Part 9 (2/2)
”What ails thee, dear?”--”I feel depressed.
Relate some ancient history.”
”But which, my dear?--In days of yore Within my memory I bore Many an ancient legend which In monsters and fair dames was rich; But now my mind is desolate, What once I knew is clean forgot-- Alas! how wretched now my lot!”
”But tell me, nurse, can you relate The days which to your youth belong?
Were you in love when you were young?”--
XVIII
”Alack! Tattiana,” she replied, ”We never loved in days of old, My mother-in-law who lately died(34) Had killed me had the like been told.”
”How came you then to wed a man?”-- ”Why, as G.o.d ordered! My Ivan Was younger than myself, my light, For I myself was thirteen quite;(35) The matchmaker a fortnight sped, Her suit before my parents pressing: At last my father gave his blessing, And bitter tears of fright I shed.
Weeping they loosed my tresses long(36) And led me off to church with song.”
[Note 34: A young married couple amongst Russian peasants reside in the house of the bridegroom's father till the ”tiaglo,” or family circle is broken up by his death.]
[Note 35: Marriages amongst Russian serfs used formerly to take place at ridiculously early ages. Haxthausen a.s.serts that strong hearty peasant women were to be seen at work in the fields with their infant husbands in their arms. The inducement lay in the fact that the ”tiaglo” (see previous note) received an additional lot of the communal land for every male added to its number, though this could have formed an inducement in the southern and fertile provinces of Russia only, as it is believed that agriculture in the north is so unremunerative that land has often to be forced upon the peasants, in order that the taxes, for which the whole Commune is responsible to Government, may be paid. The abuse of early marriages was regulated by Tsar Nicholas.]
[Note 36: Courts.h.i.+ps were not unfrequently carried on in the larger villages, which alone could support such an individual, by means of a ”svakha,” or matchmaker. In Russia unmarried girls wear their hair in a single long plait or tail, ”kossa;”
the married women, on the other hand, in two, which are twisted into the head-gear.]
XIX
”Then amongst strangers I was left-- But I perceive thou dost not heed--”
”Alas! dear nurse, my heart is cleft, Mortally sick I am indeed.
Behold, my sobs I scarce restrain--”
”My darling child, thou art in pain.-- The Lord deliver her and save!
Tell me at once what wilt thou have?
I'll sprinkle thee with holy water.-- How thy hands burn!”--”Dear nurse, I'm well.
I am--in love--you know--don't tell!”
”The Lord be with thee, O my daughter!”-- And the old nurse a brief prayer said And crossed with trembling hand the maid.
XX
”I am in love,” her whispers tell The aged woman in her woe: ”My heart's delight, thou art not well.”-- ”I am in love, nurse! leave me now.”
Behold! the moon was s.h.i.+ning bright And showed with an uncertain light Tattiana's beauty, pale with care, Her tears and her dishevelled hair; And on the footstool sitting down Beside our youthful heroine fair, A kerchief round her silver hair The aged nurse in ample gown,(37) Whilst all creation seemed to dream Enchanted by the moon's pale beam.
[Note 37: It is thus that I am compelled to render a female garment not known, so far as I am aware, to Western Europe.
It is called by the natives ”doushegreika,” that is to say, ”warmer of the soul”--in French, chaufferette de l'ame. It is a species of thick pelisse worn over the ”sarafan,” or gown.]
XXI
But borne in spirit far away Tattiana gazes on the moon, And starting suddenly doth say: ”Nurse, leave me. I would be alone.
Pen, paper bring: the table too Draw near. I soon to sleep shall go-- Good-night.” Behold! she is alone!
'Tis silent--on her s.h.i.+nes the moon-- Upon her elbow she reclines, And Eugene ever in her soul Indites an inconsiderate scroll Wherein love innocently pines.
Now it is ready to be sent-- For whom, Tattiana, is it meant?
XXII
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