Part 15 (1/2)
* * * ”To-day, for the first time since you were here, our poor little girl spoke of you of her own accord, asking where you were and why you left her so long alone. I really think it would be better for you to take her home. She is generally quiet with you, and latterly she has a fancy that you are threatened with some danger, for she keeps whispering to herself, 'Keep Arthur from temptation. Keep him from temptation, and don't let any harm come to little MIGGIE.' Who is Miggie? I don't think I ever heard her name until within the last few days.” * * *
And this it was which kept Arthur St. Claire from falling. Slowly the tears, such as strong men only shed, gathered in his eyes and dropped upon the paper. Then his pale lips moved, and he whispered sadly, ”Heaven bless you, NINA, poor unfortunate Nina. Your prayer SHALL save me, and henceforth Edith shall be to me just what your darling Miggie would have been were she living. G.o.d help me to do right,” he murmured, as he thought of Edith Hastings, and remembered how weak he was. That prayer of anguish was not breathed in vain, and when the words were uttered he felt himself growing strong again--strong to withstand the charms of the young girl waiting impatiently for him in the adjoining room.
There were many things she meant to say to him in Richard's absence. She would ask him about NINA, and the baby picture which had so interested her. It had disappeared from the drawing room and as yet she had found no good opportunity to question him about it, but she would do so to-day. She would begin at once so as not to forget, and she was just wondering how long it took a man to read a letter, when he came in. She saw at a glance that something had affected him, and knowing intuitively that it was not the time for idle questionings, she refrained from all remark, and the lesson both had so much antic.i.p.ated, proceeded in almost unbroken silence. It was very dull indeed, she thought, not half so nice as when Richard was there, and in her pet at Arthur's coolness and silence, she made so many blunders that at last throwing pencil and paper across the room, she declared herself too stupid for any thing.
”You, too, are out of humor,” she said, looking archly into Arthur's face, ”and I won't stay here any longer. I mean to go away and talk with Judy about Abel.”
So saying, she ran off to the kitchen where she was now a great favorite, and sitting down at Judy's feet, began to ask her of Florida and Sunnybank, her former home.
”Tell me more of the magnolias,” she said, ”It almost seems to me as if I had seen those beautiful white blossoms and that old house with its wide hall.”
”Whar was you raised?” asked Judy, and Edith replied,
”I told you once, in New York, but I have such queer fancies, as if I had lived before I came into this world.”
”Jest the way Miss Nina used to go on, muttered the old woman, looking steadily into the fire.
”Nina!” and Edith started quickly. ”DID you know Nina, Aunt Judy?
Do you know her now? Where is she? Who is she, and that black-eyed baby in the frame? Tell me all about them.”
”All about what?” I asked Phillis, suddenly appearing and casting a warning glance at her mother, who replied, ”'Bout marster's last wife, the one you say she done favors.” Then, in an aside to Edith, she added, ”I kin pull de wool over her eyes. Bimeby mabby I'll done tell you how that ar is de likeness of Miss Nina's half sister what is dead, and 'bout Miss Nina, too, the sweetest, most misfortinest human de Lord ever bornd.”
”She isn't a great ways from here, is she?” whispered Edith, as Phillis bustled into the pantry, hurrying back ere Judy could more than shake her head significantly.
”Dear Aunt Phillis, won't you please tell Ike to bring up Bedouin,” Edith said coaxingly, hoping by this ruse to get rid of the old negress; but Phillis was too cunning, and throwing up the window sash, she called to Ike, delivering the message.
Edith, however, managed slily to whisper, ”In Worcester, isn't she?” while Judy as slily nodded affirmatively, ere Phillis' sharp eyes were turned again upon them. Edith's curiosity concerning the mysterious Nina was thoroughly roused, and determining to ferret out the whole affair by dint of quizzing Judith whenever an opportunity should occur, she took her leave.
”Mother,” said Phillis, the moment Edith was out of hearing, ”havn't you no sense, or what possessed you to talk of Miss Nina to her? Havn't you no family pride, and has you done forgot that Marster Arthur forbade our talkin' of her to strangers?”
Old Judy at first received the rebuke in silence, then bridling up in her own defense, she replied, ”Needn't tell me that any good will ever come out o' this kiverin' up an' hidin', and keeping whist. It'll come out bimeby, an' then folks'll wonder what 'twas all did for. Ole marster didn't act so by Miss Nina's mother, an'
I believe thar's somethin' behind, some carrying on that we don't know; but it's boun' to come out fust or last. That ar Miss Edith is a nice trim gal. I wish to goodness Marster Arthur'd done set to her. I'd like her for a mistress mighty well. I really b'lieve he has a hankerin' notion after her, too, an' it's nater that he should have. It's better for the young to marry, and the old, too, for that matter. Poor Uncle Abe! Do you s'pose, Phillis, that he goes over o' nights to Aunt Dilsey's cabin sen' we've come away.
Dilsey's an onery n.i.g.g.e.r, anyhow,” and with her mind upon Uncle Abel, and her possible rival Dilsey, old Judy forgot Edith Hastings, who, without bidding Arthur good morning, had gallopped home to Collingwood, where she found poor, deluded Richard, waiting and wondering at the non-appearance of Mr. Floyd, who was to buy his western wood lot.
CHAPTER XIV.
THE MYSTERY AT GRa.s.sY SPRING.
For several weeks longer Edith continued taking lessons of Arthur, going sometimes with Richard, but oftener alone, and feeling always that a change had gradually come over her teacher. He was as kind to her as ever, took quite as much pains with her, and she was sensible of a greater degree of improvement than had marked the days when she trembled every time he touched her hands. Still there was a change. He did not bend over her now as he used to do; did not lay his arm across the back of her chair, letting it some times fall by accident upon her shoulders; did not look into her eyes with a glance which made her blush and turn away; in short, he did not look at her at all, if he could help it, and in this very self-denial lay his strength. He was waging a mighty battle with himself, and inch by inch he was gaining the victory, for victory it would be when he brought himself to think of Edith Hastings without a pang--to listen to her voice and look into her face without a feeling that she must be his. He could not do this yet, but he kept himself from telling her of his love by a.s.suming a reserved, studied manner, which led her at last to think he might be angry, and one day, toward the first of March, when he had been more than usually silent, she asked him abruptly how she had offended, her soft eyes filling with tears as she expressed her sorrow if by any thoughtless act she had caused him pain.
”You could not offend me, Edith,” he said; ”that would be impossible, and if I am sometimes could an abstracted, it is because I have just cause for being so. I am very unhappy, Edith, and your visits here to me are like oases to the weary traveller.
Were it not for you I should wish to die; and yet, strange as it may seem, I have prayed to die oftener since I knew you as you now are than I ever did before, I committed a fatal error once and it has embittered my whole existence. It was early in life, to, before I ever say you, Edith.”
”Why Mr. St. Claire,” she exclaimed, ”you were nothing but a boy when you came to Brier Hill.”
”Yes, a boy,” he exclaimed, ”or I had never done what I did; but it cannot be helped, and I must abide the consequences. Now let us talk of something else. I am going away to-morrow, and you need not come again until I send for you; but whatever occurs, don't think I am offended.”