Part 44 (1/2)

And now Connie was gone to bed, and Ellice too; and Johnny smoked his pipe and frowned over it, and asked himself questions to which he could find no answer.

”But I trust her, absolutely,” he said aloud. ”Still, if she knows the man”--he paused--”why hasn't she spoken to me about him? I am to be her husband soon, thank Heaven, but--”

And then came more doubts and worries crowding into his mind, and his pipe went out, and he sat there, frowning at thoughts, greatly worried.

Johnny Everard looked up at the sound of the opening of the door. In the doorway stood a little figure. He had never realised how little she was till he saw her now, standing there with her bare feet and a thin white dressing-gown over her nightdress, her hair hanging in great waving tresses about her oval face and shoulders and far down her back.

She looked such a child--and yet such a woman, her great eyes anxiously on his face.

”Johnny,” she said softly, ”you have been worrying.”

He nodded, speechless.

”Why, Johnny?”

”Because--because, Gipsy, I am a fool--a jealous fool, I suppose.”

”If you doubt her honour and her honesty, Johnny, then you are a fool,”

she said bravely, ”because Joan could not be mean and treacherous and underhand. It would not be possible for her.”

”I thought you did not--like Joan?”

”And does that make any difference? Even if I do not like her, must I be unjust to her? I know she is fine and honourable and true and straight, and you must know that too, so--so why should you worry, Johnny? Why should you worry?”

”Why has she never said one word to me about this man? Why did she refuse to recognise him that day when she saw you and him together? Why does she go to Mrs. Bonner's cottage to meet him late at night?”

He hurled at her all those questions that he had been asking himself vainly.

”I do not know why,” Ellice said gravely, ”but I know that, whatever the reason is, it is honourable and honest. Joan Meredyth,” she paused a little, with a catch of the breath, ”Joan Meredyth could not be other than honest and true and--and straight, Johnny. It would not be her nature to be anything else.”

”Why do you come here? Why do you come to tell me this, Gipsy?” He had risen, he stood looking at her--such a little thing, so graceful, so lovely with the colour in her cheeks, the light in her eyes, the light of her fine generosity. ”Gipsy--” He became silent; looking at her, strange thoughts came--wild, impossible thoughts, thoughts that come when dreams end and one is face to face with reality. So many years he had known her, she had been part and parcel of his life, his everyday companion, yet it seemed to him that he had never known her till now--the fineness, the goodness of her, the beauty of her too, the womanliness of this child.

”I came here to tell you, Johnny, because you let yourself doubt,” she said. ”I heard you moving about the room restlessly, and that is not like you. Usually you sit here and smoke your pipe and think or read your paper. You never rise and move about the room as to-night.”

”How do you know?”

She laughed shortly. ”I know--everything,” she said. ”I listen to you night after night. I always have for years. I have heard you come up and go to your room, always. I always wait for that!”

”Gipsy, why--why should you?”

”Because,” she said--”because--” And then she said no more, and would have turned away, her errand done, but that he hastened to her and caught her by the hand.

”Gipsy, wait. Don't go. Why did you come to tell me this of Joan to-night?”

”Because since you have asked her to be your wife, you belong to her, and you should not doubt her. She is above doubt--she could not be as some women, underhand and treacherous, deceitful. That would not be Joan Meredyth.”

”And yet you do not like her, dear. Why not?”