Part 38 (1/2)

The car started up again. Gordon turned and signaled for the riders to follow. ”Might as well keep shooting,” he said to the cameraman, looking up at the sky. ”This sun doesn't look as if it will last forever.”

Peter heard him and nodded approvingly to himself. Good boy, this Gordon, he didn't waste any light. Light was the most valuable thing in this business. You had to be ready to use it whenever you could. He turned in his seat and looked back.

Gordon's back was turned to him. He was leaning against the back of the car, his knees braced against its side, his body hanging over it dangerously. He waved his right hand in a circle. A rider dove from his horse and tumbled over and over on the ground.

Peter nodded his head again and turned around in his seat. He sat there silently, oblivious of the sounds and noises behind him. There were many other things on his mind. He stared ahead morosely.

There was this business of George wanting to sell out the theaters. He felt that George was worrying over nothing, and he was sure that he did not want to break up the theater chain. He felt they played an important part in establis.h.i.+ng the Magnum name across the country. He had told Johnny that he wanted to buy George out. Johnny pointed out that it would take more cash than they had available. He had suggested they go to see Al Santos and try to borrow the capital necessary. They were to see Al today at Al's office in downtown Los Angeles. He wasn't at all sure he could get the money from him; he owed him almost four million dollars already.

The car stopped. Peter looked up, surprised the ride was over so soon. He got out of the car and turned to the unit man. ”Nice work, Tom,” he said to him.

Gordon corrected him. ”Bob, Mr. Kessler.”

Peter looked at him closely for a moment, his eyebrows pulled together. ”Yes,” he said absently, ”Bob. Nice work.” Without waiting for a reply he turned and walked down the road.

11.

Al Santos's office was in the rear of the two-storied Bank of Independence, and through the gla.s.s he could see what was going on all over the bank. The office was very plain. Al's clothes, too, were of a sober and conservative cut. Little trace remained about him of the carnival operator of fifteen years ago. He now looked like an exemplary representative of the banking profession. Only his eyes were the same, warm, brown, and twinkling. And the tanned leathery wrinkles on his face and the black, thin, Italian stogie clenched between his teeth.

Right now he was feeling good. Thin spirals of smoke arose from the end of his cigar as he leaned back in his chair and through half-lidded eyes looked at Johnny while Peter was speaking.

Johnny looked tired, he thought. He was working too hard at the studio. He had heard how much Johnny was doing out there and he knew just how much had been accomplished. Very little went on at any of the studios that did not reach his ears sooner or later. Somehow he felt proud of the job that Johnny had done. In a little more than a month Magnum was humming like a beehive and he knew a great deal of it was due to Johnny's effort. He was as glad that Johnny had been able to accomplish it as if he had done it himself.

But Johnny looked too tired. There were lines of fatigue across his face and around the corners of his mouth. He couldn't keep working at a pace like that forever. It was killing.

And Johnny's new wife. Al smiled to himself at the thought. A man sixty-two years old could think of things like that only in retrospect. There was a woman to wear out the b.u.t.tons on a man's trousers. He looked at Johnny more closely. He supposed that didn't help much either. A man had to have some rest.

He listened to Peter with half an ear. He was used to having picture people in his office asking him to lend them money. It was a peculiar business. No matter how much they had, they always needed more to do something else they couldn't manage without. It was a funny thing, too. Generally he loaned them money and it had turned out all right.

He remembered when he had first come out here. He was retired. The last thing he expected to do was to become a banker. A former carnival man a banker. He wouldn't have believed it himself if someone had told it to him then. But one day while he was sitting on the front porch of his farm talking with his brother, Luigi, and sorting out the notes he kept in the little box in the dresser, he added them up. The picture men around here owed him almost a quarter of a million dollars. He had jokingly pa.s.sed the remark to Luigi that he might as well open a bank for them since they couldn't seem to get any money through the banks already established. His bookkeeper, Vittorio Guido, a neighbor's son, who was a bookkeeper in a bank in Los Angeles during the week and helped Al on week-ends, had come out on the porch just at that moment. He had looked down at Al and had asked: ”Why don't you, Mr. Santos?”

And he had, in a small store at first. Over the door they hung a small sign, made of wood, and printed on it in small raised letters were the words: ”The Bank of Independence,” and underneath that in smaller letters: ”Loans Made to the Motion Picture Industry.”

The picture business grew and so did the bank, almost hand in hand, it seemed. It was a long step from that first little store to this big building in Los Angeles of today. The gold letters on the door now read: ”Capital $50,000,000.”

Peter had finished talking and was waiting for him to answer. Al pulled himself away from his thoughts and looked at Peter shrewdly. He had heard enough of Peter's request to understand it. He wanted to borrow an additional two million dollars to buy out George's share of the theaters they owned jointly. ”Why does George want to sell?” he asked.

”He wants more time to devote to his own theaters,” Peter answered quickly.

Al leaned back and thought about it. He didn't think that was the whole reason behind George's willingness to part with his share of the Magnum theaters, but there were other factors to be considered before he made the loan. ”You owe me three and a quarter million dollars now,” he said pleasantly. ”I persuaded the board to renew it last year when the notes came due. It will be hard to get them to approve an additional two million on top of that.”

