Chapter 96 (1/2)
Qin Guan watched the battle record very slowly and three times.
Because I really can't understand all of them
The big man also assassinated all the way, and all the little monsters were cleared. In the end, only the commander was left to kill the whole fortress.
Qin Guan felt that the big man had the ability to sneak in and kill the commander directly, but that would definitely not achieve the full completion.
In this way, all the little monsters can be dealt with by means of assassination, which can not only ensure that they will not be besieged even if they are found later (the guards are almost killed), but also ensure that as many assassination techniques as possible can be used. This should also be a way to improve the degree of completion.
There is also an objective advantage, that is, the boss has displayed almost all the assassination techniques, which has opened Qinguan's eyes.
Before, Qin Guan only knew how to assassinate, that is, to touch the enemy's back, cover his mouth with his left hand, stab him with his right hand, and then drag the corpse away.
But in history, this is the most basic, simplest and least commonly used technique.
After all, it's difficult for developers. Every guard is highly alert. In most cases, players simply can't find the opportunity to touch the back of the enemy. They can only do it from the side or even the front.
In many cases, two or three people have to be assassinated at the same time.
How to kill three people at the same time? Of course, through special techniques.
Qin Guan's bitter lesson made him think that as long as he got three guards at the same time, he would be GG, because if he killed two guards at most, the third guard would run away and report.
But in the historical records, this big man often deliberately attracted three enemies in order to speed up the progress.
As for how to solve the problem of escape? It's very simple. Just kill three people at the same time.
Through feint, the three enemies gather around them, then one cuts his throat and the other shoots a bullet to counter execute them. At the moment when the third enemy wants to escape, he throws a dagger and penetrates his throat directly, so that he can't make any sound.
This is equivalent to using the mechanism of the trial itself. When the enemy is in the dominant position in the number of people, they will not shout people or light the fire pot at the first time, so as long as you kill fast enough, it will not be exposed.
In addition, there are a variety of other assassination techniques, which not only make good use of the surrounding environment, but also use different movements.
For example, frontal assassination: crouching in the grass on the ground, or hiding behind obstacles and debris, holding a knife in the left hand. In the moment when the enemy comes, he suddenly rushes out. When the enemy is facing himself, he quickly pulls his right arm with his right hand and makes him turn over. Then he quickly covers his mouth with his right hand and stabs with his left hand.
Of course, it's the same operation to hold the knife with the right hand.
In short, if the enemy does not turn his back on himself, he must first find a way to turn his back on himself, and then how to assassinate or how to assassinate.
Or it's not so troublesome at all. You can cut your throat with a knife. Anyway, as long as you can keep the enemy silent, you can kill him.
In addition, you can also climb to a high place and stab the dagger directly from the back of the neck at the moment of falling, which is also a kill.
There are many kinds of assassination actions, such as slide shovel, lung, kidney, neck, throat cutting, shoulder fall, rotary assassination, kick down assassination, close to the wall assassination, even killing and neck wiping, double jump and so on. In the battle records, almost all the guards died of different assassination methods.
Moreover, all kinds of obstacles and buildings in the fortress can also hide for players. As long as you avoid the view of the guards, you can give full play to your imagination.
Hanging on the wall?