Chapter 526： : Elemental Split Arrow Tower, Level 5 City Lord’s Mansion Upgrade Certificate [Anti-Theft]... (1/2)
【Anti-theft chapter, refresh at point】
【Support genuine, start from me, touch it】
From a global perspective, there are very few people who have started to learn command at the age of 14, and young people who have won two international command awards at the age of 21 are even rarer.
”Post-00” Jinyu Mine not only won the second place in the two international conductor competitions of Khachaturian and OnlyStage, but also initiated and established a neo-classical chamber orchestra composed entirely of post-00s at the hardest time of the epidemic last year.
From the Shanghai Summer Music Festival in July to the Beijing International Music Festival in October, this young neo-classical chamber orchestra turned out to be an ambition and courage of the ”post-00s” from the selection of songs. To commemorate the 50th anniversary of Stravinsky's death, they brought Stravinsky's ”Four Preludes and Fugues in Equal Temperance” to the trendiest Sanlitun Red Museum, which made its debut in China.
”This is Stravinsky's last work in his later years. The last pencil he used in his life was drawn on the sheet music of this work.” Jin Yukuang was very proud. They were not a professional orchestra, but they dared to first Act this work. In fact, this young orchestra has been looking for and challenging the ”hardest” since its birth. In the first performance of the orchestra’s establishment in January last year, Stravinsky’s ”E flat major concerto ”Dumbarton Oaks”” and Copland ”Appalachian Spring” were performed in two works. Known as the ”Large Chamber Orchestra Touchstone”.
Neoclassical Chamber Orchestra performance scene/Beijing International Music Festival
Just because they selected two representative works of the Neoclassical period, they simply named the orchestra ”Neoclassical”.
This ”new” includes not only the research and exploration of neoclassical music, but also a new perspective for the younger generation to view classical music. Jin Yukuang said, ”New represents the current era. We play classical music, but classical music is not pretentious and old-fashioned, but is always growing and innovating.”
This 1.88-meter tall boy has a mature understanding of classical music beyond his age. He believes that, compared to Mozart, Haydn is a classical era a century and a half ago, and Mozart is innovation. The conductor Jekiyev used a toothpick to direct the Hundred Orchestra, and Wang Yujia brought the iPad to the concert. These disruptive music forms are all innovations. What the neoclassical chamber orchestra wants to open is the experience of a new era belonging to the ”post-00s”.
Study classics together, play room escape together
”Breaking up.” Speaking of the Neoclassical Chamber Orchestra in Sanlitun, Zou Shuang, the artistic director of the Beijing International Music Festival, said that this is like the concert she has been waiting for, young and full of tension, with an atmosphere on and off stage. All are active.
They really ”played” classical music. ”Enjoying on stage” is the experience of every member of the orchestra.
”Our pure motivation for being an orchestra is to play music with these friends who grew up together.” Jin Yukuang said that the current 15 core members of the orchestra are all studying at the Shanghai Conservatory of Music. Many of them are Walked all the way from Shangyin Fuxiao.
For this generation of ”post-00s”, making music does not have so many thoughts, burdens and limitations. For them, forming an orchestra is just a group of like-minded friends discussing and interpreting music together. One of their goals is to discover unpopular works that have not been performed in China. They enjoy the process of playing more and enjoy the fun of researching and challenging new songs together.
This year, the ”post-00” Jinyu Mine won the second place in the two international conductor competitions of Khachaturian and OnlyStage in succession. Photo/Beijing International Music Festival
Zou Shuang accidentally broke into the rehearsal site of the neo-classical chamber orchestra, ”just like a teacher suddenly going to round the room.” She was in the hallway and heard the laughter, and when she approached, she suddenly became quiet again. Looking through the cracks in the door, it seemed like nothing happened inside, everyone was rehearsing seriously.
Within this young orchestra, there is no strict hierarchical distribution of professional orchestras. The conductor and the members of the orchestra are equal, and everyone's ideas are respected and realized. They can decide what repertoire to perform from their respective standpoints, discuss a detail in the rehearsal arena, and search for various materials on the Internet to study music in depth.
When they were on stage, they were a rigorous classical chamber orchestra. When they stepped off the stage and left the rehearsal hall, they would make an appointment to eat supper and play room escape together.
Jinyu Mine I remember a foreign conductor ridiculed, if you go to conduct a world-famous veteran symphony orchestra, it is like driving an old Lincoln car, driving the steering wheel twice, the reaction is also very slow.
