Part 29 (1/2)
THE DEVIL. Well, he came here first, before he recovered his wits. I had some hopes of him; but he was a confirmed Life Force wors.h.i.+pper. It was he who raked up the Superman, who is as old as Prometheus; and the 20th century will run after this newest of the old crazes when it gets tired of the world, the flesh, and your humble servant.
THE STATUE. Superman is a good cry; and a good cry is half the battle. I should like to see this Nietzsche.
THE DEVIL. Unfortunately he met Wagner here, and had a quarrel with him.
THE STATUE. Quite right, too. Mozart for me!
THE DEVIL. Oh, it was not about music. Wagner once drifted into Life Force wors.h.i.+p, and invented a Superman called Siegfried. But he came to his senses afterwards. So when they met here, Nietzsche denounced him as a renegade; and Wagner wrote a pamphlet to prove that Nietzsche was a Jew; and it ended in Nietzsche's going to heaven in a huff. And a good riddance too. And now, my friend, let us hasten to my palace and celebrate your arrival with a grand musical service.
THE STATUE. With pleasure: you're most kind.
THE DEVIL. This way, Commander. We go down the old trap [he places himself on the grave trap].
THE STATUE. Good. [Reflectively] All the same, the Superman is a fine conception. There is something statuesque about it. [He places himself on the grave trap beside The Devil. It begins to descend slowly. Red glow from the abyss]. Ah, this reminds me of old times.
THE DEVIL. And me also.
ANA. Stop! [The trap stops].
THE DEVIL. You, Senora, cannot come this way. You will have an apotheosis. But you will be at the palace before us.
ANA. That is not what I stopped you for. Tell me where can I find the Superman?
THE DEVIL. He is not yet created, Senora.
THE STATUE. And never will be, probably. Let us proceed: the red fire will make me sneeze. [They descend].
ANA. Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father--a father for the Superman!
She vanishes into the void; and again there is nothing: all existence seems suspended infinitely. Then, vaguely, there is a live human voice crying somewhere. One sees, with a shock, a mountain peak showing faintly against a lighter background. The sky has returned from afar; and we suddenly remember where we were. The cry becomes distinct and urgent: it says Automobile, Automobile. The complete reality comes back with a rush: in a moment it is full morning in the Sierra; and the brigands are scrambling to their feet and making for the road as the goatherd runs down from the hill, warning them of the approach of another motor. Tanner and Mendoza rise amazedly and stare at one another with scattered wits. Straker sits up to yawn for a moment before he gets on his feet, making it a point of honor not to show any undue interest in the excitement of the bandits. Mendoza gives a quick look to see that his followers are attending to the alarm; then exchanges a private word with Tanner.
MENDOZA. Did you dream?
TANNER. d.a.m.nably. Did you?
MENDOZA. Yes. I forget what. You were in it.
TANNER. So were you. Amazing
MENDOZA. I warned you. [a shot is heard from the road]. Dolts! they will play with that gun. [The brigands come running back scared]. Who fired that shot? [to Duval] Was it you?
DUVAL. [breathless] I have not shoot. Dey shoot first.
ANARCHIST. I told you to begin by abolis.h.i.+ng the State. Now we are all lost.
THE ROWDY SOCIAL-DEMOCRAT. [stampeding across the amphitheatre] Run, everybody.
MENDOZA. [collaring him; throwing him on his back; and drawing a knife]
I stab the man who stirs. [He blocks the way. The stampede it checked].