Part 25 (1/2)
”That is so,” said the landlord. ”I have no right to detain those things. They are in the bureau. Come up with me; if the person who has taken your room has not gone to bed, we can go in.”
The room had been let during the day to a girl named Mimi, with whom Rodolphe had formerly begun a love duet. They recognized one another at once. Rodolphe began to whisper to Mimi and tenderly squeezed her hand.
”See how it rains,” said he, calling attention to the noise of the storm that had just broken overhead.
”Sir,” said she, pointing to Rodolphe, ”this is the gentleman I was expecting this evening.”
”Oh!” said Monsieur Benoit, grinning on the wrong end of his face.
Whilst Mademoiselle Mimi was hurriedly getting ready an improvised supper, midnight struck.
”Ah!” said Rodolphe to himself, ”the 15th of April is over. I have at length weathered my Cape of Storms. My dear Mimi,” said the young man, taking the pretty girl in his arms and kissing her on the back of the neck, ”it would have been impossible for you to have allowed me to be turned out of doors. You have the b.u.mp of hospitality.”
CHAPTER XI
A BOHEMIAN CAFE
You shall hear how it came to pa.s.s that Carolus Barbemuche, platonist and literary man generally, became a member of the Bohemian Club, in the twenty-fourth year of his age.
At that time, Gustave Colline, the great philosopher, Marcel, the great painter, Schaunard, the great musician, and Rodolphe, the great poet (as they called one another), regularly frequented the Momus Cafe, where they were surnamed ”the Four Musqueteers,” because they were always seen together. In fact, they came together, went away together, played together, and sometimes didn't pay their shot together, with a unison worthy of the best orchestra.
They chose to meet in a room where forty people might have been accommodated, but they were usually there alone, inasmuch as they had rendered the place uninhabitable by its ordinary frequenters. The chance customer who risked himself in this den, became, from the moment of his entrance, the victim of the terrible four; and, in most cases, made his escape without finis.h.i.+ng his newspaper and cup of coffee, seasoned as they were by unheard-of maxims on art, sentiment, and political economy.
The conversation of the four comrades was of such a nature that the waiter who served them had become an idiot in the prime of his life.
At length things reached such a point that the landlord lost all patience and came up one night to make a formal statement of his griefs:
”Firstly. Monsieur Rodolphe comes early in the morning to breakfast, and carries off to his room all the papers of the establishment, going so far as to complain if he finds that they have been opened. Consequently, the other customers, cut off from the usual channels of public opinion and intelligence, remain until dinner in utter ignorance of political affairs. The Bosquet party hardly knows the names of the last cabinet.”
”Monsieur Rodolphe has even obliged the cafe to subscribe to 'The Beaver,' of which he is chief editor. The master of the establishment at first refused; but as Monsieur Rodolphe and his party kept calling the waiter every half hour, and crying, 'The Beaver! bring us 'The Beaver'
some other customers, whose curiosity was excited by these obstinate demands, also asked for 'The Beaver.' So 'The Beaver' was subscribed to--a hatter's journal, which appeared every month, ornamented with a vignette and an article on 'The Philosophy of Hats and other things in general,' by Gustave Colline.”
”Secondly. The aforesaid Monsieur Colline, and his friend Monsieur Rodolphe, repose themselves from their intellectual labors by playing backgammon from ten in the morning till midnight and as the establishment possess but one backgammon board, they monopolize that, to the detriment of the other amateurs of the game; and when asked for the board, they only answer, 'Some one is reading it, call tomorrow.' Thus the Bosquet party find themselves reduced to playing piquet, or talking about their old love affairs.”
”Thirdly. Monsieur Marcel, forgetting that a cafe is a public place, brings thither his easel, box of colors, and, in short, all the instruments of his art. He even disregards the usages of society as far as to send for models of different s.e.xes; which might shock the morals of the Bosquet party.”
”Fourthly. Following the example of his friend, Monsieur Schaunard talks of bringing his piano to the cafe and he has not scrupled to get up a chorus on a motive from his symphony, 'The Influence of Blue in Art.'
Monsieur Schaunard has gone farther: he has inserted in the lantern which serves the establishment for sign, a transparency with this inscription:
'COURSE OF MUSIC, VOCAL AND INSTRUMENTAL, FOR BOTH s.e.xES, GRATIS.
APPLY AT THE COUNTER.'
In consequence of this, the counter aforesaid is besieged every night by a number of badly dressed individuals, wanting to know where you go in.”
”Moreover, Monsieur Schaunard gives meetings to a lady calling herself Mademoiselle Phemie, who always forgets to bring her bonnet. Wherefore, Monsieur Bosquet, Jr., has declared that he will never more put foot in an establishment where the laws of nature are thus outraged.”
”Fifthly. Not content with being very poor customers, these gentlemen have tried to be still more economical. Under pretence of having caught the mocha of the establishment in improper intercourse with chicory, they have brought a lamp with spirits-of-wine, and make their own coffee, sweetening it with their own sugar; all of which is an insult to the establishment.”