”But there was a reason for it last year,” Peter said. ”We were building up our foreign exchanges and it took money.” He opened the briefcase on his lap and rummaged through it looking for some papers. He found them and placed them on Al's desk. ”This year, however, we won't have those expenses and we'll be able to meet the notes.”

Al didn't look at the papers. He never did. They were always ready to show him papers containing budgets and plans and results. He turned them over to his loan and collateral departments for study. Let them try to figure it out and make sense of it. He never could. Whether he lent a man one dollar or one million he always based his loan on his personal opinion of the borrower. ”How are you going to do it?” he asked Peter.

Peter cleared his throat nervously. Sometimes he wondered why he kept pus.h.i.+ng himself to make more money in this business. The bigger he got, the more he had to worry about. He didn't understand it, but that was the fascination the business had for him. There seemed to be no limit to how far a man could go. ”This is my idea.” He leaned toward Al and unconsciously lowered his voice. ”We'll convert the present loan into seventy-five-thousand-dollar notes, one payable each week. That way this loan would be paid off within the year and would go through a process of reduction that your board can't object to. Against the new loan we'll give you a ten-year chattel mortgage on all the Magnum theaters. They're worth approximately twice what I want to borrow and I don't think your board would mind that.” He sat back in his chair and looked at Al, satisfied with himself.

”Seventy-five thousand is a lot of money to pay off every week,” Al said thoughtfully. ”You sure you can do it?”

”I'm sure I can,” Peter said, more confidently than he felt. ”We're grossing three hundred thousand and better each week now, and by the end of the year, when the foreign offices are moving in full swing, we should be doing four.”

In his mind Al checked the figures Peter quoted against the figures he knew. They were right. Magnum was grossing fifteen million a year. ”Who would run the theaters if George left?” he asked.

Peter answered: ”Johnny,” his head nodding toward him.

Al turned to Johnny. ”And you think this will be okay?”

Johnny looked at him. He had been silent while Peter presented his request. ”It will take a lot of hustling,” he answered honestly, ”but I think it will work out all right.”

Al turned back to Peter and puffed his cigar thoughtfully. He wasn't entirely satisfied about George's viewpoint, but the other bases for the loan were good. Four million collateral against a two-million mortgage was reasonably safe. He stood up, indicating the interview was at an end. ”It sounds all right to me,” he said to Peter, picking up the papers on his desk. ”I'll turn these over to Vittorio and I'll let you know in a day or two.”

Peter smiled in relief. Past experience had taught him that when Al said it would be all right, it generally was, no matter what Vittorio thought. He got to his feet and held out his hand. ”Thanks, Al,” he said.

Al shook his hand and they started toward the door. At the door Al put his hand on Johnny's shoulder and said reproachfully: ”You've only been out to the farm once since you been here.”

Johnny looked at him swiftly. It was true, but he had been busy and Dulcie didn't want to go out to the farm. She said the place depressed her because it was so quiet. ”I've been working pretty late,” he said apologetically.

Al smiled at him. His eyes were warm and fond as they looked at Johnny. ”Well, don't be a stranger,” he said. ”After all, I'd like to see more of your pretty wife. I'm an old man, but I'm not that old I can't appreciate a beautiful woman, especially when she's practically in the family.”

Johnny's face colored and Al smiled at it. He turned to Peter and laughed. ”These newlyweds are all alike.”

He walked them through the bank and watched them get into Peter's car and drive away. Then he turned and walked back to his office, shaking his head a little. Something was bothering Johnny. It wasn't only business, either. He knew Johnny too well for that. Maybe it was his wife, he guessed shrewdly. She didn't look like the kind of woman who would stay at home and raise a family. Especially after once working in a picture. He closed the door of his office behind him and walked over to his desk and sat down heavily. He picked up the papers on his desk and pressed the buzzer for Vittorio.

While he waited for Vittorio, he thumbed idly through the papers. They were covered with figures, but he wasn't looking at them. He was thinking about Johnny. Too bad he hadn't got anywhere with Peter's kid. For a while it looked like they would. She was more his style. The door opened and Vittorio came in.

”What do you want, Al?” Vittorio asked, standing in front of his desk.

He held the papers toward him. ”Take a look at these and let me know if they look all right,” he said heavily. ”We're going to lend Kessler another two million dollars.”

Vittorio didn't answer. He took the papers from his employer's hand and went out the door.

Al stared at the closed door. He let out a heavy sigh and lighted up a fresh cigar. He felt suddenly depressed. He looked at his thin cigar. It was his fourth of the day already. The doctor had told him not to smoke more than three. He looked at it thoughtfully for a moment. ”I guess I'm getting old,” he said aloud in the empty room.

Peter was quiet almost all the way back to the studio. When they neared the studio gates he finally spoke to Johnny. ”I walked down the back lot this morning,” he said, ”and I found out Marran wasn't out with his crew. A kid named Gordon was running it. He was doing good, too.”

”I know,” Johnny answered. ”Marran was c.o.c.keyed when he came in this morning.”

Peter looked at him in surprise. Johnny didn't miss much. ”I guess I'll have to fire him,” he said heavily. He didn't like to fire anybody.

”I already did this morning,” Johnny answered shortly.