Part 22 (2/2)

Robert started. If he was to play the role successfully he must find something to give her now. The remains of the turkey, a pair of finger-bowls, his old hat--all these came hastily into his mind, and were dismissed. He had nothing of value on him. All had been p.a.w.ned long ago.

Stay! The gold locket studded with diamonds and rubies, which contained Alice's photograph. The one memento of her that he had kept, even when the pangs of starvation were upon him. He brought it from its resting-place next his heart.

”A little something to wear round your neck, child,” he said. ”See!”

”Thank oo,” said Elsie. ”Why, it opens!”

”Yes, it opens,” said Robert moodily.

”Why, it's Alith! Sister Alith!”

[EDITOR. HA!

AUTHOR. I THOUGHT YOU'D LIKE THAT.]

Robert leapt to his feet as if he had been shot.

”Who?” he cried.

”My sister Alith. Does oo know her too?”

Alice's sister! Heavens! He covered his face with his hands.

The door opened.

[EDITOR. HA AGAIN!]

”What are you doing here, Elsie?” said a voice. ”Go to bed, child.

Why, who is this?”

”Father Kwithmath, thithter.”

[EDITOR. HOW EXACTLY DO YOU WORK THE LISPING?

AUTHOR. WHAT DO YOU MEAN? DON'T CHILDREN OF ELSIE'S TENDER YEARS LISP SOMETIMES?

EDITOR. YES; BUT JUST NOW SHE SAID ”KWISTMAS” QUITE CORRECTLY--

AUTHOR. I AM GLAD YOU NOTICED THAT. THAT WAS AN EFFECT WHICH I INTENDED TO PRODUCE. LISPING IS BROUGHT ABOUT BY PLACING THE TONGUE UPON THE HARD SURFACE OF THE PALATE, AND IN CASES WHERE THE SUBJECT IS UNDULY EXCITED OR INFLUENCED BY EMOTION THE LISP BECOMES MORE p.r.o.nOUNCED. IN THIS CASE--

EDITOR. YETH, I THEE.]

”Send her away,” cried Robert, without raising his head.

The door opened, and closed again.

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