Part 11 (1/2)

XXVII. The Woman in White. A sketch in white on brown paper. Republished in ”Fifty Drawings” and ”Later Work.”

THE SAVOY. No. 6. October 1896.

XXVIII. Cover Design; the Fourth Tableau of ”Das Rheingold.” Republished in ”Fifty Drawings” and ”Later Work.”

XXIX. The Death of Pierrot. A pen-and-ink sketch. Reproduced in ”Later Work.” (Property of Messrs Obach & Co.)

THE SAVOY. No. 7. November 1896.

x.x.x. Cover Design. Republished in ”Later Work.”

x.x.xI. Ave atque Vale; Catullus, Carmen C.I. Republished in ”Fifty Drawings” and ”Later Work.”

x.x.xII. Tristan und Isolde. Republished in ”Later Work.”

THE SAVOY. No. 8 (the last issued). December 1896.

x.x.xIII. Cover Design. Republished in ”Later Work.” The same adapted, with the addition of heavy black bands, and is printed in green and scarlet, for small poster to advertise the completed work.

x.x.xIV. A Repet.i.tion of ”Tristan und Isolde.” Republished in ”Later Work.”

x.x.xV. Don Juan, Sganarelle and the Beggar; from Moliere's ”Don Juan.”

Republished in ”Later Work.”

x.x.xVI. Mrs Margery Pinchwife, from William Wycherley's ”Country Wife.”

Republished in ”Later Work.”

x.x.xVII. Frontispiece to ”The Comedy of the Rheingold.” Republished in ”Later Work.”

x.x.xVIII. Floss.h.i.+lde, a Rhine Maiden; to ill.u.s.trate ”Das Rheingold.”

Republished in ”Later Work.” (Property of Herbert J. Pollit, Esq.)

x.x.xIX. Erda; to ill.u.s.trate ”Das Rheingold.” Republished in ”Later Work.”

XL. Alberich; to ill.u.s.trate ”Das Rheingold.” Republished in ”Later Work.” (Property of Herbert J. Pollit, Esq.)

XLI. Felix Mendelssohn Bartholdy. Republished in ”Later Work.”

(Property of Herbert J. Pollit, Esq.)

XLII. Carl Maria von Weber. Republished in ”Later Work.”

XLIII. Count Valmont, from ”Les Liaisons Dangereuses,” by Choderlos de Laclos. Republished in ”Later Work.”

XLIV. Et in Arcadia Ego. Republished in ”Later Work.”

XLV. Small ornament for the cover of bound volumes of ”The Savoy.”

XLVI. SKETCH OF A CHILD (young girl), unfinished, in pencil, on the reverse of ”A Foot-note.” First published in ”Early Work.”

(Property of Frederick H. Evans, Esq.)

147. A SEATED FIGURE. Unpublished design for the Savoy, occurring as a grotesque in ”Bon Mots.” (Property of G. D. Hobson, Esq.)

148. VERSES, BY ERNEST DOWSON (Leonard Smithers, 1896), cover design for.