Part 48 (2/2)
”I read it in the newspaper and was so struck by it that I remembered it,” said Mr. Rimmon.
”I read it in 'Laus Veneris,'” said Keith, dryly, with his eyes on the other's face. It pleased him to see it redden.
Keith, as he pa.s.sed through the rooms, caught sight of an old lady over in a corner. He could scarcely believe his senses; it was Miss Abigail.
She was sitting back against the wall, watching the crowd with eyes as sharp as needles. Sometimes her thin lips twitched, and her bright eyes snapped with inward amus.e.m.e.nt. Keith made his way over to her. She was so much engaged that he stood beside her a moment without her seeing him. Then she turned and glanced at him.
”'A chiel's amang ye takin' notes,'” he said, laughing and holding out his hand.
”'An', faith! she'll prent 'em,'” she answered, with a nod. ”How are you? I am glad to see you. I was just wis.h.i.+ng I had somebody to enjoy this with me, but not a man. I ought to be gone; and so ought you, young man. I started, but I thought if I could get in a corner by myself where there were no men I might stay a little while and look at it; for I certainly never saw anything like this before, and I don't think I ever shall again. I certainly do not think you ought to see it.”
Keith laughed, and she continued:
”I knew things had changed since I was a girl; but I didn't know it was as bad as this. Why, I don't think it ought to be allowed.”
”What?” asked Keith.
”This.” She waved her hand to include the dancing throng before them.
”They tell me all those women dancing around there are married.”
”I believe many of them are.”
”Why don't those young women have partners?”
”Why, some of them do. I suppose the others are not attractive enough, or something.”
”Especially _something_,” said the old lady. ”Where are their husbands?”
”Why, some of them are at home, and some are here.”
”Where?” The old lady turned her eyes on a couple that sailed by her, the man talking very earnestly to his companion, who was listening breathlessly. ”Is that her husband?”
”Well, no; that is not, I believe.”
”No; I'll be bound it is not. You never saw a married man talking to his wife in public in that way--unless they were talking about the last month's bills. Why, it is perfectly brazen.”
Keith laughed.
”Where is her husband?” she demanded, as Mrs. Wentworth floated by, a vision of brocaded satin and lace and white shoulders, supported by Ferdy Wickersham, who was talking earnestly and looking down into her eyes languis.h.i.+ngly.
”Oh, her husband is here.”
”Well, he had better take her home to her little children. If ever I saw a face that I distrusted it is that man's.”
”Why, that is Ferdy Wickersham. He is one of the leaders of society. He is considered quite an Adonis,” observed Keith.
”And I don't think Adonis was a very proper person for a young woman with children to be dancing with in attire in which only her husband should see her.” She shut her lips grimly. ”I know him,” she added. ”I know all about them for three generations. One of the misfortunes of age is that when a person gets as old as I am she knows so much evil about people. I knew that young man's grandfather when he was a worthy mechanic. His wife was an uppish hussy who thought herself better than her husband, and their daughter was a pretty girl with black eyes and rosy cheeks. They sent her off to school, and after the first year or two she never came back. She had got above them. Her father told me as much. The old man cried about it. He said his wife thought it was all right; that his girl had married a smart young fellow who was a clerk in a bank; but that if he had a hundred other children he'd never teach them any more than to read, write, and figure. And to think that her son should be the Adonis dancing with my cousin Everett Wentworth's daughter-in-law! Why, my Aunt Wentworth would rise from her grave if she knew it!”
”Well, times have changed,” said Keith, laughing. ”You see they are as good as anybody now.”
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