Part 30 (1/2)

”Come on, leave 'em alone,” said Saul.

”You kiddin'? They got our table!”

Swill's was more crowded than usual, as if everyone downtown had come to celebrate what would be the publis.h.i.+ng event of the year.

”Where's Ned?” asked Sally, turning as if she had expected to see him when she turned, but didn't. She was anxious. She'd been anxious all evening about Ned, partly because she was always anxious about Ned, partly because of that I.S.A.L.Y. acronym. She didn't know whether to tell him or not. She was not going to tell anybody else, for sure. It would end up being her secret alone, she supposed. This depressed her.

” . . . and tuh-ake her under your bur-ur-ran-ches, Mi-is-ter-uh Tu-reeree. ”

Ned was standing at the window behind their table, not trying to hurry the group of four away but just standing and looking out of the window. He was looking out into what would have been darkness and rain to any other observer. To Ned, it was also darkness and rain, but he thought he could see through it; indeed, he did see through it, he could see across the street and into the park where a single lamp illuminated its small patch of ground-the bench, the walk, the tree.

He was afraid it would be empty, that bench, those gardens, the Jardin des Plantes, the Luxembourg Gardens. He was afraid he'd seen Nathalie for the last time and this was what had depressed him the entire evening. But now he made out a figure, dark haired, dark coated, her face as white as the letter she still held. She was waiting for something, for him to do something. And he remembered her crying that she couldn't leave on her own.

When Ned set his beer down on the occupied table (”their” table), the people sitting there looked at him, puzzled. He said nothing, just pulled on his anorak and made his way through the crowd to the door. Sally's voice followed him, asking where he was going and sounding anxious; Johnnie Ray's voice followed him with ”Cry” and sounded even more anxious: ”Whe-en you-r-r-r Su-WEET-ha-art sends a lu-ET-ter-r of good-by-uh-eye-eye-”

He stood on the pavement across the dark, rain-slicked street, looking into the park. Was she going to argue with him again? Demand a rewrite? Tell him this scene and that scene with Patric was a total wreck, a waste, a pack of lies? That Ned did not deserve a character such as she?

But what she did do was move. She rose from the bench (no help from Ned), shoved the letter in her black pocket, and walked away down the path. Turned after a few feet, gave him a little wave and a little smile.

”Nathalie!”

He started across the street, too distracted to see the car that had pulled away from the curb bearing down on him.

Sally screamed.

Sally had been waiting all day to scream, and the people behind her, Saul, Karl, Candy, and most of the Swill's population swarmed out onto the sidewalk.

Someone yelled, ”Call 911!”

A dozen cell phones were already in hand and in operation. The ones who had reached the pavement first had tried, but had failed to see the plate of the car that, though it had been going quite slow when it rammed Ned, immediately picked up speed and was now careening around a corner three blocks up the street.

Saul and Sally bent over Ned. She was crying.

Ned looked up, blinked as he opened his mouth and started to say something, but Saul cut him off. ”Don't talk.”

Ned paid no attention to him. He blinked, slow as a cat and said weakly, breathily, ”That no-good f.u.c.ker, Patric . . . that jealous son of a b.i.t.c.h . . . why did I-?” Then his head lolled to one side and rested on the pavement.

”Oh, s.h.i.+t! ” said Saul.

”He ain't dead,” said Candy. ”He just pa.s.sed out. Believe me, we know the difference.”

Karl said, ”Where's the f.u.c.kin' ambulance? Why can't you ever get an ambulance in this f.u.c.kin' town?” He asked this of the night in general, just as the ambulance came sliding around the same corner the car had taken a few moments before.

After Ned had been loaded in and Sally gone, too, to sit with him, and the ambulance bulleted off, siren screaming, the crowd dispersed with a lot of head shakings and sad murmurings.

Candy said, ”I don't b.l.o.o.d.y believe this, K.”

”Me either. I'm thinking . . . who do we like for this?”

”Who in-f.u.c.king-deed do we like for this? That son of a b.i.t.c.h, Mackenzie, that's who.”

”Yeah, except”-Arthur pa.s.sed his finger around the inside of his collar as if it were too tight and asked-”who the f.u.c.k's Patrick?”

FORTY-SIX.

When Paul opened the door of his apartment to the two men, he was instantly glad that Molly had gone to that foreign film with her friends. He was also glad that Hannah was asleep in her bed at the far end of the hall.

”Paul Giverney?” asked the shorter one.

”I am. But how did you get up here? Clarence is supposed to announce anyone who comes in.” Paul's antennae were jittering around.

”Clarence? Oh, you mean the guy at the front desk? Well, we didn't exactly come in that way.”

”No,” said Karl. ”Being announced kind of takes away the element of surprise.” He smiled broadly.

”Oh, I don't know,” said Paul. ”The gun would probably keep the surprise fairly undiluted.”

Candy and Karl looked at each other and, having worked out ”undiluted surprise,” both laughed. ”He's Candy, I'm Karl, Mr. Giverney. We have a mutual acquaintance?”

Arthur. Who else? Paul hadn't been as circ.u.mspect as Arthur in divulging his address. Not that it would have been hard for these two goons to find him, anyway. ”Well, look. I've never been good making small talk in the hallway with a gun in my face. You know?” He managed a bitter little smile; he was scared witless.

”Oh. All right.” Candy said this a little sadly, as if playtime were over, and stuck the gun between his back and his belt.

(Paul noted that for the next conversation he had with Sammy Giancarlo.) Candy was smiling. ”All we want to do is have a little talk with you, Mr. Giverney. Actually, we just have a couple of questions. Could we come in, do you think?”

”By all means,” said Paul, bowing fractionally and extending his arm. ”My study's just down the hall, there.”

They followed him. The room was small, but there were two chairs in addition to Paul's own swivel chair-a club chair and a chair with fancy scrolled woodwork that had always struck Paul as vaguely Oriental. They all sat down and, for a moment, made a study of one another.

Candy said, ”Listen, before we have that little talk, I just want to say I think your book's terrific. Don't Go There?” Candy added, as if Paul might have forgotten what book Candy was talking about.

Paul was so surprised he lurched back in his chair as if the gun had gone off near his head. ”I'm . . . uh . . . glad you liked it.”

”Maybe you'd sign my copy?” Candy held up the book he'd been carrying.

Paul wanted to laugh out loud, but didn't know how safe that would be. ”How about I sign it after you tell me what it is you want?” It was nice to have a bargaining chip, even one so slight as an autograph.

Candy tucked the book between himself and the chair arm. He had taken the club chair, Karl the Oriental-looking one whose woodwork he kept inspecting as if he were valuing it. ”This is one f.u.c.kin' chair, Mr. G.”

”Mr. G.”? Was this to be the sobriquet he was hence to be known by? And after he was dead? He said, ”Late Fung dynasty. A good example.”

Karl frowned and looked at Paul almost with suspicion, as if Paul were pus.h.i.+ng baby powder and calling it cocaine. ”I never heard of that period.”

I know you idiot; that's because I made it up.

”Karl reads a lot. And he likes antiques. You should see his place.”