Chapter 565 (1/2)

It's really hard!

The key point is fluency.

The effect of array patterns is to resonate with the vitality of heaven and earth in a specific way, and attract them for their own use, or absorb, increase or change. There are many advantages.

In the process of drawing, besides the fixed pattern, the most important thing about array pattern is the fluency.

True to life, personally on the scene, as like as two peas, you can not tell a lot of things. For example, a landscape painting can give you a vivid and immersive feeling. Even the details of the future are exactly the same, but you can't find that artistic conception.

In fact, most of the gap lies in the fluency, which is also the difference between craftsmen and masters.

As like as two peas and a trembling, even though the final result is exactly the same, it will be different in structure and perception.

This is also the reason why many weapon refiners say that ”array patterns are alive and array is art”.

The twelve layers of Tiandi Furui wanlingjue bring powerful and incomparable spiritual intensity. Coupled with the judgment and control brought by Tianyan, Xiang Yang has inherent advantages in array pattern drawing. Almost any array pattern can be drawn by hand as long as you look at it once.

But now, he uses samadhi true fire to burn array patterns, but he can't achieve such a state.

Although the control of samadhi's true fire has been subtle, it is too difficult to turn it into such a thin one, and then the burned array lines, regardless of their lines, thickness and depth, should be flawless. In addition, it is also necessary to brush away the melted molten iron all the time to avoid blocking the array lines again after condensation.

Xiang Yang didn't dare to take his abilities lightly. He could only come slowly with a stroke.

If you abandon your martial arts and lower yourself from a master to a craftsman, the gap is difficult to describe in figures and words.

But!

Many things, as long as you do the best, will bring different results.

His powerful body brought him unparalleled control, which could be accurate to almost every inch of skin and every muscle. Therefore, Xiang Yang's hand was very stable, just like iron casting. The two pillars of incense came down, and there was not even a trace of imperceptible vibration.

The speed of the thin line of fire spreading forward is also constant. The other hand moves forward slowly, fingertips everywhere, and the molten iron is brushed away without touching a penny.

According to Tian Yan's description, he is like an ”instrument” with ”procedures” set. All his actions are perfect without any negligence.

After watching for a long time, you will have an illusion. It seems that even when the sea is dry and the rocks are rotten, his actions will not change at all.

In this case, although his movement is slow, the burning array lines can still maintain excellent fluency.

With such a little push forward, half an hour later, there was a dense array of black iron essence on the index finger's long black iron essence, each of which was not visible, but it was very precise, and every turning point and every arc was perfect and smooth, compared with that of ordinary pen.

But the speed is much slower after all. When he completes the drawing, the final auxiliary material combination of the other two sides is coming to an end.

Similarly, first draw array patterns on the forged auxiliary materials, and then in a dazzling movement, two brand-new magic weapons have been completed.

The two sides stopped almost at the same time. If they didn't put the fleeting images in one place and compare them carefully, they couldn't see which came first.

But in the end, the Luo sisters who took the lead all the way lost, and Zhu Rong took the lead by an extremely weak advantage.