Chapter 710 (1/2)
”There is a wooden tree in the east of the sky, with a candle dragon under it.” Chen Yulou said in horror: ”this is the short bitter day written by Li He, a poet of the Tang Dynasty. Qu Yuan said in Li Sao:” break like a wood to brush the sun. ”Wang Yi noted:” if a wood is in the West pole of Kunlun, its China shines on the earth. ”There is also Tianwen Wang Yi notes, ”in the northwest of the sky, there is a country with a dark sky and no sun. There is a dragon holding a candle.”
”The candle dragon is the God of Zhongshan, and Ruomu is in the West pole of the great wilderness. It is not recorded in the book of mountains and seas that the candle dragon occupies Ruomu.” the partridge whistle retorted.
”But the book of mountains and seas” Ruomu in is just a kind of ordinary wood, and the candle dragon is the great God who ”sees it as dark, sees it as bright, does not eat, does not sleep, does not rest, and the wind and rain is worship.” ”sees it as day, closes it as night, blows it as winter, calls it as summer, does not drink, does not eat, does not rest, and breathes it as wind.” but in Qu Yuan's poems, Ruomu is already a place for the sun to rest, and rises to support the mulberry and rests on Ruomu. According to the textual research of the Qing Dynasty, the candle dragon is the name of the day. ”
”If the first emperor compared the sun with a candle dragon and the sun rested on Ruomu, it would be clear if he held the candle dragon on the Changming lamp and wound around Ruomu!”
Chen Yulou said, ”there is a wood in the east of the sky, with a candle dragon under it. This is the phase of sunset in the West. The lamp burns mermaid's ointment. When I am near, the lamp will be bright, and when I am far away, the lamp will be dark. It seems that my anger is oil.”
”This should be a Fengshui array that is not inferior to the” Yin corpse returning to Yang array ”. The cream of Mermaid will never go out, because this lamp uses vitality as fuel. The dragon fire will burn out the turbid gas, and the ever bright lamp will illuminate the road of the first emperor's return to his soul. This road will lead to the first emperor's coffin, the bright lamp along the road will never go out, and the endless gas will illuminate the road of the first emperor's soul parade.”
”When the time comes, the soul of the first emperor will return from this road. After the death of the first emperor, the soul will ascend to heaven from this road. When it is scheduled, his soul will also return from this road and be reborn again. The Yin corpse of the terracotta warriors will continue to be alive and nourish the body of the first emperor, while the mermaid lamp will guide the soul of the first emperor to return to the body. This is the second Feng Shui array for his resurrection!”
At the excavation site of the underground palace of Shihuang mausoleum, Feng Yuxiang's body fell before the entrance of the underground palace. The nearby body lay on the ground. The fatal wound on his body was in his chest, and a blood hole ran through his body at the heart on the left. The heart inside disappeared without a trace, and some foreign bodies similar to feathers appeared in the wound.
In the underground palace, a woman in black gazed at a broken mural.
The woman pulled the lower cover. It was Xiao Lin, the daughter of Aster. She looked at the broken mural. On the mural, a human figure as dead as a corpse, dressed in feathers, accepted a group of Chu people with simple clothes to kneel down. Kobayashi said in a deep voice, ”in the past, the nobles of the state of Chu were buried in the cave of the dragon vein. The corpse absorbed vitality and was covered with feathers.”
”This is the witchcraft of the state of Chu. The people of Chu worship feather and worship their ancestors SHAOHAO. The combination of Yin-Yang magic in the Central Plains and witchcraft spread among barbarians has formed the unique witchcraft of the state of Chu. The nobles of the state of Chu are also affected by it. They bury themselves in the” eclosion cave ”called by the yin-yang family in the Central Plains, or use the witchcraft to create a Feng Shui array of eclosion and immortality. The corpses are fresh and full of feathers.”
”These eclosic corpses were occasionally unearthed, and they were regarded as' immortal gods' by the Chu people. Among the yin-yang alchemists, they were called 'earth Immortals', pretending that the tomb owner had become an immortal. This technique of earth immortals was abandoned after the Han Dynasty. Later practitioners of Qi have understood that this eclosic corpse is just a foreign body soaked into the earth's atmosphere and can become a monster.”
”This kind of magic is gradually lost!”
”The corpses of immortals have been immortal for thousands of years. They have transformed the dead bodies into another form of life, just like Cordyceps sinensis. Cordyceps sinensis is just the emergence of insects into immortals. People are the spirit of all things. It can be imagined that the emergence of human corpses is a kind of magic medicine. If we can vaporize the Yin and miscellaneous Qi of these eclosic corpses and the resentment before they die He said, ”you can really become an immortal without waiting for service.”
”When the first emperor broke Chu, a scholar Fang offered feathering skills and said the secret of longevity Feng Shui, so the first emperor excavated the remains of Chu ancestors buried in Feng Shui birthplace and feathering cave to get feathering corpses...”
The mural was already broken here. When Kobayashi came to the end, there was only the last broken mural left - a heavenly man covered with feathers raised his head and looked relieved. A bronze Ruomu grew in his mouth. On the Ruomu was a dragon holding a candle and lit a little light.