Part 10 (1/2)
B2 (repeat).
As in B1 (repeat), pairs start with
”
(3 times).
right feet so that, in bar 4, they
stamp and strike the left feet.
C2 (repeat).
(3 times).
As in C2. Pairs re-change.
”
Capers.
Slower.
A3.
Cross-over.
”
B3.
As in B1 and B2. Pairs start with
”
(3 times).
left feet, and stamp and strike
right feet.
C3 (Capers).
(3 times).
As in C1, pairs change places.
Bars 1, 2, 3, 4
In these the step is 4/1, and High
”
in each
--really as high as possible.
repet.i.tion
(very slow).
Bars 5 and 6
In these the pairs retire, after
Front.
in each
meeting in centre, at 4/2 step,
repet.i.tion
lifting the feet as high as
(_presto_).
possible, and as quickly. The
greater the contrast between
these two quick bars and the
preceding slow ones, the better
the effect.
A3. (repeat).
Back-to-back.
”
B3. (repeat).
As in B1 and B2 (repeats), pairs
”
(3 times).
start with right feet, and stamp
and strike left feet in bar 4.
C3. (Capers)
Very slow.
As in C3. Pairs re-change to
”
(Repeat).
original places.
(3 times).
At the beginning of bar 5, in final
repet.i.tion of the music, leader
calls ”All in,” when all draw
together into Ring, throw up the
Fr. to Ring.
right hands, raise the right feet,
and Call.
ALL IN.
MUSIC.
MOVEMENTS.
FORMATION.
RIGS O' MARLOW (STICK DANCE).
Once to yourself
Tap sticks on last two beats of
Column.
bar 4.
A.
(1st time).
Step 4/2 throughout ”A” music in
”
all repet.i.tions.
Down-and-back twice.
Partners tap sticks across on last
”
two beats of bars 4 and 8; but
on making last tap but one, j.
Col. to
(forming Fr.), so that final tap
Front.
is given in Front formation.
B.
(1st time).
Double-tapping. (For instructions,
Front.
_see_ diagram, p. 55).
A.
(2nd time).
Chain. Tap sticks as in A, 1st
”
time.
B.
(2nd time).
Double-tapping, as in B, 1st time.
”
A.
(3rd time).
Cross-over. Tap sticks as in A, 1st
”
time.
B.
(3rd time).
Double-tapping, as in B, 1st time.
”
A.
(4th time).
Back-to back. Tap sticks as in
”
A, 1st and 2nd time.
B.
(4th time).
Double-tapping as in B, 1st and
”
2nd time. In bar 7, leader calls
”All in,” whereupon all j., giving
Col. formation, in which final
Column.
tap is made.
ALL IN.
MUSIC.
MOVEMENTS.
FORMATION.
BLUFF KING HAL
(HANDKERCHIEF DANCE.)
Once to yourself
None.
Front.
A.
Bars 1 to 4
Advance slowly, until files are face
”
to face. On half-bar of bar 4,
partners nod to one another (_see_
instructions, p. 57).
Bars 5 to 8
Retire to original position.
Front
B.
Bars 1 to 4
Mark time.
”
Bars 5 to 8
Advance and nod as before.
”
C.
Bars 1 to 4
Retire.
”
Bars 5 to 8
Mark time. Files link arms in last
”
bar, and remain linked until
told to loose arms.
A.
Bars 1 to 4
Advance as before, nod.
”
Bars 5 to 8
Retire.
”
B.
Bars 1 to 4
Mark time.
”
Bars 5 to 8
Advance as before, nod.
”
C.
Bars 1 to 4
Retire.
”
Bars 5 to 8
Loose arms. Files turn very slowly
”
about until they are reversed.
A.
Bars 1 to 4
Retire, until partners' backs are all
”
but touching.
Bars 5 to 8
Advance to original position.
”
B.
Bars 1 to 4
Mark time.
”
Bars 5 to 8
Retire as before.
”
C.
Bars 1 to 4
Advance as before.
Front.
Bars 5 to 8
Mark time. Link arms in last bar,
”
and remain linked until told to
loose arms.
A. B.
Go through same movements,
”
linked, as in preceding A and B.