Part 8 (2/2)
”But why all this excitement?” I mocked.
”Because I see you are bent on insulting man and making him petty.”
”Where on earth do you see all that?”
”In the air, in my outraged feelings. You would go on wounding the great, the unselfish, the beautiful in man.”
”What mad idea is this of yours?”
Nikhil suddenly stood up. ”I tell you plainly, Sandip,” he said, ”man may be wounded unto death, but he will not die. This is the reason why I am ready to suffer all, knowing all, with eyes open.”
With these words he hurriedly left the room.
I was staring blankly at his retreating figure, when the sound of a book, falling from the table, made me turn to find Bee following him with quick, nervous steps, making a detour to avoid pa.s.sing too near me.
A curious creature, that Nikhil! He feels the danger threatening his home, and yet why does he not turn me out? I know, he is waiting for Bimal to give him the cue. If Bimal tells him that their mating has been a misfit, he will bow his head and admit that it may have been a blunder! He has not the strength of mind to understand that to acknowledge a mistake is the greatest of all mistakes. He is a typical example of how ideas make for weakness. I have not seen another like him--so whimsical a product of nature! He would hardly do as a character in a novel or drama, to say nothing of real life.
And Bee? I am afraid her dream-life is over from today. She has at length understood the nature of the current which is bearing her along. Now she must either advance or retreat, open-eyed.
The chances are she will now advance a step, and then retreat a step. But that does not disturb me. When one is on fire, this rus.h.i.+ng to and fro makes the blaze all the fiercer. The fright she has got will only fan her pa.s.sion.
Perhaps I had better not say much to her, but simply select some modern books for her to read. Let her gradually come to the conviction that to acknowledge and respect pa.s.sion as the supreme reality, is to be modern--not to be ashamed of it, not to glorify restraint. If she finds shelter in some such word as ”modern”, she will find strength.
Be that as it may, I must see this out to the end of the Fifth Act. I cannot, unfortunately, boast of being merely a spectator, seated in the royal box, applauding now and again. There is a wrench at my heart, a pang in every nerve. When I have put out the light and am in my bed, little touches, little glances, little words flit about and fill the darkness. When I get up in the morning, I thrill with lively antic.i.p.ations, my blood seems to course through me to the strains of music ...
There was a double photo-frame on the table with Bee's photograph by the side of Nikhil's. I had taken out hers. Yesterday I showed Bee the empty side and said: ”Theft becomes necessary only because of miserliness, so its sin must be divided between the miser and the thief. Do you not think so?”
”It was not a good one,” observed Bee simply, with a little smile.
”What is to be done?” said I. ”A portrait cannot be better than a portrait. I must be content with it, such as it is.”
Bee took up a book and began to turn over the pages. ”If you are annoyed,” I went on, ”I must make a s.h.i.+ft to fill up the vacancy.”
Today I have filled it up. This photograph of mine was taken in my early youth. My face was then fresher, and so was my mind.
Then I still cherished some illusions about this world and the next. Faith deceives men, but it has one great merit: it imparts a radiance to the features.
My portrait now reposes next to Nikhil's, for are not the two of us old friends?
Chapter Four
Nikhil's Story
III
I WAS never self-conscious. But nowadays I often try to take an outside view--to see myself as Bimal sees me. What a dismally solemn picture it makes, my habit of taking things too seriously!
Better, surely, to laugh away the world than flood it with tears.
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