. 1 and 6 advance at 4/3 step
”
until they come face to face, but
do not touch or pa.s.s.
Bar 5
Nos. 1 and 6 retire, at 4/2 step, to
”
opposite corners.
Bar 6
Beginning, Nos. 1 and 6 reach
”
opposite corners.
Half-bar, Nos. 1 and 6 Ju.
Nos. 1 and 6 have now changed
corners.
C1. (Capers)
(2nd time).
Nos. 2 and 5 change corners as
”
Nos. 1 and 6 in C, 1st time.
C1. (Capers)
(3rd time).
Nos. 3 and 4 change places as
”
Nos. 1 and 6 in C, first time.
A1. (repeat).
Chain.
Column.
B1. (repeat).
As before, with the difference only
Front.
(3 times).
that pairs start with right foot
so that, in bar 4, they stamp
and strike together the left feet.
C1. (repeat).
As before, All change places
Front.
(3 times).
again, returning, therefore, to
original stations.
A2.
Cross-over.
”
B2.
As in B1. Pairs start with left
”
(3 times).
feet, and stamp and strike right
feet in bar 4.
C2. (Capers).
(3 times).
As in C1, except that pairs, in
”
Slower, except
changing places, step rather
in last two
higher to the slower music, also
bars, played
in the last two bars of normal
in original
time. The High Step is to be
time.
reserved for the Slow Capers in
C3, and repeat.
A2. (repeat).
Back-to-back.
”
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