Chapter 321： BANG！ (1/2)

There are more than 9 months before June 2005 ... The late editing work of ”Firefly” has just started. This period of time is enough. After all, ”Fantastic Four” and ”Smith Couple” are scheduled to be released at the same time. In the shooting stage, I have always worked slowly, especially in this innovative sci-fi masterpiece, which is too much time. The production of special effects for ”Firefly” has already begun. The whole film will have more than 1,800 special effects shots, more than 1,000 more than ”Ninth District”.

From the Battle of Tranquility Valley, the big train robbery ... until the battle and ending of New Shanxi. The storyline series diagrams all give the image engine team a detailed description of the production sequence. Some scenes have special effects shots done one after another, which is enough for people to combine the effects. It is also possible for Wang Yang and others to cut out rough cuts without soundtracks and special effects. For this edition, there are only three signed editors for ”Firefly”, Wang Yang and Margaret ... Goodspeed, Li Yimisisi: In the original soundtrack, Hans was invited ... Zimmer, Jane ... ... Co-authored by Kezmelik.

Inviting Hans ... Zimmer to do the soundtrack does seem to be ”tacky ...” Since landing in Hollywood with ”Rainman” in 1988 and receiving the first Oralska nomination, after more than ten years of accumulation and growth, this 47 The old German is now ”the Hollywood spokesperson for the soundtrack of the blockbuster film,” from ”The Thundering Aspirations”, ”The End of the Wild Flower”, ”The Lion King” ... ”...” Courage ”,” Gladiator ”,” ” ”Mission Impossible 2”, ”Black Hawk Fall”, ”Samurai After Pearl Harbor” ... Over the years, he has scored 48 movies and won 7 Orlzka Best Original Soundtrack Nominations ... ”one award .

If you count the information of the future film and television library, he also scored the soundtrack for the ”Batman” series, ”Pirates of the Caribbean” 2.3.4, ”Kung Fu Panda” 1, 2, ”Pirates of Dreams” and other films, an absolute top master!

Hans ... Zimmer is good at combining electronic music and traditional instrumental music, and often shows a shocking unique style. It is a dazzling fusion of electronic music, the magnificence of symphony, and the tragic sadness of traditional orchestral music. The classic, deep, magnificent or passionate vocals like ”Rainman” are all composed into a colorful, majestic, compact, and magnificent moving movement.

This is exactly what Wang Yang wants. The emotional support requires the soundtrack to make a fatal blow, especially the huge and tragic pursuit of ”The Battle of New Shanxi,” and I want the audience to burn up, Hans ... Zimmer level The soundtrack is indispensable. Today, Wang Yang is the youngest best director of Oralska. ”Firefly” is another 200 million sci-fi production. Please move Hans Jimer and let him say ”This is my most important 2005 The plan, ”Naturally, it is not surprising, he also knows that” Firefly ”is a good opportunity to impact Orpheus.

Jane ... Kezmelik and Wang Yang are old friends, and the two have previously collaborated on ”When Knocking on Happiness” and ”District 9” twice.

Suppose Wang Yang needs Hans ... Murgie to deal with the ”moving,” scene, and also needs to play Jane-Kezmelik to deal with ”quiet”. That part of the 51-year-old Polish man may not be so passionate, but The gentleness, the sadness that penetrated the soul in his piano, strings, and children's voices were also lacking in Hans ... Zimmer.

Not a huge and amazing fantasy scene, or a slow literary and artistic atmosphere, Kezmelik is going to bring ease and innocence to ”Firefly”, Wang Yang absolutely believes that Jane can do it, look at the ”Looking for” that will be released on November 12th Fantasy Island! The chic and elegant piano, the light and pleasant string music, and the lively aura of the child's chorus, even the rough brass has become relaxed ... ”It has the style of a fairy tale world.

The film critics commented during the consecutive screenings of ”Looking for Neverland”, saying that the only shortcoming of its soundtrack is that it is too ”light”, and the ”Kazmelik three magic weapon” of piano, string and children's voice is used. Very similar to the same melody, rhythm, and strength, and the separation of the instrument parts is not obvious, so it is not possible to distinguish from the essence of music, resulting in many sounds that sound natural, but the recognition of harmony and timbre is not high It hasn't formed the spatial tension that has always been talented in Hollywood soundtracks.

However, Wang Yang felt that the critic was simply a fart, ”What a Wonderful Melody!”

Including many different forms of creation, usually too restricted, or self-contradictory entanglement, or external oppression pressure, and in his opinion, some composers are usually lost in the form of publicity, like to do something different The stacking of elements; film soundtrackers pay more attention to music to serve video content, which leads to innate release, compliance, especially commercialization of Hollywood, only when the ”experience”, ”risk,” more than anything else. ?

That's right, letting string and harmonics and string and piano appear together in unison. This is to give up the epic and huge texture that Hollywood soundtrack has always followed, weaken the spatial tension, and pursue a light and light expression.

But give up and give up, why should we pursue the same measure of tension every time? Different scenes in different films ... ”The expressions are all justified. The” lightness ”of” Finding Fantasy Island ”is too light. Wang Yang hopes that several important scenes of” Firefly ”can also be in this atmosphere.

In fact because of the soundtrack, Jen ... Kezmelik and ”Looking for Dream Island Producers have had a lot of differences ...” Of course now he persevered. Perhaps Wang Yang ’s private support and intimacy, and As always, the enthusiasm and sincerity came to play, and Jane-Kezmelik agreed to the soundtrack invitation to work with Hans ... Zimmer together to know that in the previous film works ... ”he was all independently created.

Hans ... Zimmer and Jen-Kez Melik are master music scorers, and they moved a bit. This time, the dynamics of the two of them in the ”Firefly” will suddenly make many fans and movie soundtrack fans look forward to the abnormal, How will their scale symbols collide?

Of course, we must wait until the editing group has achieved results before the soundtrack group can start. As for how naturally it depends on whether the video content of ”Firefly” can give them the passion and inspiration to create Zhuang. However, the soundtrack group is not unprepared for the work. They also need to think about how to integrate cowboy + oriental, how to perfectly add some traditional Chinese musical instruments such as erhu, pipa, and small gong to show some oriental mood atmosphere?

They are planning to ... first go to Japan, Taiwan, Hong Kong and Mainland China to discuss with local Asian musicians and film soundtracks, and invite excellent musicians to participate in the work, vowing to make ”Firefly” a profession A new pinnacle of career.