Part 58 (2/2)
In my bath I sponge myself seven times--first. Then I begin again, but I stop at six in the second series and cross myself upon the breast with the bath sponge. Seven and six make thirteen. If I did not cancel out that thirteen by the sign of the Cross I should walk in fear of some dreadful thing all day.
Every time I drink I sip seven times first and then again seven times. When six times comes in the second seven, I make the Cross with my head. My right hand is holding the gla.s.s so that the thumb and finger joint method won't work. It would be disastrous to make the sign with the left hand.
That is another thing... . I use my left hand as little as I can.
It frightens me. I _always_ raise a gla.s.s to my lips with the right hand. If I use the left hand owing to momentary thoughtlessness, I have to go through a lengthy purification of wood-touching, crossing, and counting numbers.
All my habits re-act one upon the other and the rules are added to daily until they have become appallingly intricate. A failure in one piece of ritual entails all sorts of protracted mental and physical gestures in order to put it right.
I wonder if other men who drink know this heavy, unceasing slavery which makes the commonest actions of life a burden?
I suppose so. It must be so. All drugs have specific actions. Men don't tell, of course. Neither do I! Sometimes, though, when I have gone to some place like the Cafe Royal, or perhaps one of the clubs which are used by fast men, I have had a disgusting glee when I met men whom I knew drank heavily to think that they had their secrets--must have them--as well as I.
On reading through these notes that I have been making now and then, I am, of course, horrified at what they really seem to mean.
Put down in black and white they convey--or at least they would convey to anyone who saw them--nothing but an a.s.surance of the fact that I am mad. Yet I am not really mad. I have two lives... . I see that I have referred constantly to ”It.” I have promised myself to define exactly what I mean by ”IT.”
I am writing this immediately after lunch. I didn't get up till eleven o'clock. I am under the influence of twenty-five grains of ammonium bromide. I had a few oysters for lunch and nothing else. I am just about as normal as any man in my state can hope to be.
Nevertheless when I come to try and define ”It” for myself I am conscious of a deep horror and distrust. My head is above water, I am sane, but so powerful is the influence of the continual FEAR under which I live my days and nights, that even now I am afraid.
”It” is a protean thing. More often than not it is a horrible dread of that Delirium Tremens which I have never had, but ought to have had long ago. I have read up the symptoms until I know each one of them. When I am in a very nervous and excited condition--when, for example, I could not face anybody at all and must be alone in my room with my bottle of whiskey--I stare at the wall to see if rats or serpents are running up it. I peer into the corners of the library to detect sheeted corpses standing there. I do not see anything of the sort. Even the imaginings of my fear cannot create them. I am, possibly, personally immune from Delirium Tremens, some people are. All the same, the fear of it racks me and tears me a hundred times a day. If it really seized me it surely would be almost enjoyable! Nothing, at any rate, can be more utterly dreadful than the continual apprehension.
Then I have another and always constant fear--these fears, I want to insist, are fantastically intermingled with all the crossings, wood-touchings and frantic calculations I have to do each minute of my life. The other fear is that of Prison.
Now I know perfectly well that I have done nothing in my life that could ever bring me near prison. All the same I cannot now hear a strange voice without a start of dread. A knock at the front door of my house unnerves me horribly. I open the door of whatever room I am in and listen with strained, furtive attention, slinking back and closing the door with a sob of relief when I realise that it is nothing more than the postman or the butcher's boy. I can hardly bear to read a novel now, because I so constantly meet with the word ”arrest.”
”He was arrested in the middle of his conversation,”--”She placed an arresting hand upon his arm.” ... These phrases which constantly occur in every book I read fill me with horror. A wild phantasmagoria of pictures pa.s.ses through my mind. I see myself being led out of my house with gyves upon my wrists like the beastly poem Hood made upon ”Eugene Aram.” Then there is the drive into Wordingham in a cab. All the officials at the station who know me so well cl.u.s.ter round. I am put into a third cla.s.s carriage and the blinds are pulled down. At St. Pancras, where I am also known, it is worse. The next day there is the Magistrate's Court and all the papers full of my affair. I know it is all fantastic nonsense--moons.h.i.+ne, wild dream. But it is so appallingly real to me that I sometimes long to have got the trial over and to be sitting with shaven head, wearing coa.r.s.e prison clothes, in a lonely cell.
Then, I think to myself, I should really have peace. The worst would have happened and there would be an end of it all. There would be an end of deadly Fear.
I remember ”----” telling me at Bruges, where so many _mauvais sujets_ go to kill themselves with alcohol, that wherever he went, night and day, he was always afraid of a tiger that would suddenly appear. He had never experienced Delirium Tremens either.
He knew how mad and fantastic this apprehension was but he was quite unable to get rid of it.
At other times I have the Folie de Grandeur.
My reading has told me that this is the sure sign of approaching General Paralysis. General paralysis means that one's brain goes, that one loses control of one's limbs and all acts of volition go.
One is simply alive, that is all. One is alive and yet one is fed and pushed about, and put into this place or that as the entomologist would use a snail. So, in all my wild imaginings the grisly fear is never far away.
The imaginings are, in themselves, not without interest to a student of the dreadful thing I have become.
I always start from one point. That is that I have become suddenly enormously rich. I have invented all sorts of ways in which this might happen, but lately, in order to save trouble, and to have a base to start from I have arranged that Rockefeller, the American oil person, has been so intrigued by something that I have written that he presents me with two million pounds.
I start in the possession of two million pounds. I buy myself a baronetcy at once and I also purchase some historic estate. I live the life of the most sporting and beneficent country gentleman that ever was! I see myself correcting the bucolic errors of my colleagues on the Bench at Quarter Sessions. I am a Providence to all the labourers and small farmers. My name is acclaimed throughout the county of which I am almost immediately made Lord Lieutenant.
After about five minutes of this prospect I get heartily sick of it.
I buy a yacht then. It is as big as an Atlantic liner. I fit it up and make it the most perfect travelling palace the world has ever seen. I go off in it to sail round the globe--to see all the most beautiful things in the world, to suck the last drop of honey that the beauty of unknown seas, fairy continents, fortunate islands can yield. During this progress I am accompanied by charming and beautiful women. Some are intellectual, some are artistic--all are beautiful and charming. I, I myself, am the central star around which all this a.s.siduous charm and loveliness revolve.
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