Chapter 1368 (1/2)

Chi Shuyan didn't waste any more time in the temple in the mountain village. When she stood outside the gate of the temple, her thoughts changed from Wu Haoming's excitement to invisibility talisman.

I saw red and white candles all over the temple tonight, and two big red lanterns hung at the gate of the temple, which made me happy.

She stood outside the door for a while before she passed through the stone wall outside the temple.

Chi Shu Yan looks at more and more human bones. His face is very ugly.

Chi Shuyan swept the empty fourth floor as usual. In addition to those Buddha statues, they were still those Buddha statues, which were placed on the table neatly.

She glanced at it and was ready to go upstairs. As soon as she got to the entrance of the stairs, she suddenly found a painting beside the corner of the stairs, which seemed to be painted with blood, with a faint smell of fishy sweet rust.

Chi Shu Yan was uncertain and touched, then put it on the tip of her nose and smelled it. There was a faint smell of blood. It was estimated that over time, she could only vaguely smell a faint fishy smell.

Because there was no electricity in the temple, many candles were lit on the upper and lower floors of the temple. She went to one side of the table and took a candle to look close to the wall.

Sure enough!

This painting was really drawn with human blood. Chi Shuyan thought there was only one painting at first. When he drew the candle closer, he saw another one on the wall beside him.

She looked at it curiously. In the first picture, a person in front of her entered Dashan Village. In the second picture, it seemed that a man knelt down in a temple to make a wish.

The painter's painting skill is very superb, so Chi Shu Yan can see clearly the content almost at a glance.

From the two portraits, Chi Shuyan asked himself that no matter how smart he was, he could not see what the painter wanted to express.

Because of these two portraits, Chi Shuyan couldn't help but be curious. He took the candle carefully and continued to shine on the wall beside him. He wanted to have a look at other portraits.

Sure enough!

Not long after, Chi Shuyan found several blood paintings again in a corner. She squatted down and looked at the portraits carefully again. She found that the third one was a picture of a man who came to the temple to invite the true Buddha. When she turned to the fourth picture soon, it was a picture of a mother and a son weeping with joy. In addition to the mother's kindness and filial piety, there was a broken bowl beside the painting The ground is splashed with soup.

Chi Shuyan scanned four portraits in succession. Finally, she couldn't help but stop at the broken bowl which was smashed on the ground. She still had a little knowledge, but she seemed to know that the painter was telling a story when drawing these patterns.

Chi Shu Yan endured curiosity and continued to look.

Soon, when the portrait was transferred to the fifth painting, Chi Shuyan found that the painter's portrait began to become a bit in a hurry, and some parts of the line were intermittently connected.

Chi Shuyan tried to look for a long time before he could see what the painting was.