Part 8 (1/2)

The Zahir Paulo Coelho 90260K 2022-07-22

”Easier? Talking to a load of strangers who might go and repeat this story to her husband tomorrow?”

Someone else had started talking, and so I wasn't able to tell Marie that it didn't matter: everyone was there to talk about the lack of love disguised as love.

”I'm the husband of the woman who just told that story,” said a man, who must have been at least twenty years older than the pretty, young blonde woman. ”Everything she said is true, but there's something she doesn't know and which I haven't had the courage to tell her. I'll do so now.

”When she went off to the mountains, I couldn't sleep all night, and I started imagining, in detail, what was going on. When she arrives, the fire is already lit; she takes off her coat, takes off her sweater; she's not wearing a bra under her thin T-s.h.i.+rt. He can clearly see the shape of her b.r.e.a.s.t.s.

”She pretends not to notice him looking at her. She says she's going to the kitchen to get another bottle of champagne. She's wearing very tight jeans, she walks slowly, and she doesn't need to turn around to know that he's watching her every move. She comes back, they talk about very personal things, which makes them feel even closer.

”They finish talking about the problem that took her there. Her cell phone rings; it's me, wanting to know if she's all right. She goes over to him, puts the phone to his ear, and they both listen to what I have to say; it's an awkward conversation, because I know it's too late to put any kind of pressure on her, it's best just to pretend that everything's fine and tell her to enjoy her time in the mountains, because the following day she'll be back in Paris, taking care of the kids and doing the shopping.

”I hang up, knowing that he has heard the whole conversation. The two of them-because, before, they were sitting on separate sofas-are now very close indeed.

”At that point, I stopped thinking about what was happening in the mountains. I got up, went into my children's bedroom, walked over to the window, and looked out over Paris, and do you know what I felt? I felt excited, very, very excited; the thought of the two of them together, knowing that my wife could, at that very moment, be kissing another man, making love with him, had aroused me s.e.xually.

”I felt awful. How could I possibly get excited over something like that? The next day, I talked to two friends; obviously, I didn't use myself as an example, but I asked them if they had ever felt aroused when they caught another man staring at their wife's cleavage.

They didn't really answer the question because it's such a taboo. But they both agreed that it's always nice to know that your wife is desired by another man, although they wouldn't go any further than that. Is this a secret fantasy hidden in the hearts of all men?I don't know. This last week has been a little h.e.l.l for both of us simply because I didn't understand my own feelings. And because I can't understand them, I blame her for provoking in me feelings that make my world seem suddenly unsafe.”

This time a lot of cigarettes were lit, but there was no applause. It was as if, even there, the subject continued to be a taboo.

I put up my hand again, and meanwhile asked myself if I agreed with what the man had just said. Yes, I did. I had imagined similar scenarios involving Esther and the soldiers she met in war zones, but I had never dared say as much, not even to myself.

Mikhail looked in my direction and nodded.

I don't know how I managed to get to my feet and look at that audience, who were still visibly shocked by the story of the man who had felt aroused by the thought of his wife having s.e.x with another man. No one seemed to be listening, and that helped me make a start.

”I apologize for not being as direct as the two previous speakers, but I nevertheless have something to say. I went to a train station today and learned that the distance between railway tracks is always 143.5 centimeters, or 4 feet 8 inches. Why this absurd measurement? I asked my girlfriend to find out and this is what she discovered. When they built the first train carriages, they used the same tools as they had for building horse- drawn carriages. And why that distance between the wheels on carriages? Because that was the width of the old roads along which the carriages had to travel. And who decided that roads should be that width? Well, suddenly, we are plunged back into the distant past. It was the Romans, the first great road builders, who decided to make their roads that width. And why? Because their war chariots were pulled by two horses, and when placed side by side, the horses they used at the time took up 143.5 centimeters.

”So the distance between the tracks I saw today, used by our state-of-the-art high-speed trains, was determined by the Romans. When people went to the United States and started building railways there, it didn't occur to them to change the width and so it stayed as it was. This even affected the building of s.p.a.ce shuttles. American engineers thought the fuel tanks should be wider, but the tanks were built in Utah and had to be transported by train to the s.p.a.ce Center in Florida, and the tunnels couldn't take anything wider. And so they had to accept the measurement that the Romans had decided was the ideal. But what has all this to do with marriage?”

I paused. Some people were not in the slightest bit interested in railway tracks and had started talking among themselves. Others were listening attentively, among them Marie and Mikhail.

”It has everything to do with marriage and with the two stories we have just heard. At some point in history, someone turned up and said: When two people get married, they must stay frozen like that for the rest of their lives. You will move along side by side like two tracks, keeping always that same distance apart. Even if sometimes one of you needs to be a little farther away or a little closer, that is against the rules. The rules say: Be sensible, think of the future, think of your children. You can't change, you must be like two railway tracks that remain the same distance apart all the way from their point of departure to their destination. The rules don't allow for love to change, or to grow at the start and diminish halfway through-it's too dangerous. And so, after the enthusiasm of the first few years, they maintain the same distance, the same solidity, the same functional nature. Your purpose is to allow the train bearing the survival of the species tohead off into the future: your children will only be happy if you stay just as you were-143.5 centimeters apart. If you're not happy with something that never changes, think of them, think of the children you brought into the world.

