Chapter 2： Little fool and the middle-aged version of Long Aotian 2 (1/2)
The time now is when the original owner was just thrown into the show, he only had a face-to-face meeting with the show crew, and he hadn't had time to show his face in front of everyone.
He wants to save the bad impression of the original owner in the minds of national audiences in his previous life. As long as he can get rid of the name of the rich second generation of fools, the progress of the world will take a big step forward.
He wants everyone to know that although the original owner is a fool, the other party is actually a cute little fool.
This program is called "The Metamorphosis", and the main theme is to exchange lives, allowing children in the city to exchange with children in the countryside for three months, each experiencing each other's lives. To put it bluntly, it took a few months to transform all the spoiled young masters in the city into socialist successors who were moral, intellectual, physical, and beautiful, and then let the country children who had never seen the prosperous city go to the city for a long time. See and experience the life of the people in the city.
Yin Minglu's body is one of the city protagonists being exchanged, and he was sent to the countryside to endure hardship.
At the beginning of the show, the first problem came, which was going up the mountain.
At this moment, the road from the mountainside to the top of the mountain is muddy. Even if the wheels of the suitcase are pulled, they will be tripped by a stone. Children from the city of Yin Minglu must climb up alone.
If he gets tired halfway, the program team will not help him, on the contrary, it will be happy to see his embarrassment. Even if he protested, Han Shihao had already asked Yin Minglu to sign a death contract with the program team in the name of his stepfather.
If he is too tired and crying uncontrollably if he climbs the mountain road, he might later compare the video of a rural child with inconvenient transportation and walking the mountain for a few hours without breathing with his spoiled habits.
This is the case with the original plot. From birth to twelve years old, the original owner who had never walked such a long and rugged mountain road alone, with red eyes and crying nose, crawled while shouting to his mother, and fell down several times halfway, his delicate and cute face was covered with mud. If you change to normal, the family aunt who has been distressed for him comes up to wipe his face and hugs him, but he can't get it.
But the habit of the body had already dictated that, so he walked up to one of the big sisters in the staff, nestled in the other's arms, crying and refused to walk.
This move stunned the audience in front of the TV, especially the program group put a comparison in advance: in order to go to school and read, rural children have to ride for an hour a day with bicycles, and run for two or three hours. Studying, life is very hard. With the jade in front, the original owner was naturally compared to the dust.
Everyone doesn't know that he is different from ordinary children. Even if you learn about it later, your bad impression of him will be preconceived, and it will be hard to change later.
This program originally advocates comparison and likes to let urban children and rural children "compete on the same stage". For example, rural children are young and thrifty, while urban children are willful and spend money like water; rural children are filial to their elders, have excellent grades, and study hard. , But suffered from the limitation of rural resources and died of dreams, while urban children were born with a golden spoon and had everything they needed, but they did not cherish their own resources, rebelled against their elders, and squandered their youth.
All in all, it is to use urban children to set off the truth, goodness and beauty of rural children.
In the previous program, rural children first arrived in a feasting city, shocked by the city’s prosperity, wept seven times, and felt more and more of the barrenness and backwardness of their hometown. This contrasted with urban children who were persuaded from school and returned to school but had hippie smiles and sleepy faces. There was an uproar in a certain area across the country.
This also made the program group more firm in its main purpose of the program, and comparative editing is definitely indispensable. Even if Yin Minglu was stuffed with money halfway through, and he didn't have time to shoot a video that performed badly in the city before, he would soon be compared and shot by the program team and lost to rural children.
Yin Minglu uses the body of the original owner, and it is impossible to transform into a strong man. He climbed to the top of the mountain without breathing. Not to mention that a twelve-year-old child can't do it, let alone collapsed. He can only try his best. Not to be compared to the dust.
He couldn't climb up anyway.
So instead of crying like the original owner, he said not to climb. Instead, he pulled the suitcase and walked slowly forward. Such "obedient" made the photographer a little regretful.
If in the car, the young boy is silent like a marionette, and can be edited as "silent resistance" by them, then the eyes that are not turbulent and stagnant can be regarded as "perfunctory without feelings for their parents". At that moment, if they move forward obediently, even if they have a pair of skillful hands, they can't reverse black and white.
The photographer reluctantly rubbed his sore shoulders, hoping that the child could be "surprise" in the future. It would be better to cry and resist and yell like the children who came to the show before.
Unfortunately not.
The child seemed to be unable to understand the "getting off the horse" that the show crew deliberately arranged for him. He had a laid-back attitude, pulling a small suitcase and treating everything like an outing, walking and stopping all the way, with beautiful jet-black eyes. I was fascinated by the scenery on the roadside. I looked at the flowers and plants for a while, and the stone and mud block for a while. From time to time, I exclaimed, "Ah, it's a butterfly! The butterfly is so beautiful."
The photographer couldn't help it, and finally asked, "Have you never seen a butterfly?" The subtext means that Yin Minglu is making a fuss.
Yin Minglu shook the dog's tail grass in his hand, while his free hand wanted to catch the dancing beautiful butterfly, and naturally replied: "I haven't seen it." The original owner has only seen those exquisitely crafted museums but lifeless. Specimen.