Part 15 (1/2)

1 Regina Coeli

2 Aves Reginas; Responsoria de Venerabili

1 Cantilena pro Aventu (German words)

6 sacred arias

2 duets

ORATORIOS AND CANTATAS

”The Creation”

”The Seasons”

”Il Ritorno di Tobia”

”The Seven Words”

”Invocation of Neptune”

”Applausus Musicus” For the festival of a prelate, 1768

Cantata for the birthday of Prince Nicolaus, 1763

Cantata ”Die Erwahlung eines Kapellmeisters”

OPERAS

Italian Operas:

”La Canterina,” 1769; ”L'Incontro Improviso,” 1776; ”Lo Speciale,” 1768; ”Le Pescatrice,” 1780; ”Il Mondo della Luna,” 1877; ”L'Isola Disabitata,” 1779; ”Armida,” 1782; ”L'Infedelta Delusa,” 1773; ”La Fedelta Premiata,” 1780; ”La Vera Constanza,” 1786; ”Acide e Galatea,” 1762; ”Orlando Paladino,” 1782; ”Orfeo,” London, 1794

Gerspiel, ”Der Neue Krumme Teufel”

5 edy, and various other plays

MISCELLANEOUS

SONGS:

12 Gerinal canzonets, London, 1796; 6 ditto; ”The Spirit Song,” Shakespeare (F lish lady of position; 3 English songs in MS; 2 duets; 3 three-part and 10 four-part songs; 3 choruses, MS; 1 ditto frole voice and in 4 parts; 42 canons in 2 and more parts; 2 ditto; ”The Ten Commandments” set to canons; the same with different words under the title ”Die zehn Gesetze der Kunst”; sys in the collections of Whyte, Napier and George Thomson

22 airs mostly inserted in operas

”Ariana a Naxos,” cantata for single voice and pianoforte, 1790

”Deutschlands Klage auf den Tod Friedrichs der Grossen,”

cantata for single voice, with baryton accompaniment, 1787

APPENDIX C: BIBLIOGRAPHY