Part 52 (2/2)

They were approaching an underpa.s.s. And it was dark under there. I can't, her mind informed her matter-of-factly. I can't go under there, anything might be under there, don't ask me because I can't.

Another part of her mind asked if she could bear for them to retrace their steps, past the empty shop with the travelling cat in it (how had it gotten from the restaurant to here? best not to ask, or even wonder about it too deeply), past the weirdly oral shambles of the launderette, past The Market of the Shrunken Heads. She didn't think she could.

They had drawn closer to the underpa.s.s now. A strangely painted six-car train - it was bone-white - lunged over it with startling suddenness, a crazy steel bride rus.h.i.+ng to meet her groom. The wheels kicked up bright spinners of sparks. They both leaped back involuntarily, but it was Lonnie who cried out. She looked at him and saw that in the last hour he had turned into someone she had never seen before, had never even suspected. His hair appeared somehow grayer, and while she told herself firmly - as firmly as she could - that it was just a trick of the light, it was the look of his hair that decided her. Lonnie was in no shape to go back. Therefore, the underpa.s.s.

'Come on,' she said, and took his hand. She took it brusquely so he would not feel her own trembling. 'Soonest begun, soonest done.' She walked forward and he followed docilely.

They were almost out - it was a very short underpa.s.s, she thought with ridiculous relief - when the hand grasped her upper arm.

She didn't scream. Her lungs seemed to have collapsed like small crumpled paper sacks. Her mind wanted to leave her body behind and just . . . fly. Lonnie's hand parted from her own. He seemed unaware. He walked out on the other side - she saw him for just one moment silhouetted, tall and lanky, against the b.l.o.o.d.y, furious colors of the sunset, and then he was gone.

The hand grasping her upper arm was hairy, like an ape's hand.

It turned her remorselessly toward a heavy slumped shape leaning against the sooty concrete wall. It hung there in the double shadow of two concrete supporting pillars, and the shape was she could make out . . . the shape, and two luminous green eyes 'Give us a f.a.g, love,' a husky c.o.c.kney voice said, and she smelled raw meat and deep-fat-fried chips and something swee and awful, like the residue at the bottom of garbage cans.

Those green eyes were cat's eyes. And suddenly she became horribly sure that if the slumped shape stepped out of the shadows, she would see the milky cataract of eye, the pink ridges off scar tissue, the tufts of gray hair.

She tore free, backed up, and felt something skid through the air near her. A hand? Claws? A spitting, hissing sound - Another train charged overhead. The roar was huge, brain rattling. Soot sifted down like black snow. She fled in a blind panic, for the second time that evening not knowing where.. or for how long.

What brought her back to herself was the realization that Lonnie was gone. She had half collapsed against a dirty brick wall, breathing in great tearing gasps. She was still in Morris Road (atleast she believed herself to be, she told the two constables; the wide way was still cobbled, and the tram tracks still ran directly down the center), but the deserted, decaying shops had given way to deserted, decaying warehouses. DAWGLISH SONS, read the soot-begrimed signboard on one. A second had the name ALHAZRED emblazoned in ancient green across the faded brickwork. Below the name was a series of Arabic pothooks and dashes.

'Lonnie!' she called. There was no echo, no carrying in spite of the silence (no, not complete silence, she told them; there was still the sound of traffic, and it might have been closer, but not much). The word that stood for her husband seemed to drop from her mouth and fall like a stone at her feet. The blood of sunset had been replaced by the cool gray ashes of twilight. For the first time it occurred to her that night might fall upon her here in Crouch End - if she was still indeed in Crouch End - and that thought brought fresh terror.

She told Vetter and Farnham that there had been no reflection, no logical train of thought, on her part during the unknown length of time between their arrival at the call box and the final horror. She had simply reacted, like a frightened animal. And now she was alone. She wanted Lonnie, she was aware of that much but little else. Certainly it did not occur to her to wonder why this area, which must surely lie within five miles of Cambridge Circus, should be utterly deserted.

Doris Freeman set off walking, calling for her husband. Her voice did not echo, but her footfalls seemed to. The shadows began to fill Norris Road. Overhead, the sky was now purple. It might have been some distorting effect of the twilight, or her own exhaustion, but the warehouses seemed to lean hungrily over the toad. The windows, caked with the dirt of decades - of centuries, perhaps - seemed to be staring at her. And the names on the signboards became progressively stranger, even lunatic, at the very least, unp.r.o.nounceable. The vowels were in the wrong places, and consonants had been strung together in a way that would make it impossible for any human tongue to get around them. CTHULHU KRYON read one, with more of those Arabic pothooks beneath it. YOGSOGGOTH read another. R'YELEH said yet another. There was one that she remembered particularly: NRTESN NYARLAHOTEP.

'How could you remember such gibberish?' Farnham asked her. Doris Freeman shook her head, slowly and tiredly. 'I don't know. I really don't. It's like a nightmare you want to forget as soon as you wake up, but it won't fade away like most dreams do; it just stays and stays and stays.'

