Part 2 (1/2)
The conference between the husband and wife was conducted so secretly that at first nothing was heard of it. Virginie, however, who had tried to give her sister courage by a variety of gentle remonstrances, carried her good nature so far as to listen at the door of her mother's bedroom where the discussion was held, to catch a word or two. The first time she went down to the lower floor she heard her father exclaim, ”Then, madame, do you wish to kill your daughter?”
”My poor dear!” said Virginie, in tears, ”papa takes your part.”
”And what do they want to do to Theodore?” asked the innocent girl.
Virginie, inquisitive, went down again; but this time she stayed longer; she learned that Joseph Lebas loved Augustine. It was written that on this memorable day, this house, generally so peaceful, should be a h.e.l.l.
Monsieur Guillaume brought Joseph Lebas to despair by telling him of Augustine's love for a stranger. Lebas, who had advised his friend to become a suitor for Mademoiselle Virginie, saw all his hopes wrecked.
Mademoiselle Virginie, overcome by hearing that Joseph had, in a way, refused her, had a sick headache. The dispute that had arisen from the discussion between Monsieur and Madame Guillaume, when, for the third time in their lives, they had been of antagonistic opinions, had shown itself in a terrible form. Finally, at half-past four in the afternoon, Augustine, pale, trembling, and with red eyes, was haled before her father and mother. The poor child artlessly related the too brief tale of her love. Rea.s.sured by a speech from her father, who promised to listen to her in silence, she gathered courage as she p.r.o.nounced to her parents the name of Theodore de Sommervieux, with a mischievous little emphasis on the aristocratic _de_. And yielding to the unknown charm of talking of her feelings, she was brave enough to declare with innocent decision that she loved Monsieur de Sommervieux, that she had written to him, and she added, with tears in her eyes: ”To sacrifice me to another man would make me wretched.”
”But, Augustine, you cannot surely know what a painter is?” cried her mother with horror.
”Madame Guillaume!” said the old man, compelling her to silence.--”Augustine,” he went on, ”artists are generally little better than beggars. They are too extravagant not to be always a bad sort. I served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and the late Monsieur Noverre. Oh, if you could only know the tricks played on poor Father Chevrel by that Monsieur Noverre, by the Chevalier de Saint-Georges, and especially by Monsieur Philidor! They are a set of rascals; I know them well! They all have a gab and nice manners. Ah, your Monsieur Sumer--, Somm----”
”De Sommervieux, papa.”
”Well, well, de Sommervieux, well and good. He can never have been half so sweet to you as Monsieur le Chevalier de Saint-Georges was to me the day I got a verdict of the consuls against him. And in those days they were gentlemen of quality.”
”But, father, Monsieur Theodore is of good family, and he wrote me that he is rich; his father was called Chevalier de Sommervieux before the Revolution.”
At these words Monsieur Guillaume looked at his terrible better half, who, like an angry woman, sat tapping the floor with her foot while keeping sullen silence; she avoided even casting wrathful looks at Augustine, appearing to leave to Monsieur Guillaume the whole responsibility in so grave a matter, since her opinion was not listened to. Nevertheless, in spite of her apparent self-control, when she saw her husband giving way so mildly under a catastrophe which had no concern with business, she exclaimed:
”Really, monsieur, you are so weak with your daughters! However----”
The sound of a carriage, which stopped at the door, interrupted the rating which the old draper already quaked at. In a minute Madame Roguin was standing in the middle of the room, and looking at the actors in this domestic scene: ”I know all, my dear cousin,” said she, with a patronizing air.
Madame Roguin made the great mistake of supposing that a Paris notary's wife could play the part of a favorite of fas.h.i.+on.
”I know all,” she repeated, ”and I have come into Noah's Ark, like the dove, with the olive-branch. I read that allegory in the _Genie du Christianisme_,” she added, turning to Madame Guillaume; ”the allusion ought to please you, cousin. Do you know,” she went on, smiling at Augustine, ”that Monsieur de Sommervieux is a charming man? He gave me my portrait this morning, painted by a master's hand. It is worth at least six thousand francs.” And at these words she patted Monsieur Guillaume on the arm. The old draper could not help making a grimace with his lips, which was peculiar to him.
”I know Monsieur de Sommervieux very well,” the Dove ran on. ”He has come to my evenings this fortnight past, and made them delightful. He has told me all his woes, and commissioned me to plead for him. I know since this morning that he adores Augustine, and he shall have her. Ah, cousin, do not shake your head in refusal. He will be created Baron, I can tell you, and has just been made Chevalier of the Legion of Honor, by the Emperor himself, at the Salon. Roguin is now his lawyer, and knows all his affairs. Well! Monsieur de Sommervieux has twelve thousand francs a year in good landed estate. Do you know that the father-in-law of such a man may get a rise in life--be mayor of his _arrondiss.e.m.e.nt_, for instance. Have we not seen Monsieur Dupont become a Count of the Empire, and a senator, all because he went as mayor to congratulate the Emperor on his entry into Vienna? Oh, this marriage must take place! For my part, I adore the dear young man. His behavior to Augustine is only met with in romances. Be easy, little one, you shall be happy, and every girl will wish she were in your place. Madame la d.u.c.h.esse de Carigliano, who comes to my 'At Homes,' raves about Monsieur de Sommervieux. Some spiteful people say she only comes to me to meet him; as if a d.u.c.h.esse of yesterday was doing too much honor to a Chevrel, whose family have been respected citizens these hundred years!
