Chapter 1370 (1/2)
Chi Shuyan racked her brain for a lot of thought, but she didn't come up with a reason. There were too many secrets in the village. She looked back and forth on the two spirit cards. Just about to put them down, she suddenly saw that there were two paintings behind the two tablets.
Chi Shu Yan immediately picked up the two tablets and looked at them carefully.
Judging from the pattern lines and strokes, this painting is indeed the painting by the painter on the fourth floor before. She thought that the painter would continue to draw other plot patterns. She glanced at the patterns behind the Lingpai. She found that the painter had not painted any other patterns, but had repeatedly drawn the seventh painting.
In the seventh picture, she still depicts a man sitting on a chair in front of a blue brick house and throwing a Buddha statue into the fire pot. Compared with the painting on the fourth floor, which is barely visible, the painting behind the Lingpai is much clearer.
Let her see clearly that this man should not be Xu Xiaozi, but other men. The man in the seventh picture on the fourth floor just now was not so careful. She could barely see that he was a man, and could not tell his appearance at all.
At this time, the man in the seventh portrait repeatedly painted by the painter obviously has more beard and a small bald spot on the back of his head. Judging from these two characteristics, he can not be Xu Xiaozi.
Since this man is not Xu Xiaozi, who is this man?
Why did he burn Buddha statues?
Aren't the people in this village crazy about believing in this Buddha statue?
Chi Shuyan turned her mind slightly, and her eyes fell again on the man in the seventh portrait. Looking more and more carefully, she found that the painter also drew another feature of the man, a bald piece on the back of his head.
A bald spot on the back of the head?
Chi Shuyan soon remembered that Feng elder brother described the man who almost buried him alive. He was of medium build, about 40 or 50 years old, and had a bald back.
Realizing that the man in the seventh portrait and the man who buried his brother alive are very likely to be one person, Chi Shu Yan's face is very ugly and dignified.
She couldn't guess who the man was and what role he played. She simply looked at another picture.
Another picture is about a man with a Buddha on his back, then one day he suddenly caught fire, his face was in pain, and finally he was burned into a charred skeleton frame.
Even if he only looked at the portraits, the painters' paintings were not as lifelike as those drawn by professionals. Chi Shuyan was still shocked by the painting of this portrait, and his hair stood up, which was quite creepy.
She couldn't guess the identity of the man in the previous portrait, but from this portrait, the person in the portrait should be the filial son of the Xu family. If you look at the tablets of the mother and son of the Xu family, Chi Shuyan is absolutely sure that the filial son and son of the Xu family did not leave the village,
and the xujiaxiaozi should also be killed in the village and burned to death.
My son is dead, my mother naturally has no good end. Moreover, the Xu family filial son's mother is so old, the Xu family filial son's accident, the probability of accident naturally is great!
Chi Shuyan recalled the plot of the nine paintings painted by the painters and speculated that what happened in the Xu family that year. The first painting had nothing to do with the affairs of the Xu family. However, starting from the second picture, the content of the second picture is that a person kneels down to make a wish in the temple. In other words, the filial son of the Xu family was really a filial son. He went to the temple to make a wish because of his mother's illness True Buddha, in the third portrait.
The fourth picture is about the picture of mother's kindness and filial piety, as well as a cracked bowl and spilled soup beside it. She didn't understand it just now, but what can make Xu's mother and son so excited and happy?