”Think of your neighbors. Show them that you're happy, eat roast beef on Sundays, watch television, help the community. Think of society. Dress in such a way that everyone knows you're in perfect harmony. Never glance to the side, someone might be watching you, and that could bring temptation; it could mean divorce, crisis, depression.

”Smile in all the photos. Put the photos in the living room, so that everyone can see them.

Cut the gra.s.s, practice a sport-oh, yes, you must practice a sport in order to stay frozen in time. When sport isn't enough, have plastic surgery. But never forget, these rules were established long ago and must be respected. Who established these rules? That doesn't matter. Don't question them, because they will always apply, even if you don't agree with them.”

I sat down. There was a mixture of enthusiastic applause and indifference, and I wondered if I had gone too far. Marie was looking at me with a mixture of admiration and surprise.

The woman on stage sounded the cymbal.

I told Marie to stay where she was, while I went outside to smoke a cigarette: ”They'll perform a dance now in the name of love, in the name of the Lady.”

”You can smoke in here, can't you?”

”Yes, but I need to be alone.”

It may have been early spring, but it was still very cold; nevertheless, I was in need of some fresh air. Why had I told that story? My marriage to Esther had never been the way I described: two railway tracks, always beside each other, always forming two correct, straight lines, We had had our ups and downs; one or other of us had occasionally threatened to leave for good; and yet we continued on together.

Until two years ago.

Or until the moment when she began to want to know why she was unhappy.

No one should ever ask themselves that: Why am I unhappy? The question carries within it the virus that will destroy everything. If we ask that question, it means we want to find out what makes us happy. If what makes us happy is different from what we have now, then we must either change once and for all or stay as we are, feeling even more unhappy.

I now found myself in precisely that situation: I had a lively, interesting girlfriend, my work was going well, and there was every chance that, in the fullness of time, things would sort themselves out. I should resign myself to the situation. I should accept what life was offering me, not follow Esther's example, not look at anyone else, but remember Marie's words, and build a new life with her.

No, I can't think like that. If I behave in the way people expect me to behave, I will become their slave. It requires enormous self-control not to succ.u.mb, because our natural tendency is to want to please, even if the person to be pleased is us. If I do that, I will lose not only Esther, but Marie, my work, my future, as well as any respect I have for myself and for what I have said and written.

When I went back in, I found that people were starting to leave. Mikhail appeared, having already changed out of his stage clothes.

”Listen, what happened at the pizzeria...”

”Oh, don't worry about that,” I said. ”Let's go for a walk by the Seine.”

Marie got the message and said that she needed an early night. I asked her to give us a lift in her taxi as far as the bridge just opposite the Eiffel Tower; that way, I could walk home afterward. I thought of asking where Mikhail lived, but felt that the question might be construed as an attempt to verify, with my own eyes, that Esther really wasn't living with him.

On the way, Marie kept asking him what the meeting was about, and he always gave the same answer: it's a way of recovering love. He said that he had liked my story about the railway tracks.

”That's how love got lost,” he said. ”When we started laying down rules for when love should or shouldn't appear.”

”When was that?” Marie asked.

”I don't know, but I know it's possible to retrieve that Energy. I know, because when I dance, or when I hear the voice, love speaks to me.”

Marie didn't know what he meant by ”hearing the voice,” but, by then, we had reached the bridge. Mikhail and I got out and started walking in the cold Paris night.

”I know you were frightened by what you saw. The biggest danger when someone has a fit is that their tongue will roll back and they'll suffocate. The owner of the restaurant knew what to do, so it's obviously happened there before. It's not that unusual. But your diagnosis is wrong. I'm not an epileptic. It happens whenever I get in touch with the Energy.”

Of course he was an epileptic, but there was no point in contradicting him. I was trying to act normally. I needed to keep the situation under control. I was surprised how easily he had agreed to this second meeting.

”I need you. I need you to write something about the importance of love,” said Mikhail.

”Everyone knows that love is important. That's what most books are about.”

”All right, let me put my request another way. I need you to write something about the new Renaissance.”

”What's the new Renaissance?”

”It's similar to the Italian Renaissance of the fifteenth and sixteenth centuries, when geniuses like Erasmus, Leonardo, and Michelangelo rejected the limitations of the present and the oppressive conventions of their own time and turned instead to the past.

We're beginning to see a return to a magical language, to alchemy and the idea of the Mother G.o.ddess, to people reclaiming the freedom to do what they believe in and not what the church or the government demand of them. As in fifteenth- and sixteenth- century Florence, we are discovering that the past contains the answers to the future.

”Your story about the railway tracks, for example: In how many other areas of our lives are we obeying rules we don't understand? People read what you write-couldn't you introduce the subject somewhere?”