Part 13 (1/2)

[Footnote 27: There is a portrait drawing of Jobst Plankfelt by Durer in the Stadel collection at Frankfurt]

[Footnote 28: That is the head of the Fuggers' branch house at Antwerp]

[Footnote 29: Erasmus of Rotterdam, the famous Humanist]

[Footnote 30: Holbein also painted a portrait of this man in 1528 The picture is in the Louvre]

[Footnote 31: A pen-and-ink likeness of him by Durer is in the possession of the painter Bendemann, of Dusseldorf It bears the inscription in Durer's hand, ”1520 _Hans Pfaffroth van Dantzgen ein Starkmann_”]

[Footnote 32: These were four pictures painted upon linen They represented _The justice of Trajan, Pope Gregory praying for the Heathen_, and two incidents in the story of Erkenbald The pictures were burnt in 1695, but their coundian tapestries at Bern See Pinchart, in the _Bulletins de l'Academie de Bruxelles_, 2nd Series, XVII: also Kinkel, _Die brusseler Rathhausbilder_, &c, Zurich, 1867]

[Footnote 33: A rapid sketch made by Durer in this place is in the Academy at Vienna It is dated 1520, and inscribed, ”that is the pleasure and beast-garden at Brussels, seen down behind out of the Palace”]

[Footnote 34: A reproduction of an old view of this house will be found in _L'Art_, 1884, I p 188]

[Footnote 35: This picture was painted on four panels and represented the Seven Sacraments and a Crucifix It is now lost A sier van der Weyden]

[Footnote 36: This is perhaps the drawing in the Bounat collection at Paris; it has been photographed by Braun (see illus opposite)]

[Footnote 37: It is believed that Durer here refers to an edition of the satirical tale edited by Tho in 1519]

[Footnote 38: ”He afterwards particularly described to Melanchthon the splendid spectacles he had beheld, and hoere plainly ured almost naked, and covered only with a thin transparent veil The young Elance, but Durer hiet near, not less for the purpose of seeing the tableaux than to have the opportunity of observing closely the perfect figures of the young girls” As he hi a painter, I looked about 's ”Life of Durer,” vol ii, p 181]

[Footnote 39: _Het oud register van diversche mandementen_, a fifteenth-century folio manuscript, still preserved in the Antwerp archives]

[Footnote 40: On April 6, 1520]

[Footnote 41: Tommaso was sent to Flanders in 1520 by Pope Leo X to oversee the manufacture of the ”second series” of tapestries The painter does not sees by Marcantonio frons]

[Footnote 43: The picture is lost, but an engraving of it made by And

Stock in 1629 is well-known]

[Footnote 44: The fine ht from Ravenna and still to be seen in Aachen Cathedral]

[Footnote 45: The confirmation of his pension; _see_ p 166]

[Footnote 46: Me family]

[Footnote 47: The object of the whole expedition was doubtless, that Durer ht see and sketch the whale In the British Museum is a study of a walrus by Durer, dated 1521, and inscribed, ”The animal whose head I have drawn here was taken in the Netherlandish sea, and elve Brabant ells long and had four feet”]

[Footnote 48: Gerhard van de Werve]

[Footnote 49: Pupil and afterwards friend of Erasmus]

[Footnote 50: These people were Durer's principal Nurnberg friends]