Chapter 730 (1/2)

After watching the live broadcast, many designers with swollen faces soon understood what was going on.

It's impossible that there is no loading, but Chen Mo uses very clever means to hide all the loading!

For example, the transition from the orphanage to the prison scene is accomplished through the CG between the two brothers. While playing CG, the game deck has deleted most of the resources of the orphanage and loaded the prison resources.

Moreover, the way to hide loading is not just CG.

Nathan slams into the door every once in a while, which may be loading; when he climbs over a place, the bridge collapses, which may also be loading

If CG is used as the only hidden loading mode, players are likely to notice that every time they change the scene, they will broadcast a segment of CG, which is too obvious.

Chen Mo has dealt with the previous resources in the game cabin in many different ways, and preloaded the later level resources, so that the VR game cabin can always run a small level with the highest performance, and at the same time, players can always get a consistent game experience.

Many designers have to admit that this is really a genius!

Whether other people can come up with this idea or not, even if they do, they can't make it. Because this requires a very strong script control and level planning ability, a large number of small levels must be connected in various ways without trace.

Moreover, this is a design that only ”mysterious sea area” can use, because it is a cinematic, online experience.

Many open world games are impossible to use this method, but ”mysterious sea area” does not have those complicated branches and high degrees of freedom, it has only one story line, so the control of rhythm can reach the peak.

That is to say, this technique and ”mysterious sea area” are mutually successful. With high quality and special non loading design, the ”mysterious sea area” achieves the ultimate cinematic game.

……

Nathan put the information about the Malaysian shipwreck back in his cupboard and stood up.

When the camera is pulled in, Lin Xue gets Nathan's control again.

”I want to go to the bottom of the sea just now. Can I go? How beautiful the sea bottom is! ”

Lin Xue still has some ideas. She was a bit fascinated when she was fishing for the sunken ship on the bottom of the sea.

Underwater blue vision, rock, water grass, fish, breathing sound, radio voice, sunk cargo box

When the trailer hook is used to pull on the cargo box, the rope must be pulled around for a week before it can be hung. This detail also makes Lin Xue feel very interesting.

Although Lin Xue didn't really try to dive, this plot made her think that diving should be like this.

Nathan was already at home.

Lin Xue stands up and looks at Nathan's family structure.

At this time, Nathan's location is the attic of his home, which is full of disorderly sundries, but not disorderly. It looks like the storage room of an adventurer.

Lin Xue walked around curiously, picking up the works of art on the table and cabinet and looking at them carefully.

Buddha with three heads and six arms.

Metal skull.

Spanish silver coin found in a German submarine.

Pictures with Sullivan and Elena many years ago.

And the cross of St. desmus, which was found in prison years ago.

Obviously, these are Nathan's collections.

Even picked up a toy gun and played a shooting game in the attic.

Until Elena calls Nathan downstairs for dinner, Lin Xuecai is reluctant to leave the basement.

First of all, the bedroom is a bit messy.

The clothes were randomly stacked on the chairs, and the books on the table were not neatly stacked. However, Lin Xue feels that the scene is full of life atmosphere, which shows Nathan's state after marriage.