Part 2 (2/2)

(2) Add your colors for tinting Coloring matter added after the paint has been thinned is likely to break up in lumps which leave streaks when brushed out

(3) Put in drier

(4) Add re well

(5) Last of all, put in turpentine

Thinners help only the flow of the paint never the quality

To strain paint thru cheese cloth before using will be a safeguard against lumpy colors and streakiness Paint also spreads further if strained

27 Paint Forreat deal, the following forCoat:

25 pounds pure white lead 1 gallon pure raw linseed oil gallon pure turpentine pint drier, free from rosin

(b) Body Coat:

25 pounds pure white lead 3/8 gallon pure raw linseed oil 3/8 gallon pure turpentine pint drier, free fro Coat:

25 pounds pure white lead 1 gallon pure raw linseed oil pint pure turpentine pint drier

One er or s to whether the wood is oil absorbing, as white pine, poplar, and basswood, or less permeable, as yellow pine, cypress, spruce, and he Tinted Paint--Any color or tintcolors These tinting colors are called ”colors in oil” The colors should be added to the white lead before the paint is thinned

To twenty-five pounds of white lead ground in oil add colors in oil as follows:

Medium Blue Slate 3 oz lamp black

Gray Blue oz lareen

Dark Drab 5 lbs French ochre lb lamp black lb Venitian red

Dark Slate 2 oz lamp black 3 oz medium chrome yellow

Dark Lilac 1 oz lamp black 5 oz Venitian red

Lilac oz lamp black 1 oz Venitian red

Forest Green 1 oz lareen 5 oz medium chrome yellow

Buff 1 lb French ochre 3/8 oz Venitian Red

Cream 5 oz French ochre