He likened the neo-classical chamber orchestra to the small-sized sports car Mazda MX, ”We will be more agile and turn faster, but it also means that it is easy to run off.” But whether it runs off the road or crashes, it is what he thinks must be passed. road.
The youngest conductor
”I haven't really studied command abroad in a real sense.” Jin Yukuang said, winning the silver medal in the Khachaturian International Conducting Competition and becoming the youngest winner of this event was like an accident to him. .
recalled the state in front of the final stage in June this year. He did not have a trace of tension at all, but was confident and enjoyable. Of course, he also remembers his nervousness when he first came on stage at the age of 16. When the Zurich Conservatory of Music Symphony Orchestra visited Shanghai, Jinyu Mine was recommended by teacher Zhao Xiaoou as a second-year student of the Shanghai Conservatory of Music. The second movement, ”The legs are shaking with tension”.
Jinyu mine piano from elementary school, but I haven't found fun. It was not until I joined the chorus that I realized that music can be played by a group of people.
Like most piano boys, he learns the piano more to fulfill his parents' wishes. After being admitted to the High School Attached to the Shanghai Conservatory of Music, my enthusiasm for music was suddenly aroused. He started practicing piano at 6 o'clock every day, and didn't go back to his dormitory until 10 o'clock in the evening, which became the norm during his middle school period.
They were born in the Internet age, and a mobile phone can connect the world. If you want to listen to the Berlin Philharmonic Orchestra's concert, you can do it online without going to the local area. If you want to read the information of which conductor or composer, whether in video or text, there are extremely detailed research materials in both Chinese and English.
The Internet has given these young people a broader vision and opportunities than their predecessors. For Jinyu Mine, being born in China, where the classical music market is unprecedentedly prosperous, is also an opportunity of the golden age. For these young people, the Shanghai Symphony Orchestra's performance has become a place for offline gatherings. Talking and analyzing music together is a part of daily life.
Because the teacher Zhang Guoyong is the music director of the domestic symphony orchestra, he was asked to conduct professional orchestras such as the Shenzhen Symphony Orchestra and the Guiyang Symphony Orchestra when he was a student. This is an almost impossible opportunity for conductors growing up abroad.
After the first performance of the Neoclassical Chamber Orchestra, Jin Yukuang made a simple orchestra introduction manual and rushed directly to the Shanghai Symphony Orchestra to introduce himself to the artistic director Yu Long. After that, this ”post-00s” orchestra made frequent appearances at Shanghai and Beijing music festivals.
Long Yu once said that they received fire from Li Delun and other older generation musicians. Now, they want to pass the fire to younger faces. ”We have changed from heirs to passers and paveers, just like our predecessors. In the same way, only by paving the way and building bridges for young people, and continuing to circulate and pass on in this way, can China's music industry flourish.”
In 1959, the conductor Sir Neville Marina assembled a group of London musicians to form the Saint Martin Chamber Orchestra. These outstanding performers who love music have given classical music a refreshing look and become the world's top chamber orchestra, leaving more than 500 classic records for the world.
Gathering because of love is also the original intention of this group of young people of the Z generation. In July of this year, they joined the ”Blue Bird Project 2.0” of the Shanghai Symphony Orchestra and began to plan their own performance season. From creativity, planning, preparation to co-artists, all led by the orchestra itself, the current performance plan has been scheduled until July next year.
”The First Incense” hits the street, not the pot of Ma Sichun and Peng Yuyan
愉刺儿11 hours ago Follow
It is not only actors who blow out the ”first incense”.
This is not the first time Xu Anhua has photographed Zhang Ailing.
”Love in the Fallen City” in 1984, ”Half Life” in 1997, and the drama version of ”Golden Lock” in 2009. After 12 years, she directed Zhang Ailing's novel ”The First Incense” again.
Throughout the Chinese film industry, Xu Anhua is a well-known Zhang fan and the director who has filmed the most adaptations of Zhang Ailing's novels.
In the autobiography ”Xu Anhua Says Xu Anhua”, she said: ”I can't explain why Zhang Ailing is so popular with our generation of directors. This is a cultural phenomenon. If you find a work particularly attractive, you should shoot it. , Because it must be your own opinion that resonates with the work. Taking pictures of him is just taking pictures of your own experience, which is very worthwhile.”
Unfortunately, as of October 25, the Douban score of ”First Burning Incense” was only 5.6. As far as Xu Anhua’s own work is concerned, this is the one with the lowest rating of her film.