Part 27 (1/2)
John still looked doubtful. He still seemed to feel that it was a mean advantage to take of the most domesticated ring and princess.
”You see,” he explained, ”Mother's idea is--and it's likely a very good one--that when socks have holes you throw 'em away and get more. She doesn't make allowance, though, for one's getting attached to a pair. And I bought six pairs lately that I liked awfully well, and I hated to see them die.... They're just little holes.”
”I'll get them and do them as soon as we're through dinner,” she promised. ”Won't your mother mind?”
”She'll be delighted,” John promised sincerely. ”But she hasn't them. I have.”
Accordingly, after dinner Joy demanded them, and John produced them, while she got out her mending-basket, something he had never suspected her of possessing, he told her.
She sat down under the lamp with her work, tying on the little sewing-ap.r.o.n Mrs. Hewitt had given her the day before.
”Why, they scarcely have holes at all,” she marveled. ”I can do lots more than these.”
”There are lots more,” said John rather mournfully. But he did not feel particularly mournful. He was absorbed in the picture she made sitting there by the lamp, near the fire, her red mouth smiling to itself a little, and her black lashes shadowing her cheeks as her hands moved deftly at her work. John himself, on the other side of the fire, had a paper across his knees, but he forgot to read it, watching her. She seemed to turn the place into a home, sitting there quietly happy, swiftly setting her tiny, accurately woven st.i.tches.
John's mother was an adorable playmate, but responsibilities were, to her, something to laugh about. She had always declared that John should have been her father, not her son; and he had always tried to fill the role as best he could. But there had always been things, though he had never admitted it to himself, that he had missed. It would have been pleasant to him if there had been some one who shared his interest in the looks of the place and in the gardens and orchards that were his special pride. He would have liked to have his mother care about his patients, to play for him in the evenings, perhaps, and to think about his tastes in little things. But though a tall harp stood in a corner of the living-room, and a piano was somewhere else, they were not often touched. Mrs. Hewitt was pa.s.sionately interested in people. She loved traveling and house-parties and fads of all kinds--but she had no roots to speak of. John had never felt so much as if his house was his home as he did tonight, with the cold rain das.h.i.+ng against the windows outside, and inside the warm light, and the busy girl sitting across from him, sewing, and smiling to herself.
She looked up, as he glanced across at her contentedly, and spoke.
”I thought you seemed a little down tonight when you came in, John.
How is the little La Guardia girl? You were having something of a struggle over her treatment the last time I went with you.”
”By Jove, you have a memory!” said John, seeming a little startled.
”The child is worse today, and it was on my mind. How on earth did you guess it, Joy?”
She only laughed softly.
”Don't you suppose I'm interested in your affairs? I don't like you to be worried. And I knew Giulia La Guardia was the only patient who wasn't doing well at last accounts. Just what is the trouble?”
John leaned forward and began to tell her about the child. Her blue eyes glanced up and down, back and forth, from him to her sewing, as she listened, and occasionally asked a question. They had both forgotten everything but the room and themselves, when they heard a genial male voice in the hall.
”No, indeed, my dear girl,” it said, ”I don't need to be announced in the very least. I'll go straight in.”
And in just as brief a time as it might take an active young man to shed his overshoes and his raincoat, in walked Clarence Rutherford, as gay as always, and unusually secure of his welcome.
CHAPTER ELEVEN
PIRATE COUSINS TO THE RESCUE
”Thought I'd drop in and tell you some inspiriting news, it's such a beastly night,” said he with _empress.e.m.e.nt_. ”--Princess Melisande!
What have they been doing to you?” he broke off to ask tenderly under his breath. ”Our little princess turned into a Cinderella!”
His tone was calculated to induce self-pity in the breast of an oyster. But Joy, though she liked it mildly, did not feel moved to tears. Clarence was an interruption, even if a flattering one.
”My mother is ill,” explained John, when Clarence had greeted him also in his most setting-at-ease manner. (”Kind of a man who'd try to make you welcome in your own house!” he growled under his breath.
John also felt interrupted.)