Part 26 (1/2)

The piccolo note changed to that of a ba.s.soon.--”Amory--listen to me.”

”No. I'd _very_ much rather not hear anything about it. As Walter said, Life _is_ Love, and I only mentioned this at all to-night because there is one quite small practical detail that doesn't seem to me entirely satisfactory.”

She understood Cosimo to ask what that was.

”This: You ought to be fair to her. I know you'll forgive my mentioning anything so vulgar, but it is--about money. She can't be expected to think of such things herself just now,”--there were whole honeymoons in the reasonable little nod Amory gave,”--and so _I_ mention it. It's my place to do so. For us all just to dip our hands into a common purse doesn't seem to me very satisfactory. She's rights too that I shouldn't dream of disputing. And don't think I'm a.s.suming more than there actually is. I only mean that I don't see why, in certain events, you shouldn't, et cetera; that's all I mean. You see?... But I admit that for everybody's sake I should like things put on a proper footing without loss of time.”

Cosimo had begun to wander up and down among the saddlebag chairs. His slender fingers rested aimlessly on the backs of them from time to time.

Amory thought that he was about to try the remaining notes within the compa.s.s of his voice, but instead he suddenly straightened himself. He appeared to have come to a resolution. He strode towards the door.

”Where are you going?” Amory asked.

”I'm going to fetch Britomart,” he replied shortly. ”This is preposterous.”

But again he hesitated, as perhaps Amory surmised he might. His offer, if it meant anything, ought to have meant that his conscience was so clear that Amory might catechize Britomart to her heart's content; but there _had_ been those hair-strokings and hand-pattings, and--and--and Britomart, as Amory had said, was ”not always making a display of her cleverness.” She might, indeed, let fall something even more disconcerting than the rest--

Cosimo was trying a bluff--

In a word, between fetching Britomart and not fetching her, Amory had her husband by the short hairs.

She mused.--”Just a moment,” she said.

And then she rose from the footstool, put one hand on the edge of the mantelpiece, and with the other drew up her skirt an inch or two and stretched out her slipper to the log.

”It really isn't necessary to fetch Britomart,” she said after a moment, looking up. ”Fetch her if you prefer it, of course, but first I want to say something else--something quite different.”

That it was something quite different seemed to be a deep relief to Cosimo. He returned from the door again.

”What's that?” he said.

”It's different,” Amory said slowly, ”but related. Let me think a moment how to put it.... You were speaking a few minutes ago of selling out from the Eden and the Suffrage Shop. If I understand you, things aren't going altogether well.”

”They aren't,” said Cosimo, almost grimly.

”And then,” Amory continued, ”there's Mr. Prang. Neither you nor Strong seem very satisfied about him.”

”It's Strong who isn't satisfied. I've no complaints to make about Prang.”

”Well, I've been thinking about that too, and I've had an idea. I'm not sure that after all Strong mayn't be right. I admit Prang states a case as well as it could be stated; the question is whether it's quite the case we _want_ stated. His case is ours to a large extent, but perhaps not altogether. And as matters stand we're in his hands about India, simply because he knows more about it than we do. You see what I mean?”

”Not quite,” said Cosimo.

”No? Well, let me tell you what I've been thinking....”

Those people who are n.o.bodys, and have not had the enormous advantage of being taken by the hand by the somebodys, are under a misconception about daring and original ideas. The ideas seem original and daring to them because the processes behind them are hidden. The inferior mind does not realize of itself that every sudden and miraculous blooming is already an old story to somebody.

But Cosimo occupied a sort of intermediary position between the sources of inspiration and the flat levels of popular understanding. Remember, he was in certain ways one of the public; but at the same time he was the author of the ”_Life and Work_.” He took his Amory, so to speak, nascent. Therefore, when she gave utterance to a splendour, he credited himself with just that measure of partic.i.p.ation in it that causes us humbler ones, when we see the airman's spiral, to fancy our own hands upon the controls, or, when we read a great book, to sun ourselves in the flattering delusion that we do not merely read, but, in some mysterious sense, partic.i.p.ate in the writing of it also.

And so the words which Amory spoke now--words which would have caused you or me to give a gasp of admiration--affected him less extraordinarily.