Part 48 (1/2)
If possible, a bicycle tea should be given out of doors, where outing costumes would not be incongruous.
A Barn Party.
There is a big, red barn on a fine old farm, that is easily reached by city friends, and there, every year, is given an autumn revel in the shape of a genuine ”barn dance.” The mow is filled with sweet smelling hay and the cattle, stalled, are below. The big center floor is cleared and swept and reswept and chalked to make it fit for dancing feet. The decorations for the dance consume much time, and into them the hostess throws many a loving thought. Pumpkins form the chief theme. In flower-like or hideous forms as jack-o'-lanterns they hold posts of honor on rafter and beam.
The lanterns used are the regular farm lanterns, though the walk through the old-fas.h.i.+oned garden to the barn is outlined by the fancy j.a.panese lanterns. Ears of corn tied by fluttering ribbons, the husks turned back to show the golden ears, cornstalks, golden-rod, milkweed, woodbine and cl.u.s.ters of purple grapes are all worked into the decorations.
The young folks learn by previous experiences not to wear perishable finery at the barn dance, and the girls all come in pretty wash-dresses that will stand a good romp. Music is furnished by an old darkey fiddler, not violinist, who plays ”Money Musk,” ”Fisher's Hornpipe,” ”Ole Dan Tucker” and any number of plantation melodies.
The supper, of course, is the best part of the dance to hungry city-bred people. Hot coffee is served in bright new tin-cups, for these young people mimic harvesters; there is fried chicken, cold ham, potato salad, rolls with golden country b.u.t.ter that melts in one's mouth, plenty of fresh milk, pumpkin and apple pie, with cottage cheese, ginger cakes and doughnuts, and even cider for those who wish.
The dance is always given during the full harvest moon and the stone wall which bounds the orchard, the old farm wagons, the grain bins and even the low apple trees furnish flirtation nooks for lovers. One year the barn dance was also a potato roast. Huge fires were built on the lawn, and during the intermission the crowd gathered around the fires and roasted potatoes. This time, too, the dance was made a house party, and the girls were stowed away in the farmhouse while the boys enjoyed tents and the big haymow. Is it any wonder that the pretty hostess' friends call her barn dance the big event of the year?
Bachelor Women and their Entertainments.
The bachelor women in their cosy little city apartments, or even their one apartment, refuse to be debarred from the pleasure and privilege of giving the little entertainments so dear to the heart feminine.
They not only give the most charming little ”teas” and ”coffees,” but they are past masters in the use of the chafing dish and those who have feasted with them will no longer deem that liveried service and stately rooms are necessary to the proper receiving of one's friends.
After all, ”the highest hospitality is in giving what one has.”
Hawthorne and his wife never forgot the little American studying art in Rome, who, in her tower room, reached by many flights of stairs, made tea before their eyes, and took from a cupboard the cake and crackers that made her feast. Neither will the world forget her, since she it was, who, in the ”Marble Faun,” is the Hulda who fed the doves from the tower.
A Sandwich Spread.
A sandwich spread is another entertainment easily given by a ”bachelor maid.” This is a meal at which everything, barring the tea and coffee, is served in the form of a sandwich. Not until one has tried does one realize to what excellence and variety this form of viand lends itself. Deviled ham sandwiches, egg sandwiches, cheese sandwiches, lettuce sandwiches, potted ham, potted fish, potted cheese sandwiches, pineapple sandwiches, peanut sandwiches, cuc.u.mber sandwiches, tomato sandwiches, walnut sandwiches, oyster sandwiches and so on indefinitely. Any modern cookbook will furnish the formulas for all these and more.
”He or she,” says one writer, ”who partakes, forgets the presence of the folding bed and gas stove; of the curtained china cupboard in friendly proximity to the writing desk or easel. There is no paint on the artist's fingers, and the newspaper woman wears as pretty a gown as any woman could wish.”
Private Theatricals.
The etiquette of invitations is the same for Private Theatricals, as for musicales. Simply subst.i.tuting the word, ”Theatricals,”
”Charades,” or ”Tableaux,” whichever it is to be, in the left hand corner of the card. The same observances as to arranging the seats, toilettes of the guests, etc., are requisite, and performers should be equally careful not to fail at the last moment in taking their part.
In reality they should be more so, since the failure of one performer might ruin the entire play.
A drama entails more expense and care than characters and tableaux. A host or hostess should never take leading part unless it be especially urged upon them by the others, and even then it is not best, first, because the entertainers should never eclipse their guests, and, second, they should be free for a general oversight of the whole affair, ready to settle disputed points and find missing stage ”properties.” An effort should be made to a.s.sign, as nearly as possible, acceptable and suitable parts to all.
Those invited should display willingness to take parts a.s.signed them, even if not the most important in the cast. All cannot be Romeos or Juliets. There are minor parts to play on all stages. Learn the part given you thoroughly, and do your best to make the play a success. If sickness or unavoidable accident intervene, inform the hostess at once that she may be able to supply a subst.i.tute for the part.
Guests indulge in conversation between the acts, and the music of an orchestra often fills the pause.
A carpenter is usually called in to build the temporary stage, or a curtain is fitted to rise and fall in the archway between two parlors; the first parlor being used for the audience room and the second one for stage, with dressing-room in the rear. A private billiard-room, also, can be used to good advantage. At the conclusion of the play, supper is served, and social conversation and dancing follow.
A Social Evening.
There are many ways of making pleasant entertainments out of these informal gatherings. Such an evening may last from nine to twelve o'clock. Where impromptu dancing is resorted to, as it so often is, another hour is sometimes added. If dancing be excluded, games, music, cards, or recitations should take its place. If neither card-playing, nor dancing is permitted, the supper usually becomes the feature of the evening.