Norris Road seemed to stretch on into infinity, cobbled, split by tram tracks. And although she continued to walk - she wouldn't have believed she could run, although later, she said, she did - she no longer called for Lonnie. She was in the grip of a terrible, bone-rattling fear, a fear so great she would not have believed a human being could endure it without going mad or dropping dead. It was impossible for her to articulate her fear except in one way, and even this, she said, only began to bridge the gulf which had opened within her mind and heart. She said it was as if she were no longer on earth but on a different planet, a place so alien that the human mind could not even begin to comprehend it. The angles seemed different, she said. The colors seemed different. The . . . but it was hopeless.

She could only walk under a gnarled-plum sky between the eldritch bulking buildings, and hope that it would end.

As it did.

She became aware of two figures standing on the sidewall ahead of her - the children she and Lonnie had seen earlier. The boy was using his claw-hand to stroke the little girl's ratty braids.

'It's the American woman,' the boy said.

'She's lost,' said the girl.

'Lost her husband.'

'Lost her way.'

'Found the darker way.'

'The road that leads into the funnel.'

'Lost her hope.'

'Found the Whistler from the Stars - '

' - Eater of Dimensions - '

' - the Blind Piper - '

Faster and faster their words came, a breathless litany, a flas.h.i.+ng loom. Her head spun with them. The buildings leaned. The stars were out, but they were not her stars, the ones she had wished on as a girl or courted under as a young woman, these were crazed stars in lunatic constellations, and her hands went to her ears and her hands did not shut out the sounds and finally she screamed at them: 'Where's my husband? Where's Lonnie? What have you done to him?'

There was silence. And then the girl said: 'He's gone beneath.'

The boy: 'Gone to the Goat with a Thousand Young.'

The girl smiled - a malicious smile full of evil innocence. 'He couldn't well not go, could he? The mark was on him. You'll go, too.'

'Lonnie! What have you done with - '

The boy raised his hand and chanted in a high fluting language that she could not understand - but the sound of the words drove Doris Freeman nearly mad with fear.

'The street began to move then,' she told Vetter and Farnham. 'The cobbles began to undulate like a carpet. They rose and fell, rose and fell. The tram tracks came loose and flew into the air - I remember that, I remember the starlight s.h.i.+ning on them - and then the cobbles themselves began to come loose, one by one at first, and then in bunches. They just flew off into the darkness. There was a tearing sound when they came loose. A grinding, tearing sound . . . the way an earthquake must sound. And - something started to come through - '

'What?' Vetter asked. He was hunched forward, his eyes boring into her. 'What did you see? What was it?'

'Tentacles,' she said, slowly and haltingly. 'I think it was tentacles. But they were as thick as old banyan trees, as if each of them was made up of a thousand smaller ones . . . and there were pink things like suckers . . . except sometimes they looked like faces . . . one of them looked like Lonnie's face . . . and all of them were in agony. Below them, in the darkness under the street - in the darkness beneath - there was something else. Something like eyes . . . '

At that point she had broken down, unable to go on for some time, and as it turned out, there was really no more to tell. The next thing she remembered with any clarity was cowering in the doorway of a closed newsagent's shop. She might be there yet, she had told them, except that she had seen cars pa.s.sing back and forth just up ahead, and the rea.s.suring glow of arc-sodium streetlights. Two people had pa.s.sed in front of her, and Doris had cringed farther back into the shadows, afraid of the two evil children. But these were not children, she saw; they were a teenage boy and girl walking hand in hand. The boy was saying something about the new Martin Scorsese film.

She'd come out onto the sidewalk warily, ready to dart back into the convenient bolthole of the newsagent's doorway at a moment's notice, but there was no need. Fifty yards up was a moderately busy intersection, with cars and lorries standing at a stop-and-go light. Across the way was a jeweler's shop with a large lighted clock in the show window. A steel accordion grille had been drawn across, but she could still make out the time. It was five minutes of ten.

She had walked up to the intersection then, and despite the streetlights and the comforting rumble of traffic, she had kept shooting terrified glances back over her shoulder. She ached all over. She was limping on one broken heel. She had pulled muscles in her belly and both legs - her right leg was particularly bad, as if she had strained something in it.

At the intersection she saw that somehow she had come around to Hillfield Avenue and Tottenham Road. Under a streetlamp a woman of about sixty with her graying hair escaping from the rag it was done up in was talking to a man of about the same age. They both looked at Doris as if she were some sort of dreadful apparition.

'Police,' Doris Freeman croaked. 'Where's the police station? I'm an American citizen . . . I've lost my husband . . . I need the police.'

'What's happened, then, lovey?' the woman asked, not unkindly. 'You look like you've been through the wringer, you do.'

'Car accident?' her companion asked.

'No. Not . . . not . . . Please, is there a police station near here?'

'Right up Tottenham Road,' the man said. He took a package of Players from his pocket. 'Like a cig? You look like you c'd use one.'

'Thank you,' she said, and took the cigarette although she I had quit nearly four years ago. The elderly man had to follow the jittering tip of it with his lighted match to get it going for her.

He glanced at the woman with her hair bound up in the rag. 'I'll just take a little stroll up with her, Evvie. Make sure she gets there all right.'

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