Part 43 (2/2)

”I knew I could always count on you, and I meant, of course, to come and see you. The reason I have not come before I will explain to you sometime. I was feeling a little sore over a matter--sheer lies that some one has written.” He shook the newspaper in his hand.

”Oh, don't mind that paper,” said Norman. ”The columns of that paper are for hire. They belong at present to an old acquaintance of ours. They do _me_ the honor to pay their compliments to my affairs now and then.”

Keith walked up the street with a warm feeling about his heart. That friendly face and kindly pressure of the hand had cheered him like suns.h.i.+ne in a wintry day, and transformed the cold, cheerless city into an abode of life and happiness. The crowds that thronged by him once more took on interest for him. The faces once more softened into human fellows.h.i.+p.

That evening, when Keith arrived at Norman Wentworth's, he found that what he had termed his ”little house” was, in fact, a very ample and commodious mansion on one of the most fas.h.i.+onable avenues in the city.

Outside there was nothing to distinguish it particularly from the scores of other handsome houses that stretched for blocks up and down the street with ever-recurrent brown-stone monotony. They were as much alike as so many box-stalls in a stable.

”If I had to live in one of these,” thought Keith, as he was making his way to keep his appointment, ”I should have to begin and count my house from the corner. No wonder the people are all so much alike!”

Inside, however, the personal taste of the owner counted for much more, and when Keith was admitted by the velvety-stepped servant, he found himself in a scene of luxury for which nothing that Norman had said had prepared him.

A hall, rather contracted, but sumptuous in its furnis.h.i.+ngs, opened on a series of drawing-rooms absolutely splendid with gilt and satin. One room, all gold and yellow, led into another all blue satin, and that into one where the light filtered through soft-tinted shades on tapestries and rugs of deep crimson.

Keith could not help thinking what a fortunate man Norman was, and the difference between his friend's situation in this bower of roses, and his own in his square, bare little box on the windy mountain-side, insensibly flashed over him. This was ”an establishment”! How unequally Fortune scattered her gifts! Just then, with a soft rustle of silk, the portieres were parted, and Mrs. Wentworth appeared. She paused for a second just under the arch, and the young man wondered if she knew how effective she was. She was a vision of lace and loveliness. A figure straight and sinuous, above the middle height, which would have been quite perfect but for being slightly too full, and which struck one before one looked at the face; coloring that was rich to brilliance; abundant, beautiful hair with a glint of l.u.s.tre on it; deep hazel eyes, the least bit too close together, and features that were good and only just missed being fine Keith had remembered her as beautiful, but as Mrs. Wentworth stood beneath the azure portieres, her long, bare arms outstretched, her lips parted in a half-smile of welcome, she was much more striking-looking than Keith's memory had recorded. As he gazed on her, the expression on his face testified his admiration.

She came forward with the same gratified smile on her face and greeted him with formal words of welcome as Norman's old friend. Her thought was, ”What a strong-looking man he is! Like a picture I have seen somewhere. Why doesn't Ferdy like him?”

As she sank into a soft divan, and with a sudden twist her train fell about her feet, making an artistic drapery, Keith experienced a sense of delight. He did not dream that Mrs. Wentworth knew much better than he precisely the pose to show the curve of her white full throat and round arm. The demands of notorious beauty were already beginning to tell on her, and even while she spoke gracious words of her husband's friends.h.i.+p for him, she from time to time added a touch here and a soft caress there with her long white, hands to make the arrangement the more complete. It was almost too perfect to be unconscious.

Suddenly Keith heard Norman's voice outside, apparently on the stair, calling cheerily ”Good-by” to some one, and the next second he came hastily into the drawing-room. His hair was rumpled and his necktie a trifle awry. As he seized and wrung Keith's hand with unfeigned heartiness, Keith was suddenly conscious of a change in everything. This was warmth, sincerity, and the beautiful room suddenly became a home.

Mrs. Wentworth appeared somewhat shocked at his appearance.

”Well, Norman, you are a sight! Just look at your necktie!”

”That ruffian!” he laughed, feeling at his throat and trying to adjust the crooked tie.

”What will Mr. Keith think?”

”Oh, pshaw! Keith thinks all right. Keith is one of the men I don't have to apologize to. But if I do”--he turned to Keith, smiling--”I'll show you the apology. Come along.” He seized Keith by the hand and started toward the door.

”You are not going to take Mr. Keith up-stairs!” exclaimed his wife.

”Remember, Mr. Keith may not share your enthusiasm.”

”Wait until he sees the apology. Come along, Keith.” He drew Keith toward the door.

”But, Norman, I don't think--” began Mrs. Wentworth. What she did not think was lost to the two men; for Norman, not heeding her, had, with the eagerness of a boy, dragged his visitor out of the door and started up the stairs, telling him volubly of the treat that was in store for him in the perfections of a certain small young gentleman who had been responsible for his tardiness in appearing below.

When Norman threw back a silken portiere up-stairs and flung open a door, the scene that greeted Keith was one that made him agree that Norman was fully justified. A yellow-haired boy was rolling on the floor, kicking up his little pink legs in all the abandon of his years, while a blue-eyed little girl was sitting in a nurse's lap, making strenuous efforts to join her brother on the floor.

At sight of his father, the boy, with a whoop, scrambled to his feet, and, with outstretched arms and open mouth, showing all his little white teeth, made a rush for him, while the young lady suddenly changed her efforts to descend, and began to jump up and down in a frantic ecstasy of delight.

Norman gathered the boy up, and as soon as he could disentwine his little arms from about his neck, turned him toward Keith. The child gave the stranger one of those calm, scrutinizing looks that children give, and then, his face suddenly breaking into a smile, with a rippling laugh of good-comrades.h.i.+p, he sprang into Keith's outstretched arms. That gentleman's necktie was in danger of undergoing the same damaging process that had incurred Mrs. Norman's criticism, when the youngster discovered that lady herself, standing at the door. Scrambling down from his perch on Keith's shoulder, the boy, with a shout, rushed toward his mother. Mrs. Wentworth, with a little shriek, stopped him and held him off from her; she could not permit him to disarrange her toilet; her coiffure had cost too much thought; but the pair were evidently on terms of good-fellows.h.i.+p, and the light in the mother's eyes even as she restrained the boy's attempt at caresses changed her, and gave Keith a new insight into her character.

Keith and the hostess returned to the drawing-room before Norman, and she was no longer the professional beauty, the cold woman of the world, the mere fas.h.i.+onable hostess. The doors were flung open more than once as Keith talked warmly of the boy, and within Keith got glimpses of what was hidden there, which made him rejoice again that his friend had such a treasure. These glimpses of unexpected softness drew him nearer to her than he had ever expected to be, and on his part he talked to her with a frankness and earnestness which sank deep into her mind, and opened the way to a warmer friends.h.i.+p than she usually gave.

<script>