Part 5 (1/2)
One drawback to the immediate prosperity of the place is that commutation rates are yet in their infancy. Eighty-seven and one-half cents per ride on trains which run only on Tuesdays and Fridays is not sufficient compensation for the long and lonely walk and the paucity of some suitable cottages when one gets there.
So I will sell the dear old place, with all its a.s.sociations and the good-will of a thriving young frog conservatory, at the buyer's price.
As I say, there has been since I was last there a steady growth, which is mostly noticeable on the mortgage that I secured along with the property. It was on there when I bought it, and as it could not be removed without injury to the realty, according to an old and established law of Justinian or c.o.ke or Littleton, Mr. Pansley ruled that it was part of the property and pa.s.sed with its conveyance. It is looking well, with a nice growth of interest around the edges and its foreclosure clause fully an inch and a half long.
I shall be willing, in case I do not find a cash buyer, to exchange the property for almost anything I can eat, except Paris green. Nor should I hesitate to swap the whole thing, to a man whom I felt that I could respect, for a good bird dog. I am also willing to trade the lots for a milk route or a cold storage. It would be a good site for some gentleman in New York to build a country cottage.
I should also swap the estate to a man who really means business for a second-hand cellar. Call on or address the undersigned early, and please do not push or rudely jostle those in the line ahead of you.
Cast-off clothing, express prepaid, and free from all contagious diseases, accepted at its full value. Anything left by mistake in the pockets will be taken good care of, and, possibly, returned in the spring.
Gunnysack Oleson, who lives eight miles north of the county line, will show you over the grounds. Please do not hitch horses to the trees. I will not be responsible for horses injured while tied to my trees.
A new railroad track is thinking of getting a right of way next year, which may be nearer by two miles than the one that I have to take, provided they will let me off at the right place.
I promise to do all that I can conscientiously for the road, to aid any one who may buy the property, and I will call the attention of all railroads to the advisability of a road in that direction. All that I can honorably do, I will do. My honor is as dear to me as my gas bill every year I live.
N. B.--The dead horse on lot 9, block 21, Nye's Addition to the Solar System, is not mine. Mine died before I got there.
A SINGULAR ”HAMLET”
IX
The closing debut of that great Shakespearian humorist and emotional a.s.s, Mr. James Owen O'Connor, at the Star Theater, will never be forgotten. During his extraordinary histrionic career he gave his individual and amazing renditions of Hamlet, Phidias, Shylock, Oth.e.l.lo, and Richelieu. I think I liked his Hamlet best, and yet it was a pleasure to see him in anything wherein he killed himself.
Encouraged by the success of beautiful but self-made actresses, and hoping to win a place for himself and his portrait in the great soap and cigarette galaxy, Mr. O'Connor placed himself in the hands of some misguided elocutionist, and then sought to educate the people of New York and elocute them out of their thralldom up into the glorious light of the O'Connor school of acting.
The first week he was in the hands of the critics, and they spoke quite serenely of his methods. Later, it was deemed best to place his merits in the hands of a man who would be on an equal footing with him. What O'Connor wanted was one of his peers, who would therefore judge him fairly. I was selected because I know nothing whatever about acting and would thus be on an equality with Mr. O'Connor.
After seeing his Hamlet I was of the opinion that he did wisely in choosing New York for deb.u.t.ting purposes, for had he chosen Denver, Colorado, at the end of the third act kind hands would have removed him from the stage by means of benzine and a rag.
I understand that Mr. O'Connor charged Messrs. Henry E. Abbey and Henry Irving with using their influence among the ma.s.ses in order to prejudice said ma.s.ses against Mr. O'Connor, thus making it unpleasant for him to act, and inciting in the audience a feeling of gentle but evident hostility, which Mr. O'Connor deprecated very much whenever he could get a chance to do so. I looked into this matter a little and I do not think it was true. Until almost the end of Mr. O'Connor's career, Messrs. Abbey and Irving were not aware of his great metropolitan success, and it is generally believed among the friends of the two former gentlemen that they did not feel it so keenly as Mr. O'Connor was led to suppose.
But James Owen O'Connor did one thing which I take the liberty of publicly alluding to. He took that saddest and most melancholy bit of b.l.o.o.d.y history, trimmed with a.s.sa.s.sinations down the back and looped up with remorse, insanity, duplicity and unrequited love, and he filled it with silvery laughter and cauliflower and mirth, and various other groceries which the audience throw in from time to time, thus making it more of a spectacular piece than under the conservative management of such old-school men as Booth, who seem to think that Hamlet should be soaked full of sadness.
I went to see Hamlet, thinking that I would be welcome, for my sympathies were with James when I heard that Mr. Irving was picking on him and seeking to injure him. I went to the box office and explained who I was, and stated that I had been detailed to come and see Mr.
O'Connor act; also that in what I might say afterwards my instructions were to give it to Abbey and Irving if I found that they had tampered with the audience in any way.
The man in the box office did not recognize me, but said that Mr. Fox would extend to me the usual courtesies. I asked where Mr. Fox could be found, and he said inside. I then started to go inside, but ran against a total stranger, who was ”on the door,” as we say. He was feeding red and yellow tickets into a large tin oven, and looking far, far away. I conversed with him in low, pa.s.sionate tones, and asked him where Mr. Fox could be found. He did not know, but thought he was still in Europe. I went back and told the box office that Mr. Fox was in Europe. He said No, I would find him inside. ”Well, but how shall I get inside?” I asked eagerly, for I could already, I fancied, hear the orchestra beginning to tw.a.n.g its lyre.
”Walk in,” said he, taking in $2 and giving back 50 cents in change to a man with a dead cat in his overcoat pocket.
I went back, and springing lightly over the iron railing while the gatekeeper was thinking over his glorious past, I went all around over the theater looking for Mr. Fox. I found him haggling over the price of some vegetables which he was selling at the stage door and which had been contributed by admirers and old subscribers to Mr. O'Connor at a previous performance.
When Mr. Fox got through with that I presented to him my card, which is as good a piece of job work in colors as was ever done west of the Missouri river, and to which I frequently point with pride.
Mr. Fox said he was sorry, but that Mr. O'Connor had instructed him to extend no courtesies whatever to the press. The press, he claimed, had said something derogatory to Mr. O'Connor as a tragedian, and while he personally would be tickled to death to give me two divans and a folding-bed near the large fiddle, he must do as Mr. O'Connor had bid--or bade him, I forget which; and so, restraining his tears with great difficulty, he sent me back to the entrance and although I was already admitted in a general way, I went to the box office and purchased a seat. I believe now that Mr. Fox thought he had virtually excluded me from the house when he told me I should have to pay in order to get in.