”Augustine,” Madame Roguin went on, after a short pause, ”I have seen the portrait. Heavens! How lovely it is! Do you know that the Emperor wanted to have it? He laughed, and said to the Deputy High Constable that if there were many women like that in his court while all the kings visited it, he should have no difficulty about preserving the peace of Europe. Is not that a compliment?”
The tempests with which the day had begun were to resemble those of nature, by ending in clear and serene weather. Madame Roguin displayed so much address in her harangue, she was able to touch so many strings in the dry hearts of Monsieur and Madame Guillaume, that at last she hit on one which she could work upon. At this strange period commerce and finance were more than ever possessed by the crazy mania for seeking alliance with rank; and the generals of the Empire took full advantage of this desire. Monsieur Guillaume, as a singular exception, opposed this deplorable craving. His favorite axioms were that, to secure happiness, a woman must marry a man of her own cla.s.s; that every one was punished sooner or later for having climbed too high; that love could so little endure under the worries of a household, that both husband and wife needed sound good qualities to be happy, that it would not do for one to be far in advance of the other, because, above everything, they must understand each other; if a man spoke Greek and his wife Latin, they might come to die of hunger. He had himself invented this sort of adage. And he compared such marriages to old-fas.h.i.+oned materials of mixed silk and wool. Still, there is so much vanity at the bottom of man's heart that the prudence of the pilot who steered the Cat and Racket so wisely gave way before Madame Roguin's aggressive volubility.
Austere Madame Guillaume was the first to see in her daughter's affection a reason for abdicating her principles and for consenting to receive Monsieur de Sommervieux, whom she promised herself she would put under severe inquisition.
The old draper went to look for Joseph Lebas, and inform him of the state of affairs. At half-past six, the dining-room immortalized by the artist saw, united under its skylight, Monsieur and Madame Roguin, the young painter and his charming Augustine, Joseph Lebas, who found his happiness in patience, and Mademoiselle Virginie, convalescent from her headache. Monsieur and Madame Guillaume saw in perspective both their children married, and the fortunes of the Cat and Racket once more in skilful hands. Their satisfaction was at its height when, at dessert, Theodore made them a present of the wonderful picture which they had failed to see, representing the interior of the old shop, and to which they all owed so much happiness.
”Isn't it pretty!” cried Guillaume. ”And to think that any one would pay thirty thousand francs for that!”
”Because you can see my lappets in it,” said Madame Guillaume.
”And the cloth unrolled!” added Lebas; ”you might take it up in your hand.”
”Drapery always comes out well,” replied the painter. ”We should be only too happy, we modern artists, if we could touch the perfection of antique drapery.”
”So you like drapery!” cried old Guillaume. ”Well, then, by Gad! shake hands on that, my young friend. Since you can respect trade, we shall understand each other. And why should it be despised? The world began with trade, since Adam sold Paradise for an apple. He did not strike a good bargain though!” And the old man roared with honest laughter, encouraged by the champagne, which he sent round with a liberal hand.
The band that covered the young artist's eyes was so thick that he thought his future parents amiable. He was not above enlivening them by a few jests in the best taste. So he too pleased every one. In the evening, when the drawing-room, furnished with what Madame Guillaume called ”everything handsome,” was deserted, and while she flitted from the table to the chimney-piece, from the candelabra to the tall candlesticks, hastily blowing out the wax-lights, the worthy draper, who was always clear-sighted when money was in question, called Augustine to him, and seating her on his knee, spoke as follows:--
”My dear child, you shall marry your Sommervieux since you insist; you may, if you like, risk your capital in happiness. But I am not going to be hoodwinked by the thirty thousand francs to be made by spoiling good canvas. Money that is lightly earned is lightly spent. Did I not hear that hare-brained youngster declare this evening that money was made round that it might roll. If it is round for spendthrifts, it is flat for saving folks who pile it up. Now, my child, that fine gentleman talks of giving you carriages and diamonds! He has money, let him spend it on you; so be it. It is no concern of mine. But as to what I can give you, I will not have the crown-pieces I have picked up with so much toil wasted in carriages and frippery. Those who spend too fast never grow rich. A hundred thousand crowns, which is your fortune, will not buy up Paris. It is all very well to look forward to a few hundred thousand francs to be yours some day; I shall keep you waiting for them as long as possible, by Gad! So I took your lover aside, and a man who managed the Lecocq bankruptcy had not much difficulty in persuading the artist to marry under a settlement of his wife's money on herself. I will keep an eye on the marriage contract to see that what he is to settle on you is safely tied up. So now, my child, I hope to be a grandfather, by Gad!
I will begin at once to lay up for my grandchildren; but swear to me, here and now, never to sign any papers relating to money without my advice; and if I go soon to join old Father Chevrel, promise to consult young Lebas, your brother-in-law.”
”Yes, father, I swear it.”