Part 36 (2/2)
1860. ”Mr. Briggs and His Doings” (fis.h.i.+ng), twelve coloured plates.
”Plain or Ringlets,” by R. W. Surtees, coloured etchings and numerous designs on wood.
[_With George Cruikshank, ”Phiz,” and John Tenniel._] ”Puck on Pegasus.”
1861.
”Mill's Life of a Fox-Hound.”
[_With George Cruikshank and John Tenniel._] ”The Ingoldsby Legends.”
1864.
”The Follies of the Year,” twenty-one coloured etchings from _Punch's_ ”Pocket Books,” with descriptive letterpress by s.h.i.+rley Brooks.
”Mr. Facey Romford's Hounds,” by R. W. Surtees, coloured etchings and designs on wood (finished by ”Phiz”).
[_With Doyle and others._] ”The Cricket on the Hearth.” By Charles d.i.c.kens. 1845-6.
_Reprint._
”Fly Leaves,” lithographs.
”Sketches of Life and Character taken at the Police Court, Bow Street,”
by George Hodder.
APPENDIX IV.
_SOME MISCELLANEOUS WORK OF ALFRED HENRY FORRESTER (ALFRED CROWQUILL)_.
”Ups and Downs,” 1823; ”Paternal Pride,” 1825; ”Despondency and Jealousy” (with George Cruikshank), and many others, in 1825; ”Der Freyschutz Travestied,” ”Alfred Crowquill's Sketch-Book,” ”Absurdities in Prose and Verse,” 1827; Goethe's ”Faust,” 1834; six plates of ”Pickwickian Sketches,” Alfred Bunn's ”Vauxhall Papers,” 1841; designs on wood for ”Sea Pie,” an _omnium gatherum_ containing also plates after David c.o.x, Pyne, Stanfield, and Vickers, 1842; ”Punch” (vols. ii. to iv.); plates and numerous designs on wood for ”Bentley's Miscellany,”
many original designs to ”Doctor Syntax's Tour in Search of the Picturesque,” 1844; ”Comic Arithmetic” (forty-seven humorous vignettes), 1844; ”Woman's Love,” 1846; ”Wanderings of a Pen and Pencil,” 1846; ”A Good-natured Hint about California,” 1849; ”The Excitement” (2 plates), 1849; 120 designs on wood for the ”Pictorial Grammar;” designs on wood for the ”Pictorial Arithmetic;” ”Gold,” 1850; ”A Bundle of Crowquills Dropped by Alfred Crowquill,” 1854; ”Fun,” 1854; ”Griffel Swillendrunken,” 1856; ”Aunt Mavor's Nursery Tales,” 1856; ”Little Pilgrim,” 1856; ”Little Plays for Little Actors,” 1856; ”Fairy Tales,”
1857; ”Merry Pictures by the Comic Hands of 'Phiz,'” etc. (Kent & Co.), 1857; ”The Book of Ballads,” by Bon Gaultier (with Doyle and Leech), 1857; ”A New Story Book,” 1858; ”Fairy Tales,” by Cuthbert Bede, 1858; ”Baron Munchausen” (coloured plates), 1858; ”Tyll Owlgla.s.s” (a similar book), 1859; ”Honesty and Cunning,” 1859; ”Kindness and Cruelty,” 1859; ”The Red Cap,” 1859; ”Paul Prendergast,” 1859; ”Strange Surprising Adventures of the Venerable Gooros Simple,” 1861; ”Fairy Footsteps,”
1861; Chambers' ”Book of Days;” G. W. Reynolds' ”Pickwick Abroad” (now scarce); ”The Boys and the Giant,” 1870; ”The Cunning Fox,” 1870; ”d.i.c.k Doolittle,” 1870; ”Little Tiny's Picture Book,” 1871; ”Guide to the Watering Places” (views and comic plates); ”Comic Eton Grammar” (with Leech); ”Fairy Footsteps; or, Lessons from Legends” (100 designs on wood, with Kenny Meadows); Henry c.o.c.kton's ”Sisters; or, England and France.”
APPENDIX V.
_SOME WORKS ILl.u.s.tRATED BY HABLOT KNIGHT BROWNE._
Charles d.i.c.kens's ”Sunday under Three Heads,” 1836.
”Posthumous Papers of the Pickwick Club,” forty-three plates by Seymour and ”Phiz.” 1836-37.
<script>