Part 12 (1/2)
It is always a pleasure to the Prince of Wales to give the Albert Medal with his own hands, sometimes at Marlborough House, as to Sir Henry Bessemer, and to M. Chevalier, the distinguished French Economist. When the award was made to Mr. Doulton, the Prince went to Lambeth to make the presentation, and said that he would have been glad to have received Mr. Doulton at Marlborough House, but thought it would be more gratifying to him to have the medal presented in his own place and among his own workpeople--an act of gracious considerateness which was well appreciated by the vast a.s.sembly who witnessed the event.
OPENING OF THE THAMES EMBANKMENT.
_July 13th, 1870._
This great work, which, for solidity of construction, durability of material, and beauty of design, is worthy of the Metropolis of the Empire, was commenced early in 1852, but was not completed till the summer of 1870. Viewed in connection with the benefits to public health and convenience, by the improvement of the course of the Thames, and the removal of the mud banks formerly disfiguring the sh.o.r.es, the Embankment may be truly said to be the greatest public work undertaken in London in modern times. Portions of the footway had been previously open for pa.s.sengers, and improvements have been since made in the approaches and in laying out ornamental grounds, but the completion of the roadway, from Westminster to Blackfriars, sufficiently justified the grand State ceremony with which the Embankment was opened, on the 13th of July, 1870, by the Prince of Wales.
On that day, the Prince, accompanied by the Princess Louise, and attended by the Great Officers of the Household, opened the Embankment on behalf of Her Majesty the Queen. Five Royal carriages, with an escort of the Royal Horse Guards, proceeded from Marlborough House, by the Mall, Whitehall, and Parliament Street to Westminster Bridge, where they entered the embankment. Here the procession was joined by the carriages containing the Chairman and members of the Metropolitan Board of Works.
At Hungerford Bridge an address was presented by the Chairman, Sir John Thwaites. The Royal procession went as far as Blackfriars Bridge, and then returned to Westminster Bridge, when the Prince, amidst the cheers of the mult.i.tude, and the salutes of artillery, declared the Embankment to be open.
The reply to the address read by the Prince, was as follows:--
”Gentlemen,--It is a source of great regret to me, as I am sure it cannot fail to be to you, that the Queen is unable to be present, according to her original intention, at this interesting ceremony. In her name I thank you for your loyal address, and express to you the satisfaction with which she regards the completion of this great work. We must all rejoice that while the Embankment and the n.o.ble roadway, which I am happy this day to open in the name of Her Majesty, add largely to the beauty and convenience of the Metropolis, the works connected with them may be expected materially to diminish the sources of disease and suffering to the inhabitants of this bank of the Thames. In no public work of this vast capital has the liberal and enterprising spirit of its citizens and the genius and resources of our civil engineers been more signally displayed. I am commanded by the Queen to congratulate you cordially on the issue of your labours in undertakings which promise to be so enduring and so beneficent.”
Five years before this, on the 4th of April, 1865, the Prince had visited the great works erected at Barking, in Ess.e.x, and thence to the Erith Marshes to perform the ceremony of starting the great engines which lift the waters of the Southern Outfall Sewer. In a brief speech on that occasion the Prince congratulated Mr. Thwaites, then chairman of the Metropolitan Board of Works, and Mr. Bazalgette, the engineer, on the completion of an important portion of the great scheme for disposing of the sewage of London, and purifying the water of the Thames.
WORKMEN'S INTERNATIONAL EXHIBITION.
_July 16th, 1870._
In the summer of 1870, while the news of impending war on the continent stirred public feeling, preparations were being quietly made in many a home and workshop for an international exhibition of art and industry.
The special feature of the display was to be the encouragement of individual intelligence and skill, every object exhibited having attached to it the name of the workman, as well as the firm in whose employment he was, if not exercising his art on his own account at home.
The Prince of Wales kindly consented to open the exhibition, in the name of the Queen. This was done on the 16th of July, 1870. Having received an address, giving an account of the purpose of the collection, the Prince thus replied:--
”Gentlemen,--I thank you for your address, and a.s.sure you that it is with very great pleasure I undertake the duty imposed upon me by the Queen in opening this Exhibition. The objects proposed in it are such as cannot fail to meet with the cordial approbation of all who are interested in the growth of our arts and manufactures, and who wish to connect that growth with a corresponding increase of sympathy and friendly relations between employers and their workmen. In imparting to this Exhibition an international character, you have sought to extend the range of good which may result from it, and by inviting compet.i.tion between our workmen and those of foreign nations, not only to afford a wholesome stimulus to both in the exercise of their various callings, but to contribute, as far as you can, to that kindly intercourse between countries which must in the end prove the princ.i.p.al security for the peace of the world. The allusion which you have made to my beloved father, who would doubtless have regarded this Exhibition with the liveliest interest, as the natural supplement of that first one with which his name is especially connected, will be as affecting as it must be gratifying to the Queen. It will be my agreeable duty to report to her the proceedings of to-day, and I have only now, in her name, to wish success to the undertaking.”
A catalogue of the collection, and a newspaper printed in the building, were then presented to the Prince. The catalogue showed that contributions had been sent from all the chief industrial centres in England,--Sheffield, Birmingham, Coventry, Worcester,--and from Ireland, in bog-oak carvings, and articles of the linen and flax industry. The foreign contributions were from France, Austria, Italy, Holland, and other parts of the continent. A musical piece composed for the occasion was given, and the Old Hundredth psalm sung by the choir, after which the Prince declared the Exhibition open.
THE ROYAL ALBERT HALL.
_March 29th, 1871._
The ”Royal Albert Hall of Arts and Sciences” was opened by Her Majesty the Queen with imposing ceremony on the 29th of March, 1871. The procession from Buckingham Palace consisted of nine State carriages, in the last of which were the Queen, the Princess of Wales, and the Duke of Saxe-Coburg and Gotha. In the other carriages were the Royal Family, with the great officers of State and the Household in waiting. The Hall was filled with nearly 8000 spectators, and the orchestra consisted of nearly 1200 musicians and singers, Sir Michael Costa being leader.
When the Queen had taken her place on the das, the Prince of Wales, who wore the uniform of Colonel of the 10th Hussars, advanced to Her Majesty, and, as President of the Provisional Committee, read the following address:--
”May it please your Majesty,--As President of the Provisional Committee of the Royal Albert Hall of Arts and Sciences, it is my high privilege and gratification to report to your Majesty the successful completion of this Hall, an important feature of a long-cherished design of my beloved father, for the general culture of your people, in whose improvement he was always deeply interested. Encouraged by your Majesty's sympathies, and liberally supported by your subjects, we have been enabled to carry out the work without any aid from funds derived from public taxation. I am warranted in expressing our confidence that this building will justify the conviction we expressed in the report submitted on the occasion of your Majesty's laying its first stone, that by its erection we should be meeting a great public want. Your Majesty's Commissioners for the Exhibition of 1851 in further prosecution of my father's design for the encouragement of the Arts and Sciences, an object which he always had warmly at heart, are about to commence a series of Annual International Exhibitions, to the success of which this Hall will greatly contribute by the facilities which it will afford for the display of objects and for the meeting of bodies interested in the industries which will form the subjects of successive Exhibitions. The interest shown in the Hall by the most eminent musicians and composers of Europe strengthens our belief that it will largely conduce to the revival among all cla.s.ses of the nation of a taste for the cultivation of music.
Your Majesty will hear with satisfaction that results have justified the original estimate of the cost of the building, and that, aided by the liberal a.s.sistance of your Exhibition Commissioners, the corporation will commence its management unfettered by pecuniary liabilities, and under conditions eminently calculated to insure success. It is my grateful duty to return to your Majesty our humble thanks for the additional mark of your Royal favour which is conferred upon us by your auspicious presence on the present occasion when our labours as a Provisional Committee are drawing to a close. We venture to hope that when we shall have resigned our functions into the hands of the governing body, which will be elected under the provisions of the Royal Charter granted to us, your Majesty will continue to the Corporation that measure of support which has been always graciously given to us.”